Blog — Page 120 of 275

The infrequently-updated site blog, featuring a range of content including show reviews, musical musings and off-color ramblings on other varied topics.

Girlvert memoir by Oriana Small

Posted by T • March 27, 2020

Girlvert: A Porno Memoir

Oriana Small

Rare Bird Books

 

The title of this tome is a telling one as it details a span of ten years that evolve from modelling to full-on adult films on the, let’s call it more “extreme” end of the scale.

Girlvert is a melange of anecdotes that in pornographic detail – pun intended – shed light on all the dirty facets of an industry, the less glamourous side of which is dominated by degradations and drenched in bodily excretions. Apart from drawing the curtains and offering a look behind the scenes of the porn industry, the book chronicles the gradual deterioration of the protagonist’s relationship with her partner resulting in outbursts of domestic violence, which are fuelled by drugs and alcohol.

In many aspects Oriana Small’s, also known as “Ashley Blue’s” story is the quintessential cliché that one would suspect behind a career in the dirty red light of gonzo porn, i.e. the backdrop of a dysfunctional family and the resulting need for attentions and approval, however, what makes it an intriguing read is the fact that ultimately the narrator does not harbour many regrets – the story does neither culminate in redemption or a plea for absolution but is pervaded by a sense of pride and a view that portrays some of what the public would perceive to be degrading perversions as performance art.

An interesting and at times unintentionally sad perspective that is given authenticity by the angle of fiercely explicit honesty with at times shocking insinuations yet the refreshing lack of need for provocation and devoid of glorification of high-risk behaviour. Small’s voice is one of a self-confident and self-aware woman that albeit emotionally damaged, does not indulge in victimization.

An engaging read, though not for the squeamish or prudish.

T • March 27, 2020

Static Shock Weekend

Posted by Mirza • March 23, 2020

Static Shock Weekend

London, UK

March 2020

It feels weird to be writing this review now. Just days after returning from London and Static Shock Records annual DIY hardcore punk festival Static Shock Weekend, Europe and other parts of the world started shutting down due to the Corona virus. Whilst there you always felt in the back of your head that something serious was about to go down but at least for a few days you could let that go and just mosh to some amazing bands from all over the world. Without having any stats to back this up I’d wager that this was one of the last gigs to even take place in a European capital before all events started getting cancelled en masse. But took place it did, and what an amazing happening it was. It’s underground to it score and all the better for it. It’s for those that love small club and pub gigs because that’s where you will normally see these bands. Ever heard of ASID? What about S.H.I.T? Or Muro? Yeah, Dropkick Murphys this ain’t.

The fest is usually spread out over four days. As I only attended Friday to Sunday I will only mention bands that played those days but judging by social media commentary people very much enjoyed Thursdays shenanigans too.

It all takes place at New River Studios in North London, an arts centre, studio, bar and gig venue in a converted furniture warehouse. The set up is this: five to six bands at a pop that each play a twenty minute set, with a ten minute break between each act. Friday kicked off with fairly new London hardcore punks The Annihilated, who plow through a set of ferocious 80s-inspired US hardcore that doffs its cap to Negative Approach. The singer could be seen in the mosh pit for almost every band for the rest of the festival. Following them were Italian anarcho punks Lucta and London’s feminist hardcore crew Lekra.

Next up were ASID, whose fuzzier hardcore with big meaty riffs were an altogether darker proposition than the previous three bands. It’s amazing stuff but it doesn’t really put you in a good mood. Chubby and The Gang’s does though. You might have heard of these guys by now. The debut album Speed Kills camke out in January and has already received quite a bit of hype. It’s hardcore punk with melodies and great chorises and it’s when these guys came on that can’s and plastic mugs full of beer started flying through the air.

Closing out Friday night were New York’s Murderer and Toronto’s S.H.I.T. While the former are definitely the most different sounding band of the night, with atonal, repetitive and almost gothic sounding punk, the ”headliner” ripped through some breakneck hardcore and got to enjoy a sick mosh pit.

Saturday’s evening show gav eus eight bands to enjoy: Muro (Colombia), Disguise (Ireland – Last ever show!), Dark Thoughts (USA), Idiota Civilizzato (Germany), Subdued, Minima (Spain), Irreal (Spain) and Sniffany and the Nits. Instead of going through each band I’ll pick out the two that stood out for me on this night. Dark Thoughts with their melodic punk rock reminiscent of the Descendents and Colombia’s Muro. Muro were the band of the weekend for me, hands down. The rabid, relentless hardcore attack of the music was fantastic in itself but live they were simply unstoppable. In such a short space of time they delivered possibly the best live experience I’ve had from any band, let alone a hardcore one, in at least five years. Not since seeing Negative Approach in Stockholm in 2015 have I been left so physically drained from a concert. Sickest mosh pit of the week, hands down. It left me with a cut on my forehead, a torn jacket and the knee that had surgery was pretty sore the day after. Check these guys out, post haste.

