The connection between abrasive, warp speed music and film samples isn't new - for a whole wave of turn of the century hardcore bands, the familiar samples punctuating minute long tantrums were usually the most memorable part of the entire enterprise. But Graf Orlock takes this connection to an entirely new level. Named after the vampiric villain in Nosferatu, Graf Orlock offers a devoutly cinema-centric take on the familiar territory of grindcore. Far from merely peppering their records with choice lines, Graf Orlock's entire lyrical corpus is made up of film dialogue. But even that isn't what makes Graf Orlock so great; what really puts them over the top is their forceful and vehement ideas about film criticism, which lionize the kind of blood-soaked, high concept clusterfucks that make Pauline Kael and Peter Biskind's skin crawl. Their inspiration isn't arty foreign film, it's movies like Under Siege, Predator, and Road House. This is a band Jerry Bruckheimer could love. The biggest obstacle for Graf Orlock is the limited palette afforded by their chosen genre: the teeth-rattling blastbeats and screams of grindcore have a tendency to become tiring in large doses, unless the band is unusually skillful and creative. Two notes … Read more
The enigmatic metal behemoth that is Starkweather has been erratically dropping musical bombs sporadically for well over a decade. An … Read more
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We all have artists we love, artists we want to emulate. That's part of what makes each person's music unique: we bring in elements of a wide array of influences, and the music we create is decidedly original. That's why two artists can be in the same genre and sound almost nothing alike. Of course, sometimes a band can get so enamoured with another artist that they seek to emulate them entirely. But generally this is the exception, rather than the rule.I bring this up because Portuguese metal act Confront Hate aren't merely in love with another band; they're basically <BEGIN METAPHOR DIGRESSION> the professional stalkers of djent-father Gojira (who, for the sake of this extended metaphor, will be represented by a large, masculine whale). These guys don't just show … Read more
Remember that kid in middle and high school you pushed around, called him a fag, and turned his great day to shit? Well, that kid rests in me. And that kid rests singer John Caution, and that kid means more to me than your insults ever will. The torturous years of withholding rage are now released and pressed on analog … Read more
If you've seen An Inconvenient Truth, the summer's biggest blockbuster hit, you know shit is hitting the fan. Carbon dioxide is seeping out from every industrial pore and the long-term effects of this are outright frightening. In terms of the short term, Al Gore put a major emphasis on an increase of heavy music. Not that Black Sabbath was ever … Read more
The Fear is What Keeps Us Here is the umpteenth full-length from this chaotic and erratic off and on metalcore act. The fact that they are still producing albums boggles my mind. I have always considered this band to be a guilty pleasure (in part anyway). That last album The Funeral of God was an awful example of what they … Read more
The debut full-length from Set Your Goals has been one of the most anticipated releases for myself and countless others for the year of 2006. It's been a long time coming since they first popped up on the hardcore/punk scene two years ago, though it seems like it has been so much longer. Well after a patient wait, which saw … Read more
For me, The Drama Summer was always one of those bands that I heard the name of every few months, but never sat down and listened to. In the oversaturated genre that is melodic rock, a band must really stand out to get heard and receive respect. Upon listening to The Drama Summer's debut EP on Eulogy Recordings, I can … Read more
United States are back, following up their Fuck It Tapes cassette release with an pseudo-urgent catcall of angular and somewhat disjointed full-length tunes on an album entitled Divorce Songs. The band is from Brooklyn and these songs, according to the one sheet, are about "surviving the city, struggling in the city and learning in the city." The lyrical content definitely … Read more
I have decided that a review for End of a Year's Sincerely should mimic the album's defining characteristics. So this review will be written quickly with an abundance of energy and a smattering of thought. Sincerely is an album that is so engulfed by its own influences that it almost seems like it doesn't even exist. But it does. End … Read more
A couple months ago I was sitting next to a window at Inn-N-Out, pissed about my cheeseburger (they put nothing I wanted on it and everything I didn't.) My friend James is telling me a story about his band, Guns of Autumn, playing a show with the Arrogant Sons of Bitches. I'd never heard Arrogant Songs of Bitches and I … Read more
There are few bands that had as much of an impact on my youth as Celtic Frost. Rising from the ashes of Hellhammer, Thomas Gabriel Fischer and Martin Eric Ain released the seminal album Morbid Tales. The year was 1984 and to say this album fascinated me was an understatement. Even though I had been listening to the heavier side … Read more
When no one's chomping at the bit, hardcore can easily turn into comfort food. Sing-alongs, breakdowns and carefully placed "go!"s can become a security blanket. This has its place, but hardcore is often best when bands eschew the easy outs of well-worn forms and stake out fresh ground. Bands like Crime Desire are what keep the wheels turning by breaking … Read more
The cover of Last Minute Fix's debut effort, Revenge of the Syringe, depicts a bald eagle sitting in an alley totally strung out. Sitting next to the eagle is a pile of pills, there are syringes stuck into each wing, a cigar (or possibly a joint) in its beak, and a noose around its neck. If one were to guess … Read more
It's always nice when a band that exhibited incredible promise coming up through indie labels continues to show evolution without distancing themselves from their roots once they've hit major label status. Rise Against continues to prove that a major label doesn't mean shit when it comes to writing their music, which is one of the small reasons I like them … Read more
The opening of My Republic could easily be mistaken for the opening to just about any guitar based album from the past 30 years, with quietly plucked single notes pushing along for a moment or two. It is only as "Out of Mind" explodes into the best Bad Religion song since Mr. Brett left the band for the first time … Read more
My roommate likes to call early 90's hardcore "The Dark Ages of Hardcore" with its metal influences, all the way to the left neo-hippie politics, poetic non-sense, and mosh parts. In many way he's right, but the beginning part of the 90's wasn't all bad and we got some great bands like Undertow, Unbroken, Integrity, Indecision, and others that start … Read more
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