Feature / Music / Year End 2016
2016: A Year In Review

January 16, 2017

2016: A Year In Review
2016: A Year In Review

Every year we ask record labels and artists what they thought of the last twelve months; we tell you the best albums of last year; and finally we offer you this, our roundup of other great music-related stuff you may have missed. In this year's instalment we share our favorite grower albums, hip-hop, punk/hardcore and metal releases, and our (mostly) annual roundup of some of the year's worst album sleeve artwork. Read on and enjoy!

The Best Punk & Hardcore of 2016

What did we learn about punk & hardcore in 2016? Crust is dead. Post-punk and "slime punk" are on life support. And anyone still fucking with black metal probably needs their credentials checked. Basically in the year 2017 every hardcore band will decide to finally become the French Oi! band they've always wanted to be.

Look, we're talking about punk & hardcore here. You know the deal: it's loud, it's fast, it's angry. It's pissed off music for pissed off people. It can also be angular and atmospheric, or sound like unpolished pop music. I could try to describe exactly how each of these acts sound, but let's be real, writing more than two sentences each would take longer than it does to listen to one of their songs. And who wants to read 30 paragraphs about 30 bands that essentially all sound the same? So here's how it's gonna go: I'll state where the band is from, and then a few other words. You do the rest.

If I missed something, hit me up. I welcome the discourse. You can leave a comment if you want, but comments are like, so 2006. Take that shit to Twitter already.

It doesn't take a genius to figure out this list is alphabetical. Rankings are bullshit. Up the punks.

-Nathan G. O'Brien

  • Red Death

    Deterrence 7" (Lockin' Out)

    Washington D.C.
    You know what would be cool, is if one of you would make me a mixtape of '80s thrash that doesn't include the Big Four.

  • Boilerman

    Feels Ways About Stuff (86'd Records)

    Chicago, IL.

    Boilerman are punk rock in the easiest to pinpoint sense. It’s fast, coarse, energetic, and vitriolic with shades of melody that give an anthemic rage. The bass lines have a subtle rumbling aspect of streetpunk and the melodies also pull some 1990’s skatepunk vibes at times, not the popularized Fat Wreck variety but more along the lines of the lower-fi bands of the era that appeared on many of the comps but didn’t get their due.

    - Loren

  • Anxiety

    Self-Titled LP (La Vida Es Un Mus Discos Punk)

    Glasgow, Scotland.
    Claustrophobic, eerie, freakout art noise. Don't be surprised if every punk band in 2017 sounds like this.

  • Blazing Eye

    Lonely Corpse 7" (La Vida Es En Muse Discos Punk)

    Los Angeles, CA.
    Sounds like what the scary monster from your childhood dreams looks like.

  • Blood Pressure

    Need to Control LP (Beach Impediment)

    Pittsburgh, PA.
    Sometimes hardcore is stupid and derivative but that's also what's really great about it.

  • The Bug

    Room 44 Sessions cassette (Not Normal Tapes)

    Chicago, IL.
    Noisy, arty, maybe trying to be more interesting than they are. Then again, aren't we all? Who knows, I'm cool with it either way.

  • Chroma

    Cuerpos Dociles LP (Nada Nada Discos)

    Barcelona, Spain.
    Captivating, alluring, charming, ah, bewitching maybe even. Basically any word that means it is capable of capturing and holding your attention. Also post-punk.

  • Cracked Vessel

    No Path (Hip Kid)

    Chicago, IL.

    Winter biking, you wonderful beast, come here. I want to hug you and stab you in your cold, blackened heart at the same time.

  • Crazy Spirit

    Third 7" (Toxic State)

    New York, NY.
    Singer either has snot dripping down the back of his throat or is possibly an alien that has escaped a secret government laboratory. Probably both. Sometimes called "mutant punk" but not by me.

  • Deny The Cross

    Alpha Ghoul LP (Tankcrimes)

    California/NYC.
    Remember powerviolence? It's basically death metal, hardcore, and punk all at one time. And holy shit, is the production rich on this one. Posers need not apply.

  • Efialtis

    Self-Titled 7" / Unpronounceable 7" (Static Shock / La Vida Es Un Mus Discos Punk)

    London, UK.
    Moody punk music for modern times. Sounds cold and warm at the same time, which isn't an easy thing to pull off. Would have preferred if these two 7"s were just one seven song 12" 45 RPM-er, but hey, whatevs.