And so we come to the last day. For the Sunday all the five bands played in a smaller room in the main New River Studios space. It was an early show with an early finish and was wrapped up by 7 pm after six bands blitzed through some prime hardcore energy. Game was probably the pick of the bunch here with something that brings to mind British cult band Sacrilege, due to both the tempo and the female vocals. But props have to go out to Loose Nukes for even finishing the event. Their gig wasn’t even supposed to happen as three quartters of the band didn’t make to the UK as their van broke down on the way to the airport. The only reason frontman Jim Shomo made it was because he played the night before with the already mentioned Dark Thoughts. So instead of cancelling he assembled an impromptu line-up consisting of the guys from Game, S.H.I.T. and Dark Thoughts. They only played four songs but seing as they learnt them the day before and still had to play with their other bands at SSW it was no mean feat. Short but sweet and a great finish to a great weekend. The other bands on Sunday – Saliva, Koma and Imposter are also well worth checking out.

And shortly after this the cultural world, along with most of society was pretty much put on a standstill for the foreseeable future. It’s hard to think that it migt be some time before we can see some bands live again, so massive props to the Static Shock gang for giving us something great to hold on to until all this very strange situation blows over and things are at least approaching something normal.

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Photos by Mirza

Pictured Game (top) and Loose Nukes (rest)

Mirza • March 23, 2020

Caspar David Friedrich: Nature and the Self

Posted by T • March 20, 2020

Caspar David Friedrich: Nature and the Self

Yale University Press

 

Classifying Caspar David Friedrich’s oeuvre and paintings as “atmospheric” would be an understatement par excellence. The way CDF channelled his alchemy and the intricacy with which he  outlined figures lost on musings on the need to be and contemplation is unrivalled and it is not further wondrous that he became a luminary and the spearhead of the Romantic philosophical era, specifically in Germany, which epitomized its approach to nature and our interconnectedness in a holistic way.

There is a myriad of books on Caspar David Friedrich and how his paintings helped beholders to come to conclusions about nature and their part in it. What Nature and the Self accomplishes, however, is revealing how especially his less known later works depicting stones and trees relate to philosophical ideas in the most subtle of manners, while not leaving out his iconographic widely popular artworks incorporating human figures.

Nina Amstutz’ approach to Caspar David Friedrich is informed by a multifaceted analysis that starts with what is apparent face-value and then deep drives to touch on influences that are not necessarily part of the mainstream recipient’s outlook. What this results in is a unique intersection of nature, ego, the school of life with all its respective sciences and how it all adds to a melange that in equal parts simmers down discussions around biological, anatomical, morphological findings to their very essence.

By doing that, Nina Amstutz and her Nature and the Self triggers a new discussion around Caspar David Friedrich’s work and how it played an important role in the canon of nature, art and its interconnectedness in the nineteenth century.

An essential addition for anyone remotely intrigued by CDF.

T • March 20, 2020

Whisky: A Tasting Course book review

Posted by T • March 16, 2020

Whisky

Eddie Ludlow

DK Australia

 

Eddie Ludlow’s mission consists not only of preaching to the converted and expanding their horizons but getting non-believers turned on to whisky – the man likes bringing people together over a dram and genuinely, passionately lives breathes, eats and sleeps whisky.

Whisky is one of the many books of the evangelist of the water of life and serves not only as a great reference resource for the initiated but also paves the way for the ones who have yet to see the light – no matter if you are in need of guidance or harbouring a thirst for facts, figures and technicalities.

The first couple of chapters focus on the basics, i.e. on what is the essence of whisk(e)y, the "story behind it grains, how whiskey is made, et cetera. What makes the book different from the myriad of other tomes on the subject is that it is written to teach you to taste whiskey.

There are dedicated chapters on tasting whiskey with literally all of your sense, only to then evolve to elaborating on how to compare the tastes of various variants of whisk( e )y, i.e. Scotch, Irish, bourbons, rye and so forth along with chapters on tasting from different regions of Scotland, Ireland, the United States, Japan, other parts of Asia, and most interestingly other areas around the world.

While it does not exactly go into meticulous depth on any of the respective topics, this is an excellent tome for readers who have a newfound love for or want to nourish their existing knowledge on whisky, provided in a simple, clear, and informative manner.

Best thing is that once you have read, you are very likely to find yourself revisiting some of your staple go-to drops in your cabinet to test out and verify what you have learned, and chances are that you will come to them with a new appreciation and a heightened ability to detect smells and tastes.

No matter if you love whisky and are an expert or a curious novice, I would heartily recommend it.

