Making themselves known to a national audience by opening for The Flaming Lips and already slated as an opener for Aesop Rock this winter, Black Moth Super Rainbow latest release, Dandelion Gum, was lent to me by a friend. The psychedelic/drone-pop is repetitive and spaced out in all the right ways, but the jams never get in the way of the songwriting and hooks. The band's instrumentation makes frequent use of an analog vocoder Fender Rhodes piano, a drum machine, and a Novatron - an electro-mechanical, polyphonic keyboard, used by the likes of The Zombies and early Pink Floyd. The spacey instrumentation leads to spacey songs, but the secret to Black Moth Super Rainbow is the 90's chill out down-tempo current that moves beneath the druggy riffage. The guitar sound owes as much to Donavan as the vocoder-drenched vocals owe to pioneering electronic musician Bruce Haack. Not much of anything is known about these guys, other than the fact they come from Pittsburgh and they know some people who know people who have drugs. But the record label, Graveface, for this release is based in my city of residence, Toledo, Ohio so I do feel some sort of hometown pride … Read more
Anyone educated in the Louisville family tree of hardcore punk bands - Coliseum, Breather Resist, Young Widows, Black Cross, etc … Read more
Skeletonwitch is the latest band from Ohio to make it to the big-time. These five dudes sport some silly names … Read more
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Blood, decay, and darkness, that’s what I think of when I listen to Kill Matilda’s re-release EP #Punk#Zombie#RocknRoll which derived from their 2011 full length album I Want Revenge. This album grips my mind and twists my emotions! I imagine myself in a dank basement with thirty of the coolest people I know, crammed in, with can’s of PBR, and one of the best mosh pit experiences of my youth! “Pomegranate” starts the album with a very 90’s punk band vibe, and with a female lead that catches my attention and get’s me nodding my head to the beat. “I Want Revenge” has quite a few interesting vocal moments. About 1:48 into the song I can picture the guitar player getting really into it and would love to see this … Read more
Dirty Money is one of the latest upstarts to emerge from the U.K. scene and take hardcore by storm. Dirty Money set forth a furious attack of fast-paced hardcore that draws great influence from the New York scene. No Escaping This features four new songs, all of which blend together the classic NYHC sound with flairs of metal and crossover … Read more
Deal With It is the latest hardcore export from the U.K. This five-piece group of fellas churn out five brand new songs on World Coming Down. And with the CD version you are gifted with the band's demo recording from last year. World Coming Down is a high-octane blast of meaty hardcore that draws influence from the classic New York … Read more
Show No Mercy hail from Maryland and deliver seven tracks of crossover/thrash/metallic hardcore over the course of Death is My Religion. Musically, the band shows an obvious homage to their namesake, Slayer, with blazing riffs that call to mind the early Bay Area thrash scene. Show No Mercy also mix in some nice mid-90's hardcore grooves and even a solo … Read more
I cannot think of another record label that could have released The Black Dahlia Murder's new full-length Nocturnal. Sure, any number of labels could have released it financially, but it just would have seemed out of place. This is a metal album from start to finish, so it only makes sense for it to be released by the label that … Read more
It's not easy being a Southern rapper these days. With the airwaves of mainstream radio becoming overcrowded with the "ringtone rap" of such groups as D4L and Dem Franchize Boyz, backpackers and hip-hop purists are quick to point the finger at nearly every rapper south of the Mason-Dixon Line. I guess they forgot about UGK? They've only been in the … Read more
Navigating the Bronze is Akimbo's fifth full-length since their inception in about seven years ago and their first for new label Alternative Tentacles (AT did re-release an album early in '07 as well). This three-piece is a vicious outfit that has garnered a reputation for their busy touring regimen and all around hectic work ethic. At ten songs in roughly … Read more
Let's not beat around the bush. Despite a valiant effort at bringing thrash back to the masses, Fueled by Fire just aren't the ones to do the job. It's a tall order - there'll always be the diehards (mostly in their late thirties) that will buy pretty much anything remotely thrash related. This album is for them. The albums that … Read more
One thing that I love about hardcore bands from the 80's and 90's is that they often included background info on the songs' lyrics. Perhaps this is because the music then seemed to be fueled more by the substance of its words as opposed to how the music sounded - this fact can be argued to death and I have … Read more
There's been a lot of words used to describe Minneapolis' A Second from the Surface: metalcore, grindcore, crustcore. All of them are very specific genres, but not one of them is accurate. A Second from the Surface are hardcore, plain and simple. More on the old school side than the "hardcore" that we see nowadays on every Warped Tour. As … Read more
Before we begin, a short caveat: a little more than six years ago, when first throwing myself into the world of hardcore and post-anything, I was a fan of some terrible music. My CD and t-shirt collection was almost an homage to Trustkill Records. And for a time, I actually thought listening to Coheed and Cambria excessively might change my … Read more
Revelation Records has made quite the turn-around in the past two years. Besides mainstay Shai Hulud, the once hardcore-proud label has returned to its roots following a divergence in the indie-rock realm - Elliot, Christiansen, Since By Man, etc. The label has recently released several top-quality hardcore albums: Shook Ones, Down to Nothing, and Sinking Ships. Living Hell's debut full-length, … Read more
The key word that comes to mind when listening to When the Sea Became a Giant is light. Everything is light. The vocal delivery is a deep reminder of the roots of emo, where a different kind of melancholy built its empire (no pun intended, I lied, yes it was). The guitars let off an air of innocent intensity. The … Read more
I figured I'd be in for some weird and different sounding metal with Zweizz when I first looked at the cover of The Yawn Of A New Age, which is just a black metal-looking logo .in pink. Zweizz, real name Svein Egil Hatlevik, was also a member of Dodheimsgard, a rather off-beat, avant-garde black metal band from Norway, so that … Read more
I should never set expectations when it comes to music. When was the last time an album was exactly as good or as bad or as neutral as you thought it would be prior to its release? It never works out the way you want it to. Take Iron and Wine's latest release, The Shepherd's Dog. Coming off of the … Read more
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