  • Fried Egg

    Delirium 7" (Negative Jazz)

    Richmond, VA.
    I feel like there's a lot of fried eggs stuff going in punk lately? Whether it's art work, song titles, or in this case, the name of the band. I used the question mark back there to signify that I'm not really sure, and as an invitation for you to weigh in if you'd like.

  • Fucking

    Intimacy Issues 7" (Self-Released)

    Minneapolis, MN.
    Hateful and violent but tender and awkward. Just like the act of fucking. Also pro-littering. (Look for an interview soon in Maximum Rocknroll and/or Soda Killers.) #NukeEmAll

  • G.L.O.S.S.

    Trans Day of Revenge 7" (Total Negativity / Nervous Nelly)

    Olympia, WA.
    The opening track is called "Give Violence a Chance", which is something I've been considering more and more lately.

  • Gag

    America's Greatest Hits LP (Iron Lung)

    Olympia, WA.
    I have a fellow pretty liberal friend that lived in Olympia for a couple years but had to leave because, and I quote, "I couldn't stand that everywhere I went some 20 year-old college kid was trying to out-left me. It was like, 'Dude, I'm just trying to get a cup of coffee; I don't need to hear your freshman take on socialism.'"

  • Good Throb

    Self-Titled 7" (La Vida Es En Mus Discos Punk)

    London, UK.
    There's a song on here called "The Queen Sucks Nazi Cock." So, like, what are you waiting for? Go get this, you idiot.

  • Haram

    What Do You See? 7" (Toxic State)

    New York, NY.
    If nothing sounds like this, how can you describe it? Like this: The Future.

  • In School

    Cement Fucker 7" (Thrilling Living)

    New York, NY.
    The guitar is weird. Subconsciously it takes over, even when the vocals and drums are more obliviously present. Like, you think you're really digging this awesome singer and the rhythm, but what's actually going on is you're being hypnotized by sneaky axe wankery.

  • Life Fucker

    Self-Titled 7" (Static Age)

    Berlin, Germany.
    Aside from some green-bottled beers, I still tend to associate Germany with very terrible things. But this record is the opposite of terrible. How much art can you take? Exactly this much. (I've used that line before, but nobody will notice.)

  • Lumpy & The Dumpers

    Huff My Sack LP (La Vida Es En Mus Discos Punk)

    St.Louis, MO.
    Drink it in deep, slime-chuggers. This could be gross-out punk's defining, and perhaps final moment.

  • Marbled Eye

    Demo cassette (Self-Released)

    San Francisco/Oakland, CA.
    Post-punk. The J-card art rules. Unlike this description.

  • Mommy

    Songs About Children LP (Toxic State)

    New York, NY.
    Concept album about the terrible things that happen to kids. So depressing, so yucky, but holy shit, so good. Musically, it's very hard to describe. In a word: crazy. It feels strange to like a record about horrible stuff yet here I am.

  • NASA Space Universe

    70 AD LP (Feel It)

    Richmond, VA.
    What's funny about this is right when you're like, "OK, so this is another one of those mutant hardcore punk records", they throw some cool hook at you that seems totally out of place that makes you go, "Goddamn that's tight; pretty sure I like this a lot now."

  • Piss

    Self-Titled 7" (Static Age)

    Berlin, Germany.
    To quote my good friend The Dark Horse, and completely out of context, "blood, shit, piss, and cum." So we've already have bands named S.H.I.T. and Piss. In 2017 I wanna hear records from Blood and Cum. And they better be as nasty as this.

  • Primetime

    Going Places 7" (La Vida Es En Mus Discos Punk)

    London, UK.
    There's a part in Chris Jericho's first book where he talks about the language barrier in Japan and the funny stuff that another wrestler would ask him, such as, "You like rock 'n' roll sex music?"

  • Pure Disgust

    Self-Titled LP (Katorga Works)

    Washington D.C.
    This speaks to the current climate of fucked-up shit in this country, and the world in general. But you know what I think about a lot? Like way more than I should? The Mark Gonzales chair scene in Gummo. Why?

  • Rakta

    III LP (Iron Lung)

    São Paulo, Brazil.
    This band tests the limits of what is considered punk and the results are truly awesome. The medley track "Filhas Do Fogo / Conjuracao Do Espelho" is easily the best song I've heard this year, of any genre.

  • Rixe

    Les Nerfs A Vif 7" (La Vida Es En Mus Discos Punk)

    Paris, France.
    This is Oi! revival done exactly the right way. Don't be surprised if every punk band in 2017 that doesn't sound like Anxiety sounds this one.

