We Chase the Waves is the second release from Lawrence Arms singer/guitarist Chris McCaughan. While technically his second solo release, this one is truly an individual effort, with McCaughan handling all the instrumental duties except for a few peripherals. His Lawrence Arms bandmate Neil Hennessy handled the majority of the production. Waves has a more stripped down, personal feel than its predecessor, Four One Five Two, and, as the title indicates, watery imagery permeates much of the record. Thematically, the record's approach is of metaphorically being lost at sea, going at life alone until you find your way. Beyond the maritime theme, McCaughan's songwriting style is familiar from his other work. It comes from a first person perspective, leaning on his vulnerable delivery that oozes regret, relying on his reflected emotion to overcome his vocal shortcomings. His style is that of a shy man pouring out his heart in his apartmentthe record, in fact, was mostly recorded at his home, and the photo in the liner notes features McCaughan avoiding eye contact. For the most part, there is an acoustic guitar plus singer with little accompaniment and the lyrics are intimate and direct, as in "As the Crow Flies," which … Read more
2 disc greatest hits collection of Keene's work over his entire career. Disc #1 focuses on his eighties period of … Read more
New record from the band blasts off with the first single "Think I Need It Too" and doesn't look back. … Read more
After a long hiatus, the band is back with a stunning new release. Skillfully produced again by Hugh Jones (Echo … Read more
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In my circle of friends, I am the only one who doesn't find anything remotely interesting about Bane. So what does that have to do with this review? A lot actually since two members of Silent Drive are in Bane. That really doesn't impress me, what did grab me is that two members were in Drowningman. I have been awaiting the emergence of anything Drowningman related since the demise of the band and the ill-fated post-breakup Simon Brody ventures. So yah, my interests were peaked. Unfortunately for Silent Drive, Drowningman has reformed in the time since I first listened to Love Is Worth It, sending me scurrying to wipe the dust off my copy of How They Light Cigarettes in Prison. The website for Silent Drive describes the band as … Read more
Sometimes one can be anticipate something too much. Expect too much from something so as to nullify anything enjoyable from said thing. Sadly Expectations are like that. The Warlocks have had a long career of playing spacey over driven rock songs. It seems only right that they are signed to Tee Pee records. They've always carried a psychedelic vibe couples … Read more
Some bands exist both inside a scene and outside the sound of the given scene. Beaten Alive are one of those bands. They are a band from Ohio identifying with the garage scene of their state sharing friend The Black Keys. This is where most of the normal characteristics end. While there is a touch of garage rock and some … Read more
Psych rock is a mixed up genre. Ok, yeah it is spacey it technically rocks without really being rock per se. The part where i have issue is that sometimes these bands find it more interesting to write songs that don\'t go anywhere. They just stay locked in their moment in time and space never truly building on a riff … Read more
I have to admit that normally I am not a big horns fan. It really has to take the song to another level for it to do anything for me. Unfortunately there is no evidence of that happening on this release. The back-up singers add a bit of texture here and there, but that doesn't help too much when the … Read more
The title track on this 7" is a fitting sound, given its title. "Wasted and High" has a pop structure run through the wash, and the fuzzy guitars and calm delivery of singer Matt Brink would fit under the shoegaze label. On "No One's Holding a Gun to Your Head," the band adds more harmony to Brink's sleepy delivery. Meanwhile, … Read more
What would a new band that features members of Banner Pilot, The Soviettes, Off With Their Heads, and Dear Landlord sound like if locked in a broom closet and forced to come up with songs? I'm guessing something like this release. They may be ex-members of some of these bands (I'm too lazy to check) but the influence is still … Read more
Lights Out Paris was one of my favorite releases of 2005, but as the Doomtree crew only has so much time and money on their hands, they rotate members' releases. Thus, it's taken Sims until 2009 to release a False Hopes (the Doomtree version of a mixtape). On #14, Sims has ten new songs to show his growth as an … Read more
Is this the band that released Soft Skeletons? It's been 3 years, and clearly the band has opted to go in a different direction. While the band has never hidden their affinity for The Who, naming themselves after a 1968 song by the group, When I Am Gone My Blood Will Be Free takes their influence to the next level. … Read more
After a brief intro track (what's the point of intros, anyway?), Mayflower kicks things off with the energetic "I Never ", an Off With Their Heads influenced gruff punk song with group choruses and a memorable hook. It's a fitting start to Second Best Sunsets, setting the tone of cynicism contrasted with bouncy, hold-your-beer-in-the-air sing-a-longs. What separates Mayflower from other, … Read more
If you're like me, you've seen the name 'Rotting Christ' thrown around for years, but you never listened to the band because you assumed it was an unremarkable throwback black metal band whose albums suffer from unbearably bad recording quality. But since Earwax in Madison was carrying the band's new album, I figured I'd give them a quick listen, because … Read more
Finally, after literally years of waiting to hear this new Integrity album and a couple of teaser releases that barely whet my appetite for this monster, The Blackest Curse sees the light of day with all the power of a dark, ominous poison cloud alighting on the bland morass of what passes for hardcore punk these days. Admittedly, as I … Read more
Blake Judd has had a rough last couple years, missing two of Nachtmystium's biggest breaks as a result of a strange coincidence and outright misinformation. First, getting thrown off of the first annual Scion Fest for supposedly being a National Socialist band (they are not). The second occurred shortly thereafter losing out on a spot in direct support of The … Read more
Wow, a new Starkweather album, and so soon after their last one (Croatoan)? Seriously, it is exciting to hear another album from this long running and challenging outfit; and maybe being on a label run by fans of theirs, Starkweather may finally see some recognition for their forward thinking music (hopefully they do not remain a band's band). In any … Read more
Metalcore may be the most loaded term in modern underground music. For most it means you sound like Hatebreed or for the slightly more adventurous Heaven Shall Burn. Either way, you're running the risk of monotony and probably jokes at your expense from those too cool. While I say this, there was a time in the 90's that metalcore was … Read more
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