So this is what happens when you gather up some of the best musicians around the Boston scene and then front the band with one of the top saxophone players going these days. Deric Dyer has played saxophone for the likes of Tina Turner and Joe Cocker even guesting on the Ric Ocasek - Beatitude album. Deric has been carefully honing his sound over the years and it shows on this release, he is the Boston version of Bobby Keys and like Bobby he can rip it up with the best of them.The album features some of the best Boston musicians around with Cliff Goodwin - Guitar (Joe Cocker Band, Christine Ohlman & Rebel Montez, Robert Palmer), Marty Richards - Drums (Peter Wolf), Mitch Chakour - Keyboards (Joe Cocker Band), David Hull - Bass (Joe Perry Project, Aerosmith) along with a host of other equally talented musicians. The record is filled with standards that, while you are familiar with them Deric and the band add their own flavor to them. Starting with the tune "Gimme Some Lovin" and drifting into "Whatever Lola Wants" or "Stand By Me" you can feel the emotion Deric puts into every note he plays. The … Read more
As a critic there are certain things I’m supposed to keep up with. Fact of the matter is that’s not … Read more
Despite their age and influence, Shai Hulud have rarely been the focal point of underground music. Sure, they've toured internationally, … Read more
I truly think that the word “progressive” has lost its actual meaning for quite some time now. Instead of meaning … Read more
Is classic rock punk now a genre? I don’t have a whole lot of background with Restorations, other than catching … Read more
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Demonstrating on their 2013 self-titled EP that they may be the modern group that best replicates the sound of classic, British shoegaze bands (particularly, Isn’t Anything-era My Bloody Valentine), Baltimore five-piece Wildhoney returned with 2014’s three-track Seventeen Forever. Showing off new vocalist Lauren Shusterich as well as more confident songwriting, the EP kicks off with the calming “Seventeen.” Guitarists Joe Trainor and Dave Litz deliver distorted background parts and tinny, warm melodies over bassist Alan Everhart’s ragged and growling bass, while Shusterich’s dreamy vocals make this song quite catchy with lyrics that fit perfectly into the musical base. “Get Out of My Dreams” is a more punchy, uptempo song that incorporates similarly intricate melodic construction and the more driving album finale “Soft Bats” positively glows when warm vocal harmonies show … Read more
Have you ever gone to a show for one artist or band that you look forward to seeing so much and, instead, walk away talking about one of the openers so much more because of the impression that they left (and that is not a knock on the band or artist that you originally went to see in any way)? … Read more
This EP runs all of 4:59, featuring two new cuts from Low Culture. The band just released a full-length earlier this year on Dirtnap Records, Screens, and it’s making waves—at least in this writer’s household. With that aside, this 7” jumps right into the heart of melodic garage-punk, very in tune with the Dirtnap sound (though this comes courtesy of … Read more
Hardcore veterans, Terror have sold over 200,000 albums worldwide and will release their forthcoming studio album, Live By The Code on April 9th. Mixed by Matt Hyde (Hatebreed, Slayer) and produced by Chad Gilbert (New Found Glory, Shai Hulud, H20, A Day To Remember). Terror’s legacy in the hardcore scene is already built as being one of the most respectful … Read more
After releasing their striking eponymous debut in 2010, Mutiny Within were subsequently driven to disbandment by drastically lower than expected sales. Oddly enough, this wasn't due to a lack of musical proficiency but, rather confusingly, seemingly because of it; vocalist Chris Clancy maintains that the album was downloaded illegaly around ten times as often for every copy sold, making it … Read more
Canadian musicians Pomegranate Tiger are quite hard to pigeonhole. On the surface, they play an intensely confusing variety of proggy instrumetal that takes technicality to epic-length proportions, quite reminiscent of bands like Electro Quarterstaff or Canvas Solaris. But going a bit deeper, they also have a propensity for writing soaring, triumphal melodies that should sound familiar to fans of Scale … Read more
The fact that this record’s release coincided with me preparing for and subsequently taking a vacation, and you know, having a life outside of writing record reviews, means you’re likely reading this well after numerous other Internet outlets have exhausted every possible way to dissect You’re Nothing, the sophomore outing by Denmark’s Iceage, and still come up with the same … Read more
First things first, Poorly Formed packs some nice verbiage. With word drops like “crumb bums” and “rigmarole” the Swingin’ Utters have incorporated some lively language into their 8th studio album. It follows 2011’s decent but underwhelming Here, Under Protest and, with the new one they seem to be back in the swing of things. Poorly Formed is far more interesting … Read more
The only thing that would make sense of how this album came to be is the following scenario: Portal managed to somehow open a gateway to the realms of the Great Old Ones and were granted supernatural powers by malicious beings, such as Azathoth, Nyarlathotep, Yog-Sothoth, Tsathoggua and obviously Cthulhu. And soon enough, Portal decided to put their newfound powers … Read more
Ever heard of Crypt of Kerberos? No? Well get ready to be schooled in one of the greatest forgotten relics of the early tech death scene: their lone release, World of Myths.Originally released in 1993, this album has every hallmark for tech death bands of the day: tons of frantic riffing, unnecessarily complicated compositions, tempos and time signatures changing on … Read more
Every so often an unusual group of veteran musicians gather to form what was coined in the late ‘60s as a supergroup. There have been exceptional creative ventures, from the early Crosby, Stills & Nash, to the more recent Them Crooked Vultures and various Jack White endeavors, while others were better left to inebriated jam sessions at rock star house … Read more
The '80s are memorable for many wonderful things, like Pac-Man and Bill & Ted, but perhaps most importantly it was the decade in which a seismic shift occurred in the British alternative music scene that many new bands still consider massively influential today. Enter Johnny Marr, former Smiths guitarist and NME's Godlike Genius, who was an essential player in the … Read more
In the 80’s and early 90’s, many underground metal bands gained popularity though tape trading. This method of distribution was fueled by numerous fans mailing copies of demo recordings to other like-minded metalheads. As a result, fans would often end up receiving a copy of a copy of the original demo. Needless to say, many fans most likely became familiar … Read more
Norway's Ragnarok have made their name playing traditional Black Metal for nearly 2 decades now. On this, their 7th, full length they remain steadfast in style and attitude. Much can be said for consistency especially when it comes to genre whose fans can be as fickle as Black Metal. The record itself starts with a cold atmospheric piece before breaking … Read more
You know what makes me feel really good about myself? Post-rock. I'm not talking about the overwrought, nihilistic, dreary stuff (though I do like that too!), but the kind that just brings you up so much that it's quite literally impossible to feel bad about anything while listening to it, the kind of music that forces you to feel happy … Read more
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