  • Sick Head

    Music Time cassette (Self-Released)

    New York, NY.
    I get so goddamned mad at myself sometimes. It's easy to pretend I'm the coolest guy ever but the reality is I'm a fucking wreck. And music like this feeds into my disease. Thanks for nothing, punk.

  • Silent Era

    Self-Titled 7" (Square One Again)

    Oakland, CA.
    Ya' know, the '90s weren't so bad. I mean, I'm not going to start wearing baggy jeans again anytime soon, but some of those alt bands that had videos on MTV were actually pretty good. Like the Cranberries. They were decent, right?

  • Strutter

    Self-Titled 7" (Beach Impediment)

    Austin, TX.
    Smash your head on the punk rock. Or if you're feeling up to it, puke your brains out on the punk rock.

  • Vaaska

    Futuro Primitivo 7" (Beach Impediment)

    Austin, TX.
    A while back there was some great graffiti scratched into the stall door in the bathroom at my work. It said, "Hail Satan. Suck cock. Metal rules", and was accompanied by a crudely etched pentagram. I took a picture of it. I kind of want to make tee shirts of it but may settle on stickers or buttons. Or maybe nothing at all. What an incredible saying though, am I right?

    - Nathan G. O'Brien

Five albums I missed in 2016

It's hard to find time between all the spambots and real life to hear everything. Here are five records I need to check out that have the potential to be in my already published Favorites of 2016.

  • Witches With Dicks

    Just a Passing Season

  • John K. Samson

    Winter Wheat

  • Descendents

    Hypercaffium Spazzinate

  • Against Me!

    Shape Shift With Me

  • A Tribe Called Quest

    We got it from Here... Thank You 4 Your service

Loren

Our favorite grower albums of the past year

There's so much new music -- for everyone, not just those of us lucky to be drowing in overflowing inboxes that beg us to listen to the stuff. It's hard to sit down and listen to it all.

One of the best parts about music, and any artform, is its lasting impression. The way its affects changes and grows along with you as a person.

In an era of plenty, not every record that doesn't make an instant impact gets a second or third spin. It's a sad truth, but we at Scene Point Blank have a few that favorites that really grew on us over the past year.

  1. James Blake

    The Colour in Anything

    James Blake's follow up to the Mercury prize winning Overgrown is a record that upon first listening, seems overlong and a little self-pitying, but over time Blake reveals much about himself and the album takes on new life as a record about hope and happiness. 

  2. Shallow Cuts

    Empty Beach Town

    I've been a longtime fan of the members' other bands, but Shallow Cuts felt on first listen like a more melodic version with less nuance to set it apart. A wrong impression, quite frankly, as what comes through on Empty Beach Town is more about that overwritten stuff "between the lines." This record is about heart.

List in no particular order.

- Loren

Anthrax photo courtesy of http://anthrax.com.

The Best Hip-Hop of 2016

When I sat down to write this intro I started thinking about what I was going to say, and I was like, "hold up, haven't I written basically the same thing every year?" The answer is yes. So this year I'm just going to copy and paste last year's intro because aint nothin' changed ya'll...

I'm not going to lie, when it comes to rap music, I'm getting old. Don't get me wrong, I'm not stuck in the past—I keep up on the new shit—but variance-wise, I'm not exactly trying to expand my horizons anymore. I prefer the type of rap that doesn't stray far from the original blueprint; birthed in the late '70s, developed throughout the '80s, and damn-near perfected in the '90s. That is: dope beats, hard rhymes, and cuts. I've said it before and I'll say it again: call me a grumpy curmudgeon if you must, but do so knowing that are very few things that I'm as passionate about as rap music. My approach to hip-hop is the same as that of a big man holding down the lane on a basketball court: Don't Bring That Weak Shit In Here. So, with that, here's my favorite rap music from the past 12 months.

Not a numerical list, rather alphabetical. Rankings are bullshit. Fight with me about it on Twitter.

- Nathan G. O'Brien

  • A Tribe Called Quest

    We Got it From Here... Thank You 4 Your Service (Epic)

    Yo, this is so ill I might even go back and listen to The Love Movement again. Ha, naw man, I won't be doing that anytime soon. But holy shit, how great is this record? I like to joke around a lot but on the inside I'm an emotional dude with a lot of feelings, and this one brings tears to my eyes every single time I listen to it. 

  • Bloody Monk Consortium

    The Awakening (Self-Released)

    This is monster guerrilla-style rap out of San Jose that take-no-prisoners cipher tip. I just wanna rock baggy sweats and bucket hats and drive around in a Jeep, bumping this on cassette, while smoking Dutch Masters like it's '95 up in this bitch.

