They say absence makes the heart grow fonder. Well, a little birdy put this record on my radar in late 2021 and I enjoyed it, but kind of set it aside until its proper release. I liked it on first listen but, today, it just hits harder and deeper. Maybe it’s the right place and time as I manage stress and counter that with summer sunshine -- which, in a nutshell, is kind of the general vibe to Miracle Question. Or maybe it’s a sense of familiarity since, due to SPB, I’m listening to brand new music more often than not these days. I’d define the sound on this record as indie-punk with a warm and friendly focus. Jenna Marx’s voice is borderline bubbly. Honestly, it rubbed me the wrong way back when I first listened but it’s the complete opposite since I’ve returned to the record. Call it posi-pop-punk with some quirky elements. It’s generally upbeat and, combined with the saccharine vocals, it feels misleadingly happier than it is. It personally recharges my battery, but the lyric sheet might have the opposite effect. The lyrics are mostly written first-person, but they feel universal -- what The Dude would call … Read more
"All the burgers, all the fries, Daniels got tater tots for his eyes!" - Belushi Speed Ball Formed in 2013 … Read more
rder Of The Bat is the third full length album from one of Melbourne, Australias busiest horrorpunk/dark rock bands Coffin … Read more
Starter Jackets are a throwback. That’s no surprise given that they’re named after one of those brands that the jerks … Read more
La Fraction returns after years of absence! If you responded with the same: “huh?” I ushered when I learned this, … Read more
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I like the idea of certain types of metal paralleling the thought patterns of jazz. Whether it is the twitchy renderings of a Meshuggah beat, the sprinkle of jazz-like tendencies of an Intronaut record, or the experimental coo-coo of Fantomas. The immediacy, expansive sound, and improvisation can certainly draw comparison to a Miles Davis or John Coltrane offering. Those two individuals could be just as intense without all the distortion. And I like to bring the Japanese overlord snow-capped, glacial movements of Boris into that conversation as well. There are some who could argue that the experimental nature of Boris transcends either genre encompassing one all its own. Their wall of sound has been mimicked, copied, but, like a Warhol, you can tell a real Boris from a fake Boris. … Read more
Apparently, Gentlemen Rogues don’t like stupid-looking hats. I am not sure what constitutes a stupid-looking hat, but I imagine a loud purple fedora adorned with a pink band around it and maybe a fake feather to compliment it. I have to point out that long-distance relationships rarely work when combined with international love connections. Didn’t you watch 90 Day Fiance!. … Read more
Swiss band Icare once started out as a studio project with no real intention to play live. Somewhere between their debut (Khaos) and their sophomore album, Charogne, this changed. The band wanted to play live. Of course you do that by playing one 43 minute long song. That sounds like solid logic right? It is a ballsy move indeed. What … Read more
“Fear is a hungry beast. The more you feed it, the more it grows” J. Ripper Tenebrific cloaked figures flutter in the darkest corners amongst the dustballs. They lurk with us appearing weak or feigning injury much like the most outstanding actor of the wildlife…The Killdeer. The aegis crooked hand of doom reaches out to lovingly unsuspecting sacrificial lambs led … Read more
I don’t come across a lot of punk bands with “love” in their name. Whether it’s justified or not, that led me to expect something a bit more dramatic and heart-on-sleeve than this. The music is more post-hardcore meets melodic punk, a la Hot Water Music meets Iron Chic. It’s built around singalong, harmonized choruses with some build-up and progressions … Read more
Royale With Cheese! Brie De Meaux, Pyrénées Sheep Fromage, Comté, Bleu d'Auvergne, Époisses de Bourgogne, Le Chevrot. So much French Cheese and so little time. Nothing like a fine aged cheese that has the aroma of a baby’s shit-filled diaper accented with the smell of unwashed construction worker's feet and top offed with the ripe order of a hippie full-flavored … Read more
San Francisco trio Rip Room play a meandering art-punk style that’s forceful but equally unpredictable, largely built around bass licks and rhythm switches that give it an off-kilter dance vibe complemented by some angular guitar riffs that serve more as accent than lead. Musically I hear a good chunk of early post-punk meets math rock, but simplified into a 3-piece … Read more
While Up For Nothing has apparently been around since 2002, this is my first exposure. It’s interesting to learn about a band after listening on repeat, as I had the impression they were young ‘uns. They should take that as a compliment. Rather than sounding jaded, it sounds vibrant. Up For Nothing is a punk band from Brooklyn. The style … Read more
In recent years the Icelandic black metal scene has produced a stunning array of artists. From the dissonant majesty of Svartidauði, to the immediacy of Misþyrming and the psychedelic edge of Wormlust, the scene has truly blossomed. As it is usually the case, this tendency towards the extreme and experimental has not been isolated to the black metal form. Other … Read more
Open chord guitar and warm synth start the single in a typical indie manner. The poetry that fills the space is earnest and serious, beaconing the listener to keep up. When the small drum machine picks up you feel a sense of relief. References to travel, reflections and an illusive love are all present again, but don’t feel too overused. … Read more
Tim Kasher has released four solo albums and another 10 with Cursive (and still more with The Good Life). I won’t pretend to know the full catalog -- my exposure has been more along the “best of” lines. This review isn’t a comparison or “where does it fit” essay. It’s a standalone review. I felt like I needed to get … Read more
Forever Reigning - A Tribute To Slayer is the debut release from US based Satyrn Studios. It features 8 up and coming underground metal acts covering 12 of Slayer's best tracks and really is a true celebration of heavy metal! After their arrival on the scene in 1981 Slayer have been the real titans of thrash metal, smashing their way … Read more
The first song I listed to from Glitch was the single “Anomalys Rise,” which is an instrumental garage-surf burner. It’s definitely emblematic of the band’s sound and the record overall, yet I’m mildly surprised at the full-length because the vocals play such a role in the overall experience. Not a knock, but it feels like a curious single to release … Read more
Forget all the silly fourth wave hashtags for a minute. The Slackers have been playing old school ska/dub/rocksteady since 1991 now. Don’t Let The Sunlight Fool Ya is their whopping 15th album (depending how people count the early self-released material). They’re not “prolific,” though. They’re hard workers. There is a clear working-class New York vibe that permeates their every song, … Read more
I was coming off a Jawbreaker high when I first heard Captain Asshole at The Fest 18. I liked what I heard, but I also didn’t know if it was because of the music or simply the time and place. Fast forward through a couple years that most of us want to forget and the band has a new album … Read more
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