The info surrounding this EP talks about how Street Eaters have changed. The band formed roughly a decade ago, so there’s always going to be evolution and whatnot -- and there is even a new shape to the band on Simple Distractions, as they’ve officially become a three-piece. Still, the first thing I hear on the opening title track is that rumbling bass that defines Street Eaters’ sound. Stevo (also of Tony Molina Band plays guest guitar on this album, with Joan DeToro lined up as the new full-time guitarist.)So there you have it: Street Eaters is no longer a duo, but a trio with actual guitar in addition to the long-present bass and drums base. But believe it or not, it isn’t that different -- until the final song, which is also a cover. The title track probably pops the most, with that dirty bass tone that ultimately drives and pummels. Megan March’s vocals grow from weary to powerful, with timely harmonies courtesy of John No. There’s even a bit o’ guitar that nicely bridges it together but doesn’t feel at all out of place with the established sound. It’s the perfect way to introduce such a line-up addition. … Read more
Insert joke about judging a book by its cover, in reference to a band who calls themselves The Next Great … Read more
Hand-tossed New York pizza is served traditionally with a specially blended, highly guarded-in-secrecy sauce and topped with a healthy dose … Read more
I dunno. Maybe reviewing a flexi is a weird idea as it’s a standalone thing. I still don’t get them: … Read more
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Portugal. The Man thrives in a music scene often reluctant of drastic change in a band's sound. Meanwhile, the Alaskan natives have spent the last seven years transcending and switching gears entirely with each new release, and pulling it off well. Having originally dabbled in experimental prog, Portugal went on to create a loud, bluesy rocker (2007's Church Mouth), an arty psychedelic album (2008's Censored Colors), and a self-described "hip-hop" record on 2010's American Ghetto. But enough of the tired genre hashing; if there's one thing leader John Gourley can craft, it's a fucking hook. This guy fluently churns out pop songs that catch like they were labored over for months. In fact, until last year, P.TM had managed to release an album every year since emerging with their stunning … Read more
This is music for a cloudy day. Titled Ephemeral, Groupie’s debut full-length is moody and fleeting and, to me, delivers a dream-like quality at its best moments.The songs are driven by a rhythmic staccato approach that has a hushed, sing-song quality and occasionally mixes it up with a call-and-response tandem approach. The guitars establish the tone with clean, pristine vibes … Read more
Back in the early and mid-2000s, there was a subset of seminal hardcore bands that brought a particular brand of bouncy, youth crew-forward hardcore that was unpretentious but self-aware. I’m thinking specifically of the short-lived groups that were scrappy and unsharpened, that often only played a handful of shows before disbanding and fading into scene lore. The latest offering from … Read more
Safety are far from a new band, but they’re new me. Heck, Greetings From the Sunshine State even sounds like a debut album title. Anyway, the band has been kicking since the early 2000s – which actually explains a few of the sonic comparisons I’ll make in this review of their new EP and first release since 2015’s released Congratulate … Read more
This is not the record that I would want to be Tribulation's swan song. However, if that ends up being the album's legacy, I will not be surprised. The group started out as an above-average brigade of blackened rock and rollers with overt death metal influences on 2009's The Horror. Within the next four years, the band would learn to … Read more
Oh my god, where should I start with this one? Saying you’re something doesn’t make you that thing! Just because this band smokes weed does not make them the genre “stoner punk.” LMI process elements of hardcore, punk and stoner music. But not the parts I enjoy about those sounds. Their logo and various cover illustrations are the most honest … Read more
DeeCracks is not exactly new to the punkrock scene. Starting out as The Cretins in 2003, rebranding themselves to DeeCRACKS in 2007 this Austrian trio has some experience under their belts. Serious Issues is their fourth full length album. Next to that they have released a string of splits and EP’s. So I am surprised that Serious Issues is the … Read more
Uno- Due- Tre- Quattro! Wowza, that’s a spicy meat-a-ball! A bubbling pot of Marky Ramone primo pasta sauce with a healthy dose of Calabrian Chillies will have this handful of Italian punk Rock traveling down your gullet, down to the cauldron of acid-eating liquids, and catapulted back up like a gigantic slingshot of acid reflux. Buzzsaw Johnny Ramone blistering cheese … Read more
Sometimes it all comes together, even when you weren’t trying.I picked up this EP for review based, more or less, on its label – It’s Alive – which has released a lot of enjoyable records over the years. Then I thought, you know, this voice sounds like Future Girls. When you listen to the kind of DIY punk I do, … Read more
Bad Religion recently rode an extensive virtual bonanza, where they celebrated their fortieth anniversary with a series called “Decades”. i.e. four episodes where the band played songs live from each decade since the 1980s streamed from The Roxy Theatre in Los Angeles and accompanied by interviews. Watching the first two episodes reminded me of how much Bad Religion coined my … Read more
Nopes play that brand of melodic noise rock that pummels its listener in the face. It’s aggressive and abrasive, with big riffs, lots of feedback and barked vocals. The aggression sets the tone, but the nuance underneath the noise is what sets it apart from influences like The Jesus Lizard or Am Rep, with a base of Hot Snakes.While noise … Read more
2020 was a rough year -- so rough that I somehow stumbled across two different EPs from last year that end with songs about removing people’s faces. With that noted, I’m certainly curious what abstract and gory trends 2021 will bring…Anyway, Midwest Duress features Raging Nathans (Ohio) and Reaganomics (Illinois). Raging Nathans play modern pop-punk with a strong ‘90s influence. … Read more
Mars Addict from São Paulo, Brazil released their debut album Lamecoaster last summer. Summer seems the right time for a record like this. I listened to it a lot on my morning walks the past week. For the first time in months we’ve had sun here. It really feels like spring all of a sudden. And Lamecoaster just added to … Read more
Carolina Soul Records should ring a bell with anyone seriously into collecting vinyl as it is one the largest record sellers both in the third dimension as well as online along with having cultivated its own radio show and a far reaching social media presence.Vinyl Age sheds light on how the record collecting game has changed since the advent of … Read more
Mikey Erg deserves an honorary degree from somebody. The projects he fronts all have a healing, therapeutic quality, which is something we all need as the calendar flips.Billed as a “return to punk” after doing solo singer-with-a-guitar thing, the self-titled record is a statement that begins with its Clash nod cover. It’s loud and direct. It’s personal in that unique … Read more
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