Gloomlights appears as a double disc spectacular. One hour forty-two minutes, and eighteen tracks of pure pop/shoegazey/synthy melancholia - each disc bringing a distinct taste and sound to the table. Airs are a duo based on opposing sides of America, making music in the rawest sense and recording everything themselves. Each release being something a little bit special considering the lengths (quite literally) gone to to get the piece made. Setting up it's modus operandi from the outset, Gloomlights kicks off with "Harvest Moon," a gorgeously shimmering nigh on ten minute track. Beginning with simple plucked notes and an almost ethereal barely there vocal line dipping in and out of the background it soon lurches through each of the distinct sounds that establish an Airs record. Suddenly, fuzzy and distorted guitars creep in and there's the intensity of the harsher side of the band in those pounding blastbeats. The closing minutes feature a more stripped back sound full of sadness and, well, gloom.The thing that's particularly interesting about Airs, is that no matter how upbeat and just plain darn catchy a song is, it's the depth of emotion shown that pulls through. Listen to the lyrics of "White Rose" or … Read more
With guest spots from Brian Fallon (Gaslight Anthem), Chris Phillips (Squirrel Nut Zippers), Frank Turner, Audra Mae, Rick Steff and … Read more
How the hell do you take a genre as overworked as pop music and make it interesting? If your name … Read more
You know there are those moments in songs where everything is just so perfect that you don’t want it to … Read more
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At this point Riverboat Gamblers have enough side projects that there’s almost an expectation of sound before listening, that unifying factor between all the different bands that have spidered from the source band. Introduce Drakulas, who released an EP on Red Scare Industries last year and now come with a full-length Raw Wave debut on Dirtnap Records. Not only does the band have Gamblers’ vocalist Mike Wiebe, though, it also includes Zach Blair of Rise Against.Rise Against namedrop aside, there is more Gambler sound to Drakulas than Rise Against – though the chugging rhythm is representative of the group. This is a melodic 10-song, 26-minute rock burner. It’s got classic to-the-point rock at its core: simple, emotional, powerful and a little sensual/trashy while avoiding the pitfalls of so much (genre-fied) … Read more
Don't be turned away by the album cover! I assure you, this review has absolutely minimal content involving werwolves. Probably. I'm actually writing this introduction prior to finishing the last fifth or so of the review, so it's entirely conceivable I could change my mind. Let's assume I don't so that I can talk about the excellent debut from the … Read more
Approaching the closure to their set last weekend at the Electric Factory in Philadelphia, the London born Alberta Cross kept spirits alive, playing “…one from the new album.” The rejuvenating “Money For the Weekend” boosted energy throughout the venue, and does just that as the opener to the band’s recent EP, The Rolling Thunder.Opening for Portugal. The Man in support … Read more
You, Me, & Everyone We Know came to my attention with the announcement of their break-up earlier this year. I didn't give them a listen until their post-humous EP, Things Are Really Weird Right Now. I was taken aback, as I wasn't expecting something as poppy as this from Topshelf Records. That isn't necessarily a bad thing though.The first song … Read more
Ah, another offering from A Death Cinematic in the form of an “EP” (I put this in quotes because it plays longer than some LPs by some bands) entitled Your Fate Twisting In Its Crushing Moments; and just as with previous releases, this comes with some of the most intriguing packaging, again, hand made cover consists of a hand printed … Read more
You can stop staring at your watch with misplaced optimism; there's still no news from Tool on their fifth album, and A Perfect Circle have reiterated their vow not to work on an album-length project again. So then what exactly, you might ask, is everyone's favourite rock-star-turned-vintner doing, if not fronting one of his established bands? As it turns out, … Read more
People say that the best works of art are born of intense pain and immense suffering and history proves this out to some extent (without getting into some existential debate with myself over the validity of the statement, it serves the purposes of this little pseudo repartee); now, Giles Corey (both the project and the album) is the tortured work … Read more
Noise By Numbers are a group of Chicago punk veterans, and Over Leavitt gives a nice first impression. The sepia-tinged sunset photo of an industrial district gives a relatable, down to earth feel. On the flipside there’s a photo of the band playing a house show. Sure, they’ve put their sweat equity into the scene, but there’s no sense of … Read more
Before i get done writing this review i may have listened to this record 5 times, possibly more. That is listening to this record once for each inch of vinyl it is pressed onto. Those familiar with Hatewaves from their 7 inch release last year should know the bands' pedigree within hardcore and metal and probably would have bought this … Read more
Powerwolves had been running around the northeast for a little while now. While this is not important in itself, the band does take their sound from a lineage of past Boston area bands. The most recognizable would have to be The Hope Conspiracy, while this is readily noticeable it comes through only in the style of the vocals. The band … Read more
I don't know about you, but a band with a name like 'Scale the Summit' evokes some pretty specific musical imagery for me--huge guitar lines, tons of stylistic shifts, and a definite sense of grandeur all come to mind. What's cool is that's exactly what the Texan instrumental progressive metal quartet sounds like. If you're not following me here, try … Read more
How many national music treasures come from the United States? You know those ones that are still alive that you can point to and say that our musical culture would be less without their contribution, and I mean, yeah, there is Bob Dylan, possibly the Boss, Iggy Pop; but I would be willing to place one Thomas Alan Waits up … Read more
Clash Battle Guilt Pride is Polar Bear Club’s third release and second on Bridge Nine. The veteran band sets their tone early with “Pawner,” a sparse, sprawling song with big hitting moments where vocalist Jimmy Stadt runs the gamut of emotions. While the tempo lulls are a bit under spoken for the heavy-minded group, the emotive bursts of “I gotta … Read more
On the Stormy Petrel World Tour in 2010 bassist Graeme Philliskirk made an arrangement with The Arthouse in Melbourne, Australia to record Leatherface’s set, unbeknownst to the rest of the band. This recording led to Viva La Arthouse, a record that captures Leatherface live and without the self-awareness you’ll often hear on such releases. In addition, it serves to document … Read more
Dream pop as a genre seems to have made a slight comeback in recent years. While this may be due to many factors more bands are embracing the harmonies of The Cocteau Twins and Chapterhouse. This seems to be a good thing as many of these bands bring other little things into their music as well (Atlas Sound, The Pains … Read more
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