"Trail of Flesh," "Sweet Blasphemy," and "Scent of a Dead Whore". Sure, we all know these titles as classic children's books, but did you know that they've been adapted into songs by a group called Sons of Azrael? Yes, that's right - all your favorite bedtime stories set to music on one convenient disc as sung by the cookie monster. Ok, that's cheap - the cookie monster joke's been done to death and I feel like a lesser person having used it. You know what else has been done to death? This music. These boys from Buffalo play the metal des morte and they play it well - blastbeats galore and all, but there's something lacking. Oh yeah, that's what it is. I can't seem to remember a single damn song on the album. After repeated listens, I can't remember a single note, growl, or grunt. The song titles are memorable. "Turn That Crown Upside Down", being a personal fave. Just don't ask me to tell you how it goes. Look, The Conjuration of Vengeance is the S.O.A.'s debut album and it doesn't suck - the band just needs to streamline their sound, because it sounds very much like a … Read more
Last year a band by the name of Cloak/Dagger released a 7" record. That record, Piñata, was easily one of … Read more
Cincinnati, Ohio's Make the Difference is two guys, named Justin and Josh, and a rotating cast of friends according to … Read more
Okay, let's get this out of the way here and now - The Strokes. I really do not care for … Read more
I would not know the guys from The Fucking Wrath from Adam if they were walking down the street. Maybe … Read more
Kanye has lost it. Well, sort of. I don't know. Shit, I'm sorry. Believe me, I am. I didn't want … Read more
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Revelation Records has made quite the turn-around in the past two years. Besides mainstay Shai Hulud, the once hardcore-proud label has returned to its roots following a divergence in the indie-rock realm - Elliot, Christiansen, Since By Man, etc. The label has recently released several top-quality hardcore albums: Shook Ones, Down to Nothing, and Sinking Ships. Living Hell's debut full-length, The Lost and the Damned, is the latest record to be added to the list. Formed out of the demise of several underrated New England hardcore acts - Dead Wrong, Fear Tomorrow, and Follow Through - Living Hell quickly burst onto the hardcore scene with their five-song demo. The demo was so impressive, that several label's ended up releasing it as an EP. "The Resurrection" begins the album with slow … Read more
Before even listening to Newpapers' Lakeview EP, everything about them screams, "Hate me." It could be the fact that their album cover seems to be like a bad Simpsons rip-off, featuring a lake spewing out things like an old love bus, a factory, and what one can only assume are cheap beer cans with angel wings. It could also be … Read more
The number of atmospheric rock bands has skyrocketed recently. Dublin, Ireland's Parhelia, a group of "post-rockers," play very welcoming and groove-oriented songs. This instrumental four-piece doesn't sound "groovy," but the rhythm section is extremely tight. Guitarists Greg Clarke and Diarmuid Shore create pleasant, melodic parts that keep me interested (even without crescendos!). "Ebb/Flow" contains cool delay effects combined with sudden … Read more
The Beatles and Silverchair have a lot more in common than one might initially think. But before any of you go and get your panties in a bunch, by no means am I saying that Silverchair and The Beatles are equals in influence or of the same league when it comes to songwriting. What I am saying is that their … Read more
aroncag: Who the hell does .hinge sound like!? blackpony1: I have no idea. That's one of the great mysteries of music, my friend. Busted. This is the brilliance that columnists use when telling people which tunes are good and which ones aren't worth the plastic they're printed on. With the prior statements originating from a recent AIM conversation, it's a … Read more
Beginning with her 1992 debut album Dry, much has been made of Polly Jean Harvey seemingly reinventing herself with every release that followed. For anyone else, this would be a gimmick, a hook - thus making the work less than sincere. But the calculation ends with the realization that the music is more honest than most anything created by other … Read more
Patient: The Spill Canvas Brought in by: Sire Records, after a missed bandwagon. Previous History/Notes: Patient claims No Really, I'm fine!. Third commitment to facility. This session a follow up to patient's most recent visit; the One Fell Swoop incident. Symptoms: Suffers from extreme emotional stagnation; clinging firmly to the belief that the year is permanently 2004, and as such … Read more
Remember punk rock? Remember when bands wrote songs before coming up with t-shirt designs? Remember when every shitty local band in your town didn't have a slick full-length CD after three months of playing together? Remember when DIY encompassed every aspect of being in a band rather than just which label to sign a contract with? Like Robert Zimmerman once … Read more
Before we start, let's go over the checklist: Leather Jackets: Check! Chuck Taylor All Stars: Check! Tapered leg blue jeans: Check! Pomade: Check! Three different power chords: Check! We even have four! Crushes on at least ten different girls: Double check! WE'RE READY TO ROCK! Boys, men, and all you in-betweens, let's take a little time to give thanks to … Read more
M(us)ic equals "us in music." Playful guitar lines and broken time signatures characterize Buffalo, New York's Damiera. Imagine a mélange of The Fall of Troy and Circa Survive. This comparison (to bands also on Equal Vision Records) was the first thing I thought of when listening to Damiera. Each track is respectively catchy and melodically technical, proving the musicians know … Read more
Awarding Josh Ritter the title of "the next Bob Dylan" seems audacious, but repeated listens to The Historical Conquests of Josh Ritter proves it a worthy statement to make. The opening track, "To the Dogs or Whoever," exhibits Dylan-esque vocals and rhythm, reminding me of '65 when Dylan tried to innovate folk music by plugging in. Ritter, too, attempts to … Read more
Yes, Hydra Head has been pumping out the reissues of late (look to Botch having American Nervoso and We are the Romans re-released in super updated formats just recently and yeah I know this review is late), but this reissue not only includes the entirety of the original release for There is Nothing New Under the Sun but it also … Read more
There are two basic guidelines to follow when being apart of the D.C. punk scene: the first is that it is absolutely necessary to be a vegan, straight edge, and a bike messenger, or at least a combination of two of those, or else you're going to feel a bit alienated. I for one think this is really fucking stupid, … Read more
One of the hardest tasks of rock and roll is possibly the simplest: make a good, consistent, and memorable rock album. That's it. That's all it takes. Yet there are few, very few, who have achieved this. Call Me Lightning, a rock band straight from who-knows-where-Milwaukee-is?, has met this problem with great success with their sophomore release Soft Skeletons. The … Read more
Amy Winehouse. Lily Allen. Jenny Lewis. All are media darlings. Despite any and all current public backlash, neither lady could release an album of humming in an aluminum coffee tin without the pundits all standing and cheering - the applause deafening. Carrie Biell deserves this adoration more than any of them but will never ever get it. Why? Because: a) … Read more
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