  • Czarface

    A Fistful of Peril (Silver Age)

    When these guys dropped their first album back in 2013 I hadn't really been feeling 7L & Esoteric in a long time, but my curiosity was piqued by the comic book imagery, the promise of pro-wrestling references, and interest in new Inspectah Deck material. Over the course of three raw-as-fuck boom-bap albums they've turned me into a believer. The drums are hard and the sub is deep; a ginormous sound complimented by dexterous emceeing and turntablism.

  • D.I.T.C.

    D.I.T.C. Studios (Slice of Spice)

    When I was a kid Diggin' In The Crates always seemed elusive to me. I mean, yeah, production-wise they were responsible for a ton of the stuff I was listening to. I was always cognizant of the name, but also kind of confused as to who they were. Information just wasn't as available as it is now. We had to rely on magazines like Rap Pages or The Source and catching videos on Yo! MTV Raps. Even then, at least for a kid growing up in the woods, a crew like D.I.T.C. wasn't as readily available for consumption as the bigger names. So I had to catch up on stuff like Word... Life, Funky Technician, Runaway Slave, and Stunts, Blunts, and Hip-Hop after the fact. These days I'm a full-fledged D.I.T.C. nerd, so when this new crew album dropped I was all over it.

  • D.I.T.C.

    Sessions (D.I.T.C. Ent.)

    See above, except this one is better.

  • Discourse

    Megalomaniac (Crate Cartel)

    Discourse is a producer/deejay from Australia that makes music heavily influenced by the '90s East Coast sound. This is his debut album. As someone who looks back fondly on the days of deejay mixed tapes, I'm a sucker for a good producer album like this. And this one is exceptionally cool due to his eclectic selection of emcees. You'll find Tragedy Khadafi, Starvin B, and AG alongside some international flavor from the likes of Lazy Grey, Ramson Badbonez, and Raven.

  • DJ Skizz

    Cruise Control (Different Worlds)

    Skizz is a producer and turntablist known for his work behind the boards of heavyweights like Lil' Fame, Havoc, and Sean Price. Most recently he's been working as Your Old Droog's producer and tour deejay. Even though he's been in the game for nearly 15 years this is only his second album. Ya'll know I go bananas for that grimy shit. Which is why I almost didn't go for this when it came out, because the stupid cover art kept throwing me off. But I eventually went in on it based off the strength of his first album, B.Q.E. Boom-bap is the name of the game here. Evidence, Roc Marciano, Rapper Noyd, and Hus Kingpin take turns on the mic, as do many others.

  • Gensu Dean & Denmark Vessey

    Whole Food (Mello Music Group)

    Gensu's production—sometimes simplistic, sometimes soulful—set the mood as Vessey’s lyricism and off-kilter flow keep's you engaged throughout the entire album. I've seen a lot of early morning bike commutes with this one in the earbuds.

  • Ill Bill

    Septagram (Uncle Howie)

    Nearly 15 years have passed since The Future Is Now, the debut album by Non Phixion, which featured a grip of hip-hop’s most sought-after producers and some menacing and poignant lyricism, and the vehicle that placed Ill Bill immediately into the annals of underground hip-hop greatness. Ill Bill is back once more with the wallop and the score. Not as interpersonal as 2013's The Grimy Awards, but just as forceful and mean-mugged as ever. And this time Non Phixion compatriot Goretex is back in the fold.

  • Meyhem Lauren

    Piatto D'Oro (mixtape)

    This was a free download that preceded an "album" or whatever. I didn't really fuck with Precious Metals because it was was kinda wack, and then because it seemingly vanished. (Perhaps Meyhem realized he already put out his best stuff this year and pulled it back. Or maybe he wanted to rethink those Harry Fraud beats, I don't know.) But that doesn't matter because Piatto D'Oro is the superior product.

  • Planet Asia & DJ Concept

    Seventy Nine (Coalmine)

    I haven't checked in with Planet Asia since 2013 when he did the Durag Dynasty album and that dope Abrasions joint with Gensu Dean. So when I saw this was on Coalmine, I knew it would be worth my time 'cause they don't put out wack shit. (Do ya'll fuck with Coalmine records? If not, you should.) Concept's beats remind me of Apollo Brown, who reminds me of Pete Rock, and that's never a bad thing. Yo, there's an audio sample of a police shooting on here that's straight-up heartbreaking though. But if you like rap music that places emphasis on mic prowess rather than personality and marketability you'll love this.

