In the past two years there has been some speculation about the Gallagher brothers. Even during their career as Oasis the speculation was there. Many questioned with all of their issues who was the real talent driving the band. Well this is the year that the question gets answered. With the release of This record as well as the Beady Eye debut LP (aka the rest of Oasis, Liam included). So the question is to be stated as to how these records stack up against the, dare i say, classic Oasis discography. Well the answer, at least for this record, is pretty damn good. While it is presumptuous to imagine that it would contain the same fire as Definitely Maybe or the overbearing psych influence of Be Here Now it is nice to be able to explain that it does contain a little of both. Starting with a slight cough and what could be expressed as a majestic introduction the record starts on a high note and does little to look back. Opener "Everybody's On The Run" goes slow but contains a certain energy and fierceness to it that one could be surprised by. Those who have been paying attention … Read more
Did you ever just get constantly impressed with the evolution that an artist or group of artists make through the … Read more
It's pretty easy to get inside Steven Wilson's head. It's abundantly clear from his works with Porcupine Tree that the … Read more
Jimmy Cliff sounds pretty spry for a 63 year-old. The reggae legend is a Rock and Roll Hall of Famer … Read more
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If I had to nominate an album for the most bizarre and intriguing release of 2005 thus far, I would have no problem choosing Sir Millard Mulch's How to Sell the Whole Fucking Universe to Everybody... Once and For All for that award. This two disc album - marketed as a three disc venture for comedic purposes that I'll explain later - contains sixty-four tracks of Casio-inspired surf-guitar/acid-rock/noise/mania that is an audio accompaniment to a 200+ page book that Mulch has also released. I haven't read the book, but my bet is it's just a zany as this album. Sir Millard Mulch, whose real name is Paul Mavanu, is not only a musical composer, but also an author and an essayist. He has written pieces on a vast array of … Read more
Well, that was a short album. At only thirty-five minutes long, doom/sludge metal group Giant Squid have almost halved the runtime of their previous album, The Ichthyologist, for the release of their third studio album, Cenotes.But what does brevity matter, when the music is top quality? This album is every bit as weighty as the giant squi--er, creatures on the … Read more
Junius and Rosetta are two odd bands to select for a split. It's hard to imagine the sonic distortion of the band behind The Galilean Satellites matching up with a band as mellow (in comparison, anyway) as Junius.Their contribution, “A Dark Day With Night,” sounds eerily ethereal; the sweet nature of the writing feels almost at odds with the sorrowful … Read more
Following the release of Beacons in 2010, musician Ben Sharp began releasing a series of short, acoustic instrumental loops on his blog. At the time, they were nothing more than a set of enjoyable curios. They sounded like some of the earlier post-rock material he had released as B. M. Sharp before starting Cloudkicker in earnest, and they were far … Read more
I was actually quite excited when I heard the trio Brainkiller's new album, The Inflitration, described as a mix between jazz, prog, and psychedelic music. I listen to a fair amount of all of those genres, so I thought it shouldn't be a half-bad listen at all. I retrospect, I suppose I should have thought it over a bit more: … Read more
It's hard to describe the nature of Between the Buried and Me's new project, The Parallax. It is kind of like a double album, except not quite. It's divided into two releases, an EP and a future full-length album, that together tell a story about...well, honestly, I'm not quite certain. It's written pretty obtusely. But that certainly won't stop me … Read more
Beware Of Safety are a Post-Rock band. Sounds simple and plain enough. As they do reside in a genre known for aping their forefathers in a near religious way does little for any band that chooses this route. Many of these bands rely on what the first 3 Mogwai albums taught them. Start calm, build with some heavy parts, climax … Read more
I have immense respect for Björk. She combines all of the showmanship and bombast of pop artists like Lady Gaga with the complex and intricate composition skills of electronic artists like Aphex Twin. She's one of the few pop artists that continue to push their own creativity with every release, and it is more than clear on her eighth studio … Read more
Going in to this album blind seems like a fun proposition for me (Handmade Birds has introduced me to a plethora of new bands this year) because discovering exciting new bands is one of my favorite activities, and let me tell you, Crooked Necks were another huge surprise that thankfully did not fly under my radar for me to regret … Read more
When I first heard the NY band Timeshares, I knew they were going to be a punk band to lookout for. After excessively playing the few songs they had and their split with Captain, We’re Sinking, the guys finally released their first LP Bearable. I have to admit—it was definitely worth the wait. Each song off of Bearable varies in … Read more
After being slowly consumed by the subtle graces of In Fades (the debut cassette from this project), the longing for another recording from Greys similarly began as a slow ache until thinking about it became a weird tic (ask certain people that I will not name and they can corroborate my incessant pestering over the next Greys project); and then … Read more
Bayonet is a Jersey super group or sorts. taking members from such bands as Senses Fail, The Banner among others. In any situation like this it is hard to tell if the project is really a band in itself or merely something spat out for fun. One can hardly assume what this will sound like as each members prior (or … Read more
In the long-honored tradition of solo records from Guns N’ Roses members, Tommy Stinson delivers One Man Mutiny. Of course, Stinson has an intriguing back story—he joined the legendary Replacements at age 13, playing with them and even getting manager Peter Jesperson to sign off as a legal guardian for touring’s sake. But that was thirty years ago. The purpose … Read more
I admit, I sometimes forget folk metal actually exists. Sure, I toss around the term frequently when discussing Opeth, but rarely do I ever bring forth what the term actually means. I often forget the music of great bands such as Wuthering Heights or Skyclad. That's one reason listening to Canadian group Scythia's latest album ...Of Exile was so fascinating … Read more
Do you ever cringe whenever a music critic or what have you precludes a genre of music (which sometimes makes me cringe... crunk-core... seriously?) with another term, which even more ridiculous word that is supposed to further clarify what exactly a piece of music sounds like while in reality the word means nothing? This happened to me when I first … Read more
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