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The Black Dahlia Murder

Miasma
Metal Blade (2005)

I spent a good year learning the guitar arrangements, melodies, and riffs of The Black Dahlia Murder's Metal Blade Records debut, Unhallowed. It was certainly a fun, morbid, and visceral expedition into the world of melodic death metal, a la Gothenburg, Sweden. After having seen the phenomenal live show that this band put on, including the mind-bending drumming of Zach … Read more

Lights Out

Overload
Youngblood (2005)

Overload, Lights Out first full-length, is nothing less than amazing. Honestly I was not expecting this from the band because after listening to Get Out so many times, it got rather old. But this new album still hasn't gotten old and I've listened to it every day since I got it. And the reason is that on Overload, Lights Out … Read more

This Moment

Finding a Voice in the Dark
Uprising (2005)

Playing music in a genre like metalcore is a difficult thing. You've got to do what you do very well to separate yourself from the rest of the pack. Even then, odds are you will be tagged as such and thrown in with the rest of the pack of 18 Visions', Atreyu's, and Unearth's. Finding a Voice in the Dark, … Read more

Back When

We Sang as Ghosts
Shock Value (2005)

Escaping cliches can be difficult. In 2005 the instrumental metal band has become its own cliche, along with their album's reviews. Being referred to as a Neurosis-rip off or an Isis-wannabe has become a formality for these bands, and sometimes it isn't even the bands fault. Reviewers are often guilty of only looking towards the genre defining or benchmark bands/albums … Read more

Doomriders

Black Thunder
Deathwish Inc. (2005)

Throughout the entire Lord of the Rings trilogy, The Nazgul have their own musical score. The music that was written for them is dark and operatic; when you hear it, you anticipate awful things to happen. And yet, I feel the choice that was made just wasn't dramatic enough so I took it upon myself to choose new music for … Read more

Sugar Eater

Nine Songs
Eyephat (2005)

There's obviously a fine line between the hyper-clich' badge of 'the next big thing' and the less fortunate one of 'what should be the next big thing.' In discussing this, it's easy to get very cynical very quickly. But at the end of the day, isn't it really the music that matters? Sure, I'd be na've to assume that every … Read more

Cursive

The Difference Between Houses and Homes
Saddle Creek (2005)

The release of Cursive's The Difference Between Houses and Homes: Lost Songs and Lose Ends reminded me what it was like to be excited for an album to come out. I was giddy like a kid waiting for Christmas; eagerly counting down how many more sleeps it would be until I was able to get my small, greasy, hands on … Read more

Hail Social

Hail Social
Polyvinyl (2005)

With independent music, you don't usually have the case of one hit wonders. This is mainly due to the fact that most independent music isn't being played on commercial radio and MTV. But, with Polyvinyl's recent signee, Hail Social, I have a feeling this will not be the case. Having toured with Interpol and Secret Machines, and sharing a sound … Read more

Edie Sedgwick

Her Love is Real...
Desoto (2005)

Taking his moniker from the notorious Andy Warhol actress and one time girlfriend of Bob Dylan, Justin Moyer of El Guapo/ Supersystem has created for himself a whole new persona. Dragged up, transvestite sheik is Moyer's game, like a revamped Ziggy Stardust for the post- LCD Soundsystem generation. His aim? To derail celebrity worship, or perhaps just to make you … Read more

Fischerspooner

Odyssey
Capitol (2005)

#1 was such a fantastic, yet ultimately superficial, electro-pop album. Brimming with hits and infectious dance beats, it certainly helped to solidify the iconic duo of Warren Fischer and Casey Spooner as the leaders of this new-found "electroclash" genre. I've never understood what exactly was "clashing," but that is a moot point." Built up by scenesters, musicians, Capitol Records and, … Read more

Down to Nothing

Splitting Headache
Thorp (2005)

With their debut, Save it for the Birds, the Richmond, Virginia straightedge outfit turned quite a few heads with their high-octane approach to hardcore. The furious noise assault was teamed with vocalist David Wood's straight-to-the-point lyrical approach - I recall the episode of The Simpson's where everyone 'tells it like it is.' With a combination like that, the recipe for … Read more

The Duke Spirit

Cuts Across the Land
Polydor (2005)

There are two kinds of reviews for The Duke Spirit's Cuts Across the Land - enthusiastic endorsements that focus on Liela Moss and her throaty, sensual vocals, or accounts of the sheer unadulterated indifference this most recent effort from the London-based group provokes. Unless, of course, you're that guy on Amazon.com who refuses to hedge his bets, and just plain … Read more

The Gibbons

Hope, Inc.
Salinas (2005)

Hailing from Detroit, The Gibbons hold a special place in my heart. Not to mention the fact that they play the style of music that first got me into punk rock. This record is quite a bit less poppy than their earlier releases, harking back to the days of The Broadways and the first Lawrence Arms album; bands that created … Read more

Mountains

Mountains
Apestaartje (2005)

Ambient music is a genre that I have been a pretty big fan of for some time now. Something I have found with Ambient music though, it's not exactly the easiest accessible music out there. Small record labels putting out releases are everywhere. Just when you thought you knew quite a bit about the genre, you find 15 more labels … Read more

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