  • Schoolboy Q

    Blank Face (Top Dawg)

    Yo, Schoolboy Q is T.D.E. I mean, let's not even fuck around here, Kendrick sucks now (he's at his best when he's guesting on other people's tracks) and like, does anybody know who else is even in the crew? What's weird is one of the things I always hated about 2Pac is the same thing I love about Schoolboy Q: he's a gangster with feelings.

  • Skepta

    Konnichiwa (Boy Better Know)

    I don't mess with grime as much as I did back in like, '03. But this Skepta joint is fresh.

  • Smoke DZA & Pete Rock

    Don't Smoke Rock (Babygrande)

    I haven't checked for Smoke DZA in a few years but when you put Pete Rock behind the boards you've got my attention.

  • Timeless Truth

    Cold Wave (Different Worlds)

    This is on that '90s Polo rugby shirts and goose down jackets tip. Gear up for icy expedition through five boroughs boom-bap nostalgia. One of my favorite rap groups in the last handful of years.

  • Warpath

    Pure Butter (Daily Concept)

    One of my favorite things about rap music is discovering new shit that sounds exactly like the old shit.
     

Top 5 UK Metal Records

The UK is wonderful and diverse place and the music that comes from this island reflects that. The UK has an incredible amount of talent on its shore and this little list is just a small taste of what came out in 2016. For clarity - full lengths only and it's alphabetical because order is lovely. 

- Cheryl

  1. 40 Watt Sun

    Wider Than The Sky

    OK, look, we know 40 Watt Sun aren't technically a metal band, but Wider Than The Sky is so despairingly heavy in its output that it's hard to believe it isn't doom at it's most pure. 

  2. Anaal Nathrakh

    The Whole of the Law

    Anaal Nathrakh are furioius and The Whole of the Law is terrifying. The duo haven't let time dull their blade and instead use the absolute shitshow that is the modern world as a major influence. Plus, they cover Iron Maiden's "Powerslave" and it's great. 

  3. Palehorse

    Looking Wet in Public

    Palehorse are sadly no more, but Looking Wet in Public is an incredible swamsong. Packed with the rumbling weight of their two basses and the sludged out rhythms that they became known for, the album is possibly the best of their catalogue. 

  4. Venom Prison

    Animus

    Venom Prison turn death metal tropes entirely on their head with their debut, Animus. In Larissa they have a vocalist who is not afraid to speak their mind on subjects that affect and damage - look at "Perpetrator Emasculation" for an idea as to what this young band are using their music to say and if that's not enough, the cover should help. 

  5. Winterfylleth

    The Dark Hereafter

    The Dark Hereafter continues Winterfylleth's climb to the top of the UK's black metal scene. Their sound is deeply atmopsheric and epic and in their fifth full length they have a record that will only propel them further out into the world. 

Worst Cover Art Of 2016

There's too much bad artwork to choose from these days. Record sleeves are less and less important as downloads overtake physical music, and therefore we've picked a selection of lesser-known artists whose artwork may have escaped your notice. Watch our for an appearance by a well-known regular offender, though...

  1. Eerie

    Eerie

    It certainly is eerie. That thing has more nipples than a banned Instagram account and its Ozzy Osbourne / Bigfoot crossover look isn't helping things either. It looks like it's straddling the bastard offspring of Kermit and Fozzie Bear, which might give a reflection on the band's sound. I just want to put it out of its misery.

  2. Ethmebb

    La Quête du Saint Grind

    I'm pretty sure this cover is a promo poster for The Mighty Boosh. The octomonster seems to be wearing a Springsteen-esque bandana while Rick Santorum looks on from the centre of the boat. I really hope this album consists of sea shanties.

  3. Metallica

    Hardwired... To Self Destruct

    I mean... it's Metallica. What were you expecting? Something insightful or artistic? To be honest, this could've just featured Lars Ulrich's real, unphotoshopped face, and it would be just as effective.

  4. False Reality

    End Of Eternity

    Some sort of space-tree is about to launch a sick space-catapult (whose elastic is made of screaming disembodied souls) containing (possibly?) a planet into the Milky Way. Or something? This is what Interstellar would've looked like if Christopher Nolan was a crust-punk stoner.

  5. XII Boar

    Beyond The Valley of The Triclops

     

    It's not a fantasy metal album unless it features gratuitous female nudity, laughably cliche monsters and a ridiculous album name, right?

 Thanks to Loren for his many recommendations!

- Matt

— words by the SPB team • January 16, 2017

Main photo by David Wilson.

2016: A Year In Review
2016: A Year In Review

Series: Year End 2016

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