Blog — Page 72 of 275

American Psycho – The Musical

Sydney Opera House

June 8, 2021

I have always enjoyed Bret Easton Ellis’ oeuvre and was specifically delighted when American Psycho was on the literary canon for one of my courses on U- and Dystopian Literature.

Given the greatness of Ellis’ character study of Patrick Bateman and his descent into a world devoid of empathy, it was hard for the 2000 movie incarnation to live up to it as the limitations of the medium resulted in a lack of nuances and depth.

When I learned that a musical was to be staged in 2013, I was intrigued and jumped on the opportunity to see it first-hand at Sydney’s Opera House after having missed its initial incarnation on terra australis at the Hayes Theatre in 2019.

Centred around greed, debauchery, sexism, hedonism and narcissism , the Australian stage adaption of American Psycho has been toned down quite a bit, with the more graphic details of the novel having been channelled into satirical territory rather than relying on excessive shock value.

Lead actor Ben Gerrard does a stellar job stripping the layers of cool aspiration from Patrick Bateman to portray him as the anxious, uncool pitiful creature Bret Easton Eliis originally created.

The rest of the charismatic cast manages to engage the audience from the get go and both the sharp choreography courtesy of Yvette Lee, direction by Alexander Berlage and especially the spinning mirrored set design and lighting are aesthetically and visually brilliant.

A well-executed, deceptively entertaining dark humoured comedic staging of a classic that has not lost relevance or an iota of its thought provoking and chilling qualities – au contraire, the dark undertones still hit the mark given the patriarchal capitalist, narcissistic social media dominated world we still in.

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photo courtesy of Daniel Boud

Audio =-Ground-Zero

For People Who Listen

No matter if it is movies or music – sound reigns supreme. Listening to sound at its best is a delight. It is literally every time that I experience a great sound system that I discover additional layers and ideas from what I am listening to, and it feels like prior, I have not been able to feel it in full.

In this series, light shall be shed on devices and brands that are dedicated to constantly evolving and aiming at creating innovative new kit.

Cambridge Audio is a brand that has refined its approach to saving the world from shit sound for over five decades.

With their ethos centred around producing the best devices to represent what they refer to ‘British Sound’, i.e., audio in its purest form and an unadulterated and true representation of the artist’s intention, they set out to create high fidelity equipment that was not breaking the bank yet still adequately portrayed original recordings by removing any barriers or dilutions.

My hi-fi equipment has seen many incarnations over the years and shrunk consistently over the last thirty years, to the point where literally every song is a ush of a button away, all that is needed is the internet and great speakers.

What I like about Cambridge Audio’s Minx speakers is their compactness. Miniature as far as proportions go, the Minx not only look stylish with their high-gloss lacquer finish and fit into a book cabinet, but they pack a veritable punch: I have yet to come across a similar sized speaker with a deeper, more defined bass and wider dispersion of sound, which lends itself particularly well to highlighting the finer nuances of movie sounds.

It is remarkable how Cambridge Audio’s Minx fills the biggest room with their performance. The fact that they are on the affordable end of the spectrum does not hurt either.

In the earbud department, Cambridge Audio does not disappoint either.

Case in point: Their Melomania in-Ear Stereo Earphones, which can be connected to mobile devices via Bluetooth.

Not only are they lightweight, comfortable to wear while running and deliver nine hours of playback, but provide superb and clear, natural sounds with sparkling but not harsh highs, a delicately balanced midrange, all resting on the foundation of a boosted, boomy bass.

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images from company website

Thus Let Us Drink Beer – Akasha x Robert Stein Collaboration

As we have previously covered, what Dave Padden and his crew have accomplished with Akasha Brewing within its six years of existence is quite something, with especially recent releases pushing the envelope in hoppy excellence and knocking it out of the park.

Given that the warehouse where Akasha set up its operation was an empty shell in 2015 with no electricity, water and gas, it was astonishing to see how they turned it into a hospitable brewhouse in no time. However, I do not think the Akasha crew would have imagine back in the day that their haunt would serve as the backdrop for a fine dining experience.

Fast forward to 2021, where after a successful rebrand and the establishment of Akasha Projects, dedicated to limited releases and allowing for collaboration not unlike the one with Robert Stein winery, which saw both channelling their alchemy in the creation of wine / beer hybrids culminating in a three course meal paired with never-before-seen beer and wines to celebrate it.

