It has indeed been a number of years since we last heard from Bane; their last full-length - The Note - came out in 2005, and with the hectic touring schedule that the band maintains, these seven inches are the first new recording from the band in quite some time (their Ten Year Plus 7" were old recordings that were never released and maybe you could include their song on the Sick of it All tribute that came out a few years ago). Maybe the long running hardcore act is going back to the beginning when they released a trio of great seven inches (see the self-titled, Free to Think, Free to Be, and Holding This Moment) all of which came out on several different record labels, but in any case, seeing new material from Bane is always exciting because they do not burn out by putting out an album a year or so. Instead, their records always have some time in between for people to want to hear more. Boston 6:58 PM (and its European counterpart which is the same 7" only with a different name Dublin 11:58 PM) is three new songs chock full of the unique energy … Read more
I really wanted to like They Came From the Shadows. I did. And to an extent, I do. There are … Read more
Grindcore is one of those genres where these days you are just as likely to come across an abject piece … Read more
Following an impressive debut album (And We Wept the Black Ocean Within) and a nice split and collaborative release (see … Read more
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I’ve listened to a pretty solid variety of new records this year, but it’s always nice to come back to something from the DIY punk world. God Equals Genocide are one of those bands—they could go on tour, struggling to get gas money in bar after bar, but they’d rather just drive the van to some out-of-the-way basement, plug in, play, and then hope for a couch to sleep on. That’s all evident to me just from listening to Rattled Minds. It’s an angry romp of a record: too rough and tumble to call pop-punk, but way too melodic to call hardcore. Throw in a dose of lo-fi, and you’ve got God Equals Genocide. The LP is the first full-length from this three-piece after a few 7”s spread over the … Read more
The Blind Shake are a power-garage trio from Minneapolis. They play highly synchronized, precision rock with guitar, tenor guitar, and drums. Michael Yonkers is a noise-guitar pioneer, having finally gained recognition when Destijl and, consequently, Sub Pop released the 1968 recorded, but never released, Microminiature Love in 2003. The record starts with haunting, dark, and heavy guitars and Yonkers' warbly … Read more
Everlovely Lightningheart was a band (even though championed by Hydra Head for some time) that exists in virtual obscurity. And considering what this collective offers people, aside from a bunch of limited releases (one of which includes an LP that is still only limited to 5 or so copies), the challenging soundscapes on their albums beg to be heard. Sein … Read more
With Hell is Empty Ruiner return with one scathing, vicious, and beautiful album. It was worth the two year wait that fans endured between this Prepare to be Let Down. What Ruiner had developed on Prepare to be Let Down has been greatly expanded upon on Hell is Empty. The songwriting is much more dynamic, and J. Robbins' organic production … Read more
Every once in a long while there comes a release which takes several listens to sink in to one's thick skull (particularly my hard head can take time), but once that record sinks in, the record not only makes complete sense, but it seems to become a favorite release. Upon first listening to the latest release from A Death Cinematic, … Read more
Lucero is a band that people feel passionately about. You either love them or hate them. Their fans are very adamant about which record is their favorite, and subsequently, the best in their eyes. With 1372 Overton Park Lucero has gone on to make what is one of the most fully realized albums of their career. Unfortunately, Lucero's vision for … Read more
Holy supergroup! Even as that term is overused, for underground metal and heavy music, Shrinebuilder is just that when you read the members that comprise this group: Scott "Wino" Weinrich (The Obsessed, St. Vitus, Spirit Caravan, The Hidden Hand), Scott Kelly (Neurosis, Tribes of Neurot), Al Cisneros (Sleep, Om), and Dale Crover (The Melvins, Nirvana). These four notable characters got … Read more
In what might be an early contender for "Most Improved Band of the Year," Nothington brings us their second studio album, Roads, Bridges & Ruins. Now, when we last left the band they released their debut record, All In. While it was a fun listen, it didn't carry much lasting value and I wore it out after a few spins, … Read more
In a U.K. pop scene increasingly dominated by uncertain female electro-pop princesses or paltry imitations of Rihanna or Beyonce, it's refreshing and exciting to see the dominance of a genuinely interesting and invigorating talent. Twenty-three year old Florence Welch and her four accomplices - The Machine - present us a gift wrapped collection of thirteen buoyant, ethereal and enormous songs. … Read more
Following an impressive debut album is never an easy undertaking, and Gaza did deliver an impressive debut with I Don't Care Where I Go When I Die. So with that in mind we find their sophomore effort from the four-piece hailing from Utah in the United States. He is Never Coming Back is a definite product of the environment from … Read more
The release of Thrice's latest album, Beggars came as a big surprise to a lot of fans for a couple reasons. One reason is because the band released the last two volumes of The Alchemy Index only last year and they were quick to the studio to record it's follow-up. The other reason is how quickly it leaked onto the … Read more
Sometimes life gets in the way of good music. When the Thumbs disbanded in 2003, Mike Hall and Bobby Borte needed a new outlet. They formed Sick Sick Birds, but families and education have slowed the band's production, leading them to release their first full-length in 2008. Heavy Manners isn't a far stretch from their previous band, but Sick Sick … Read more
In his two-piece with Mark "BBQ" Sultan, King Khan & The BBQ Show brings garage rock as it's meant to be played: layered with harmonies and catchy choruses, but oozing with distortion and dirty, sleazeball rock and roll. King Khan & The BBQ Show have perfected simple, fun rock and roll. When "Anala" first hits your player, it's not a … Read more
As certain styles of music catch hold and thus become revered and oft emulated, making or doing something to makes one's band stand out amidst an ever burgeoning horde of groups (that range from those that find their own voice to those that come off as half rate clones) becomes a much harder obstacle as time moves forward. Rabid Rabbit, … Read more
In what's already been a solid year for punk releases, Lipona's new self-released EP, Pigeonholed might fall under the radar to most listeners but if you do come across it, I would strongly suggest giving it a listen. Pigeonholed is a short but sweet EP of some nicely executed punk rock with a bit of a hardcore edge. The lyrics … Read more
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