Even though Rules is the second full-length from Erlend Øye, I still have a hard time disassociating his airy voice from prior folk duo, Kings of Convenience, Øye's Belle-and-Sebastian-esque alma mater. However, the more I listen to the Berlin-based The Whitest Boy Alive, the more I can appreciate Øye singing similar, heartbreak lyrics over a funky bass line rather than … Read more
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