The debut album, Heart of Oak, for the Canadian extreme/progressive metal band, Anciients, is a fascinating one. And do not think that this is going to be your standard “progressive” band, where technicality is more important than feeling or substance. This band is an extremely difficult one to categorize so the term “progressive” is used here in a very vague manner.From the opening track of the album, the majestic “Raise The Sun,” it is clear that the band’s level of musicianship is impressive to say the very least. With its beautiful sounding intro, the song quickly erupts with a 70s influenced riff which has an unbelievable weight to it. Soon enough you start to get what Anciients are going for here, something that becomes more obvious when the second track, “Overthrone” kicks in with its Opeth-ian melodies. But wait! That is not all. Soon enough the rhythmic pattern and the vocal delivery change and start to resemble progressive sludge legends Mastodon (especially their earlier releases.) And still this is just one side of Anciients.The album keeps transforming and mutating by presenting new elements of Anciients, the emotional intros, as is the case in one of the albums highlights, “Falling In … Read more
Starting life as a one-man instrumental outfit by M.Lehto in 2001, October Falls soon began to incorporate other members as … Read more
There are a few formats I almost go out of my way to avoid, namely cassettes and digital EPs. However, … Read more
After the release of an EP and two split albums, Sadgiqacea managed to land a deal with Candlelight Records under … Read more
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Erie has a long-standing tradition of hardcore: xDisciplex A.D., Brothers Keeper, Shockwave, and Abnegation. Continuing that tradition is War of Ages, though they definitely mix their hardcore influences with a significant amount of metal riffage. Fire from the Tomb is actually a re-recording of the band's debut effort. Some might question the band's decision to go back and re-do their debut offering, but given the album's OOP status and the band's growing popularity, it makes perfect sense. War of Ages rip through twelve songs of blazing metalcore that outshines their peers in Killswitch Engage, As I Lay Dying, etc. While the rest of the metalcore world has become stagnant, these youngsters have found a way to sound fresh. Lyrically, vocalist Leroy Hamp finds strength in his faith in God, and … Read more
As a disclaimer, I am not in any way an expert on bands whose primary genre tag ends in '-core'. However, I know a fantastic album when I hear it, and the Dillinger Escape Plan's latest album, 2013's One of Us is the Killer, is beyond even that.It's been clear since their 1999 debut Calculating Infinity that the Dillinger Escape … Read more
"I blow my load over the status quo - here we go".A reading from the book of Homme. It has been 6 since Queens of the Stone Age released their album Era Vulgaris. An album this reviewer gave a favorable rating, but admittedly didn't fully understand at the time of reviewing for this site. I couldn't fully grasp what the … Read more
For a band whose onesheet opens with the pointed “[includes former] member of …And You Will Know Us by the Trail of Dead during that band’s peak,” one would expect a band with some fire at their core. Instead, LVMRKS are an exercise in banality. The nine songs here trudge along at the same pace without any expression from vocalist … Read more
One of the many reasons historians will condemn the early 21st century is the rise of glametalcore. Purveyed by groups such as Steel Panther and Asking Alexandria, this sound blends the abrasive vocals and breakdowns of metalcore with the flamboyance and catchiness of glam metal. Escape The Fate have been torchbearers of the sub-genre ever since they ditched Ronnie Radke … Read more
Emma Louise described the cover art for her debut album Vs Head Vs Heart as expressing "the beauty that can come out of vulnerability". The cover art fittingly reflects the songs on Vs Head Vs Heart, vulnerability is seeping through every song in a flurry of initially guarded lyrics, before being torn down note by note to reveal the real … Read more
If you had asked me two years ago if I’d rather hear another Wartorn song or be kicked in the crotch by a Clydesdale that’s wearing a pair ice climbing cleats, I probably would have picked the option that left me crying in the fetal position with bloody underpants and no chance of ever having children. But with arrival of … Read more
Seattle is made out to be such a dreary place. Big Eyes released a largely positive-sounding debut in Hard Life and the reviews basically talked about the band’s relocation from Brooklyn to Seattle. Now, with the release of sophomore full-length Almost Famous, the press sheet says things like “a bit of Seattle seeps in,” no doubt referring to some of … Read more
Nick Cave is an uncaring bastard.He doesn't care if you buy his new album Push The Sky Away, nor does he care if you like it. Of course, this is not what makes him a great artist. What makes him a great artist is the uncompromising nature of his work. The man does whatever the hell he wants to, and … Read more
The Man Who Died in His Boat (released February 2013) is a collection of songs by Grouper, a.k.a. Liz Harris, one-woman ambient/noise/folk/dream-pop impresario of Portland, Oregon. Harris has been active since 2005, the year of her first full-length release, and projects since then have included numerous collaborations, EPs, splits, etc. on multiple labels. Her latest work (from Kranky Records) is, … Read more
Feral Kings' self-titled EP comes from a couple of guys that know how to do what they're doing and do it pretty damn well, and it is not necessarily anything new. If you're familiar with the band members’ previous efforts what they do on this record should come as little shock. Containing members of Spitfire and The Takeover (among others), … Read more
Maybe it’s because I caught Off With Their Heads live recently and maybe it’s because on Home, their third official full-length, the theme is something that songwriter Ryan Young has been hinting at all along. Either way, the songs here are familiar and powerful and they continue to deliver in a similar vein as to the rest of their output, … Read more
After enjoying the light, acoustic stylings of Seabuckthorn, I started checking out Bookmaker records for some similarly oriented artists. That's how I found myself stumbling upon the French musician Valentin Féron (aka Henryspenncer, hopefully not as a reference to Eraserhead). And while Féron is of course true to Bookmaker's heavily folk-influenced sound, he brings in so much more, all of … Read more
OK let the namedropping begin: Agalloch, Worm Ouroboros, Hammers of Misfortune, Amber Asylum, YOB, and more. That was probably enough to get your attention, right? So Vhol first came into this world by the twisted ideas of John Cobbett and Aesop Dekker and their aim was to create a band in the vein of the unbelievable Ludicra after they ceased … Read more
It makes sense that this is Paramore’s self-titled album, even though it’s their fourth full-length. Everything you know or have heard about Paramore, put all of those pre-conceived notions in your time capsule for 2009, because that’s not them anymore. This is the two remaining original members’ (Taylor York joined the band after the Farro departure) time to show everyone … Read more
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