Deep Snapper is back with another album of almost familiar songs that bring to mind a type of punk rock that is largely forgotten in this age of radio friendly pop punk bands with starry eyes. Into the Ugly is the third release for the Texas three-piece known as Deep Snapper, and at twelve songs, it gives listeners a large sample of their creative stylings. Immediately, Deep Snapper shows some new tricks on Into the Ugly with the steady bass line and drumbeat of the verse in "Hemagoblins Attack the Central Processing Plant." It delivers on some of the promise of earlier material, and as a whole, the album seemingly is more "mature" as the group refines their songwriting and sound. The jangling, angular guitar in "It's Not a Block of Wood, It's an Angry Drier" sets the mood for the vocals while the rhythm section keeps the track moving sure and steady. The measured tempo of "Nights with the Glaswegians" and the gelling of every aspect of Deep Snapper is one of the brightest and most accomplished moments to be heard on Into the Ugly; the guitars, vocals, rhythms all combine to create one of my most enjoyable songs … Read more
Yes, End of a Year give us yet another new record into which we can sink our collective teeth (if … Read more
It's been about four years since the last Old Man's Child record and it seems we've been waiting forever for … Read more
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The Sword produce a very special kind of metal. It’s the kind of metal that hits hard as fuck, but with tremendous songwriting that brings with it the sludge from the underbelly of a Texas oil field. The Sword seem to toe that sweet spot between mindnumbing, scraping, smack with an open palm, head shot guitar and sweet 70s rock n roll. They owe as much to ZZ Top as they do to Black Sabbath and they do it well. The Austin, TX band’s last full length record, 2015’s High Country was followed by an acoustic version of the record entitled Low Country. Both records sit at the peaks of stoner metal summits. The Sword went out on tour in 2016 with Opeth and from those shows, they cut their … Read more
Hailing from Texas, Deep Snapper give listeners A Drowning Man Can Pull You Under, a roiling ten track album that pops the whole time that it plays with nary a downtime in sight. Okay, maybe there are some slower numbers but they augment the record. After reading about them being similar to Dead Kennedy's mixed with the Minutemen, I am … Read more
"I'm about to sell five copies of All the Other Animals by Skeletons with Flesh on Them." I can totally picture some chap that works at an independent record store in the Pacific Northwest reinventing the famous scene from High Fidelity in this manner - likely his favorite film - to 'suade customers into purchasing this album. And if said … Read more
This is the second review that I've done from Fail Safe Records that involves at least one member from a 90's melodic hardcore band that I like. This time it's As Friends Rust, whom will probably go down in mix tape history by having the audacity of having a song called, "The First Song on the Tape You Make Her." … Read more
Numbness is an excellent collection of rarities and previously unreleased material from the increasingly prolific two-piece known as Nadja. Aidan Baker and Leah Buckeroff are nothing if not active and this release is not one of those "for collectors only" type releases for completists. In fact, Numbness contains what is arguably some of the group's best material. The six tracks … Read more
Now, I am an extremely misanthropic individual. I generally enjoy disliking things (and people) almost as much as I enjoy liking them. There is a perverse pleasure in mild hatred, a smug sense of self-justification when you can hover above the morons of this world and curl your lip in distaste at their floundering attempts at humanity. When this is … Read more
Is there any better imagery than broken teeth? La Crisi don't seem to think so. Given the ferocity on II - Tutti a Pezzi I have to wonder if the cover image is what singer Mayo's mouth looks like after a particularly violent show. When it comes to namedropping influences, there are plenty of good ones for this band: Bad … Read more
n theory, this band should be really, really fucking good - a supergroup composed of three accomplished artists already involved with various supergroups of their own. Dan Bejar (Destroyer, New Pornographers), Carey Mercer (Frog Eyes, Blackout Beach) and Spencer Krug (Wolf Parade, Sunset Rubdown) collaborating and throwing around their signature esoteric surrealist sounds like a aural feast. Buzz surrounding Enemy … Read more
A concept album that deals with the real life shark attacks that inspired the landmark movie Jaws, this is the type of heady fair that listeners might expect from some post-rock behemoth or prog-rock posturing; but this awesome idea comes from none other than Akimbo. Jersey Shores is a departure from there normally more straight forward rock bombast, and one … Read more
Hailing from Seattle, Stencil comes with their debut album The Dead Lie Golden. They have touted themselves as an orchestral indie band which draws stylistically from established artists such as Elliott Smith, Sufjan Stevens, and Neutral Milk Hotel. Really now, if your band could successfully draw from all those artists, your band would be a musical juggernaut, maybe even revolutionary … Read more
Nathan Gray was the lead singer of what was one of the most important band in the late 90's, Boy Sets Fire. There are plenty of people out there that would just love to refute this fact. Nevertheless from Boy Sets Fire's performance at More than Music where they had members of the audience come up and talk about being … Read more
There once was a time where Zao were a great Christian metalcore that stood out among their peers. Back in the 90's, they created a signature sound with powerful screams, raw guitars, and clean sung choruses. Unfortunately, this sound has been bastardized by tons of other metalcore bands that have spawned since that time. It's been ten years since Liberate … Read more
Seasons in Verse is the debut full-length from Connecticut's My Heart to Joy. The band's first long player is the follow-up to the band's most recent EP, last years Virgins Sails. Seasons in Verse sees My Heart to Joy continuing to distance themselves from their more aggressive infancy and developing their songwriting talents towards intricate and complex indie rock. Lead … Read more
Bands can sometimes get falsely categorized by those who don't know any better. And it really only takes a few misapplications of a genre to a band before you get frustrated, or simply declare the said genre dead to you. Anyways, we approach the new Pink Razors record Leave Alive with the term pop-punk somewhat lodged in most descriptions of … Read more
Moving Mountains' Foreword may only be a four-song EP but they bring everything to the table and showcase their full abilities on this brief piece of music. Foreword is roughly thirty-six minutes, which seems to be the perfect length for an album like this, not terribly short but it doesn't drone on too long to the point where it's dull. … Read more
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