Feature / Music
Review: Riot Fest 2015

Words: Graham Isador • October 6, 2015

Review: Riot Fest 2015
Review: Riot Fest 2015

It’s third weekend in September and for the second year in a row I’m waiting at Downsview station. Downsview is Toronto’s Northern most subway stop. While technically still in the city, it’s a forty-minute schlep from the downtown core, which is basically an impossible journey to any self-respecting urbanite. I’m surrounded by a sea of black t-shirts, plaid button ups, and questionable tattoos. We’re all waiting to go to Riot Fest, and while the commute has made me cranky, a bit of excitement has broken through my cynical music-journalist exterior.

Each year I get excited about Riot Fest in the same way that I got excited about Warped Tour as a teen. This might have something to do with the fact that Riot Fest books their shows like Warped Tour at the turn of the century, but whatever. There is a feeling of the back to school nostalgia in the air. To celebrate I drink a quarter of vodka before continuing my commute. I figure that this will give me ample fuel to write mean tweets on my telephone and sing-a-long to the bands I like. What can I say? I am nothing if not professional.

The connecting bus for the festival grounds arrives. I get on with a spring in my step and a stagger in my walk. This is going to be great. It’s Riot Fest day. It’s going to be great. The exact moment I think this, the sky opens up and begins a torrential downpour. The downpour does not stop for two hours.

The next two days were a wet, muddy, mixed bag of carnival and concert. Below, in no particular order, are some thoughts and comments:

- I watched Motorhead in the same way I visit my grandparents. I was basically happy to see them, but constantly worried that at any given moment they were gonna die.

- If you’d like to see what it looks like for dozens of burly, grown-ass, men to cry literal tears down their stupid faces, get Rancid to play all of …And Out Comes The Wolves from front to back.

- White people like wearing the Wu-Tang symbol more than they actually like seeing the Wu-Tang Clan.

- The Dirty Nil took the place of PUP this year as a (relatively) homegrown act that is getting primed for much, much, bigger things. With a new album coming out this winter, the band played to an ample crowd and put on one of the fest’s best performances.

-Weezer headlined both Saturday and Sunday playing all of Pinkerton and all of Blue Album, respectively. Going into Riot Fest I thought Pinkerton had some sort of hidden artistic edge that made it Weezer’s best album. Looking back I must have read that opinion on Pitchfork as a kid and mistook it for my own. It’s bullshit. Pinkerton is boring. Blue Album forever.

- Friend of the site Frank Turner has arrived in a way that I didn’t totally realize until watching his Sunday set. He had the full attention of thousands of people who were hanging on his every word.

- Andrew WK conducted all of his banter in the voice of Randy Savage.

- If you convince yourself that you will not eat a blooming onion and instead go with the healthier option of a tomato basil sandwich, you will later return and eat the blooming onion anyways.

- The aren’t enough lyrics in a Prodigy song to justify the amount of times the front man of Prodigy will ask the audience Is Toronto in the house?

Review: Riot Fest 2015
Review: Riot Fest 2015

Related features

The Snorts

One Question Interviews • January 15, 2025

Aaron (The Snorts-guitar/vocals) SPB: Other than the new live record, what is your favorite split record, ever? Aaron: My favorite split of all time is: Spark Lights Friction / Ruined in a Day from 2000. That version of “Hearts and Canons” from Spark Lights just rips. --- The Snorts has … Read more

2AMature

One Question Interviews • January 14, 2025

Yanmark Berube (2AMature-drums) SPB: Do you collect physical media? Berube: Absolutely, we collect physical media. It’s the only REAL way to own it. When you buy media digitally, you’re usually just purchasing the rights to access it, which can be revoked at any time. With physical media, it’s yours forever. … Read more

Six Below Zero

One Question Interviews • January 13, 2025

Matthew Brammer (Six Below Zero) SPB: Six Below Zero is both a solo project and you live in Wyoming, so I imagine you have limited live opportunities -- that said, does the project ever play live and does that possibility affect how you approach songwriting? Brammer: Consistently playing live is, … Read more

2024: A Year In Review

Music / Year End 2024 • January 13, 2025

It's a new year – hooray. And things are off to a fine start, too. If the thought of corrupt governments, AI domination, unmoderated social networks and endless war is causing you to retreat into the past, we don't blame you. In fact, we encourage it! Our writers have summed … Read more

Scene Point Blank's Favorites: Year End (2024)

Music / Year End 2024 • January 4, 2025

It's 2025, somehow. When did this happen?! Okay, okay, four days ago. But honestly. It feels like 2012 was only a few months ago. Is it just SPB who's feeling a little, well, timestruck? But don't worry – we've got you. Did 2024 pass you by, too? Still not caught … Read more

Advertisement

DCxPC 2025

More from this section

2024: A Year In Review

Music / Year End 2024 • January 13, 2025

It's a new year – hooray. And things are off to a fine start, too. If the thought of corrupt governments, AI domination, unmoderated social networks and endless war is causing you to retreat into the past, we don't blame you. In fact, we encourage it! Our writers have summed … Read more

Scene Point Blank's Favorites: Year End (2024)

Music / Year End 2024 • January 4, 2025

It's 2025, somehow. When did this happen?! Okay, okay, four days ago. But honestly. It feels like 2012 was only a few months ago. Is it just SPB who's feeling a little, well, timestruck? But don't worry – we've got you. Did 2024 pass you by, too? Still not caught … Read more

Pass The Mic: Artists and labels on 2024

Music / Year End 2024 • January 4, 2025

It's a SPB tradition to formally "pass the mic" to our artist and label friends to tell us about their year in music. What albums did they enjoy? What shows did they see? What are they looking forward to for the new year? We're joined this year by a host … Read more