T • March 16, 2020

Water of Life–Meticulousness & Attention to Detail

Posted by T • March 15, 2020

Water of Life – Meticulousness and Attention to Detail

The AMC series Breaking Bad has chronicled the exploits of Walter White, a high school chemistry teacher turned drug lord who with meticulous attention to detail perfectioned an ingenious recipe for ultrapure methamphetamine. Now, I am not saying that what  David Baker, founder  of Bakery Hill, does is a job parallel to Walt refining a process to synthesize the drug from the ground up, but if we follow the narrative of the TV show, the product he produced was not only immensely pure but also highly consistent – a quality that not a lot of distillers, specifically on terra australis can claim for their emissions in the realm of spirits. Needless to say that David’s background in food science has not hurt perfecting a technically sound approach to distilling.

However, there is Bakery Hill.

A distillery that has calibrated its distilling techniques to ensure that they arrive at exactly the product they set out to produce – and they have documented each facet of the process. While I have previously waxed lyrical about not only Bakery Hill’s core range, but specifically their Sovereign Smoke expression, which in terms of peaty whiskey remains unrivalled in Australia, a recent tasting took things to a whole new level.

The craft beer brewery Hop Nation’s brews have made an appearance as a component of boilermakers for the longest time, so learning about a collaboration with Bakery Hill resulted in high expectations. The dram that materialized in front of me clocks in at 48% ABV and having matured for five years in American Oak ex-Bourbon barrels before being finished for twelve months in fifty litre Hop Nation “Kalash” Imperial Stout Barrel is quite something. With Kalash being a potent Russian imperial stout and having already been matured in wine and port barrels before it was seasoned in bourbon barrels from Woodford Reserve, it elevates Bakery Hill’s whiskey by adding a wide array of coffee, fruity and dark chocolatey nuances that take your tastebuds on quite a delightful rollercoaster ride.

So far, so good – just when I thought that this new Bakery Hill expression was going to become part of the distillery’s top three, a mysterious drop that went by the working title “DB #1” was proffered.

This one marks the first time Bakery Hill brewed and distilled peated spirit from scratch in-house before letting it mature in Melbourne’s ever unpredictable climate and the result is not only world class but in essence, simply divine: While the peat is on the lighter side of things, there are subtle nuances of tropical zestiness and bitter oak, which builds to a vanilla crescendo backed by spicy, peppery undertones. An elongated, complex finish reminiscent of malted barley and Port Charlotte-esque saltiness leaves one smacking one’s lips.

Now, going with the theme of “attention to detail” I would like to shed light on the art of bartending.

It was more or less by accident that I have had the fortune to cross paths with one Agostino Perrone. As the name suggests, an Italian gentleman, who in the third dimension is the epitome of a gentleman, starting with a tailored three-piece suit to an impeccably demeanour that is both warm yet highly professional.

Through conversation it became apparent that Agostino is heading the Connaught Bar and majorly responsible that be entering it, you are stepping into another world. The interior design of the stylish bar evoking timeless elegance with its English and Irish Cubist art of the 1920s along with the emissions of his team of mixologists might be parts of the magic, however, there is a “je ne sais quoi” that infuses the equation with an x-factor that is not often found elsewhere.

I was lucky enough to witness Agostino Perrone and his partner in crime Giorgio Bargiani channel their Mayfair-esque Connaught magic at one of Australia’s most lauded bars, i.e. Maybe Sammy.

See, on a bad day, Maybe Sammy is exactly what the name suggests: An opulently designed – think gold and brass fittings meeting pink velvet banquettes - theatrical jazz era haunt that is dedicated to the 1950s with all the toppings that would have made the Ratpack felt right at home, including an exquisite melange of high roller cocktails.

Combine the wizardry of Maybe Sammy’s accolade-decorated mixologists with Agostinos and Giorgio’s idiosyncratic approach to martini mixing, and you got something else – despite the cocktail being over a century old and traditionally only being comprised of two ingredients.

I always understood that a cocktail like a martini demands a certain level of palate maturity and to be honest, I have always like the aesthetics of a martini ritual yet never been a big fan as far as the actual flavours go. This ignorant take on things changed dramatically once I was proffered what can only be prescribed as a superbly silky cocktail that was tailored to my liking and prepared with a hospitality and attention to detail, I had not encountered before.

My palate jubilated as I imbibed the martini that was based on foundation of the bold and dry Sipsmith gin stirred with vermouth over ice, strained into a chilled glass and garnished with an olive.

What I learned from Agostino is that he tried to determine first what my favourite base spirit was to then finetune the proceeding and choice of adage accordingly. Learning more about the variants of vermouth, i.e. fortified wine, and how it needs to be chilled as well as how important the right ratio with gin is, which depending on how it is mixed with ice helps unfold its botanical aromas, which is further aided by garnishes like olives, lemon peels or more exotic ones like pickled onions, which add savoury undertones.

London might be known for many things and offer a myriad of things to experience – for myself going go visit where Agostino and his worthy channel their alchemy has become a mandatory pilgrimage.

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photos by @k.a.vv

T • March 15, 2020

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