After being eased into the proceedings via Akasha’s nod to their neighbourhood, i.e. a tin of their classic Canada Bay XPA, the evening had its first highlight with the Rhyme Or Riesling – an Australian grape ale – flanked by a Robert Stein 2020 Riesling, paired with smoky pork, potato and Mexican chorizo tostadas with avocado salsa, queso fresco and chilli pickle. 

With winemakers in Australia traditionally growing Riesling in areas of higher elevation, or in the cooler areas of existing vineyards in a bid to mimic the cooler climate where the grapes are known to thrive, the offerings unfolded delicious citrus notes with limy, zesty highlights sitting against a backdrop of herbal notes of white pepper.

Course two comprised of Oaxacan-style molé served with Tex Mex rice and black beans a la charra was my personal highlight on the wine front as Robert Stein’s deep ruby Shiraz proved to be an example par excellence for a full flavoured, red plummy, fruity aromatic tour de force of fullbodiedness with an elongated, lingering finish.

Things got experimental and wild with the final course and the Shiraz Sour, which was an excellent palate cleanser before one of the more challenging yet not less interesting emissions of the collaboration materialized, i.e. a Chardonnay Barrel Sour Ale, which accompanied a masterclass panel with the head of Akasha and Jacob Stein discussing the rationale behind joining forces and the common denominator when it comes to their creations.

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images by @k.a.vv

Fashions fade, style is eternal – an afternoon with Jeff Lack.

Fashion and grooming. Love it or act like you take yourself too seriously to care about what you look like, fact is that no matter how far removed you might perceive yourself to be from the status quo, it affects one in a myriad of ways.

If I was to pinpoint the qualities of a good stylist and mentor in the fashion department, I would probably not only look for the ability to astutely assess one’s shape and clothing their client will feel comfortable with and enjoy wearing. What I’d look for is the ability to source aesthetics and looks constantly while gently guiding and managing their client’s egos.

I guess in essence, the trick of a successful stylist is to find the middle ground beyond a thorough understanding of design, the vision of what could be and the client’s happiness.

Needless to say, a self-confident yet grounded demeanour, a dash of adaptability, an eye for proportion along with a bit of self-deprecating humour and graciousness, goes a long way. After all, people are trusting you with their time, image and buckaroos.

Enter Jeff Lack.

With a toolbox refined by over thirty years of fashion industry experience– be it in the realm of editing, styling, modelling, mentoring and content creation, both on centre stage as well as behind the scenes - the man has spent his life dedicated to become fluent in the instant language that is fashion and the art of becoming your best self.

I recently had the opportunity to spend an afternoon under the benign guidance of Jeff as part of one of his masterclasses, and it was intriguing to see the man in action, especially in moments where the façade dropped a bit and he shed light on his personal trials and tribulations, which added a welcome facet of authenticity, credibility and depth.

In his idiosyncratic engaging, swashbuckling manner and intrinsically motivated to address and incorporate the audience’s individual takes and questions, the workshop was a tour de force in Jeff touching on grooming habits, wardrobe advice and being an overall sounding board for personal growth.

An afternoon well spent and a reminder that self-care and grooming is not mutually exclusive with femininity or masculinity.

Me and Mr. Cigar

Gibby Haynes

Soho Teen

The Butthole Surfers have had an immense influence on me during my formative years, given that they broke the mould with their idiosyncratic melange of punk infused psychedelic, noise and a welcome dose of black humours.

Given my familiarity with their musical emissions, I was intrigued when Gibby Haynes’ Me and Mr. Cigar materialised in front of me.

While there is no knowledge of The Butthole Surfers’ legacy required, it certainly helps to manage expectations. The initiated would not be further surprised that it apart from being centred around a special human-animal relationship and an unhinged road trip, is a psychedelic drug fuelled meandering and seemingly chaotic and deliberately confusing tour de force with a twist, once one learns that drugs have been taken unwillingly for the first time.

Me and Mr. Cigar seemed to have started out as a short story before it evolved to become aimed at teenage audience to acknowledge the craziness of their own world. One can only hope that it will not be dismissed and instead becomes a staple in school library – I for one would have loved something out of the ordinary like this as part of my literary canon at school.

An fun read aimed at a teenage audience that will prove to be enjoyable if the young recipient has a propensity let go of conventions and does  not take things too seriously and is prepared to have expectations turned upside down.