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Primitive Man

Immersion
Relapse (2020)

Writing about music is a bit like being an anthropologist. The kind who immerses themselves in a culture to better understand it. Not the kind who comes up with whacked-out theories while staring blankly at the wall of the faculty lounge (or I guess now, their kitchen cupboards between Zoom classes). To really do a piece of art justice, you … Read more

Owen

The Avalanche
Polyvinyl (2020)

I struggled rather mightily on how to summate longtime fandom into a concise review for this record, a Sisyphean task that was slowly running me into the ground. I even had a dream about Owen and woke up at 5 a.m. with some revelatory connection that would be my through line, but I fell back asleep and the conclusions eluded … Read more

Biznaga

Gran Pantalla
Slovenly (2020)

Gran Pantalla is the third LP from Spain’s Biznaga. It’s predecessor, Sentido Del Espectáculo, was quite successful in Spain and numero tres comes with the lofty promise in the press material as “If Joe Strummer were actually from Granada, The Clash would have sounded something like this.” It’s also the band’s first record featuring collaborative songwriting, instead of each writer … Read more

All Hits

Men And Their Work
Iron Lung (2020)

Back in the 1980s there were some intriguing new sounds developing. Post-punk was always arty and a bit noisier, but always so serious. New Wave was danceable and synthetic, but sometimes not serious enough. The commonality between the two, tonally, was an exploration of new soundscapes with inhuman tones: finding a balance between a detached dystopian environment and the nuance … Read more

Big Chungus

Big Chungus
Wet Cassettes Records (2020)

You have to appreciate a concept that’s primarily focused on making you uncomfortable; where’s the fun without a healthy dose of shock and awe? Young Philadelphia-based label Wet Cassettes is built on those foundations, describing themselves as torchbearers of “weird dirty music for weird dirty people,” a concept that deserves to be saluted from where I’m sitting. Their latest project … Read more

Left Hand Black

Left Hand Black
Wolverine records (2020)

Back when I was listening to everything with the stamp Horrorpunk on it I discovered a band called The Dead Next Door. I liked them, but never got round to buying a record of them. They have risen from the grave under the name Left Hand Black. So even if this self titled album is the debut album for this … Read more

Broadway Calls

Sad in the City
Red Scare Industries (2020)

Sad in the City doesn’t mince words. Opening with the lines of “If my country collapses/ can I crash on your couch…” in “Never Take Us Alive.” The band play super melodic pop-punk that focuses more on singalong harmonies than kick, punch and bite, but the lyrics give a little more attitude than you might guess just listening to the … Read more

Era Bleak

Era Bleak
Dirt Cult (2020)

It’s really tough for me to review this full-length. Why? Because I loved the band’s demo tape and it’s really hard to separate the two releases. The self-titled official debut here has several of the same songs and, probably due to familiarity, they jump out as favorites from the get-go.But I’ll do what I can to go all tabula rasa … Read more

Hyborian

Volume II (2020)
Season of Mist (2020)

Hyborian is balls to the wall raw sludge metal hailing from Kansas City, Missouri. Volume II is their third album and what feels like a overall continuation from their previous record, Volume I. From the very beginning of the 8 song, 40 minute masterpiece is the song Driven by Hunger which gives you a perfect taste of what the rest … Read more

The Lawrence Arms

Skeleton Coast
Epitaph (2020)

When a band is releasing its third new record since 2006, you’d expect some inconsistency. The Lawrence Arms seem to be timeless though. With Skeleton Coast they pick right up where they left off Metropole (2014). Take the opening stanza of “Dead Man’s Coat” as an example. Beginning with Chris McCaughan’s soft and wanting melodies, it’s unmistakably The Lawrence Arms. … Read more

King Buzzo w/ Trevor Dunn

Gift of Sacrifice
Ipecac (2020)

Simon and Garfunkel.Seals and Crofts.Hall and Oates.Captain and Tennille.Some artists just go together. Sure, they might make music on their own. But once they find their “other”, their “person” - you never want to hear them with anyone else.Such is the case the case with Buzz Osbourne and Trevor Dunn. So long Melvins and Fantômas. So long Mr. Bungle and … Read more

Chain Whip

14 Lashes
Drunken Sailor (2020)

This is the kind of hardcore that makes my throat hurt just listening. It’s also the kind of hardcore where I can’t sit still while listening, even when tethered to headphones at work. It’s high energy, relentless and, somehow, it just never lets up. To keep coining silly phrases, this is sweaty, gasp-for-air hardcore. As each of the songs fade … Read more

Old Ghosts

Crow
State of Mind (2020)

These last few weeks I've started to notice that the creases in my forehead are deepening. It's a subtle change to my face, but it's progressively becoming more noticeable. My pores are becoming more visible as well, and my skin doesn't have the same spongey, moist quality to it that I remember it having in my early twenties. And of … Read more

Inject the Light

The Apocalypse Is Boring
Dirt Cult (2020)

Inject the Light is a time capsule, a one-person project from Chris Mason that’s about living in the moment of the COVID-19 lockdowns. Mason, who has also plays with Low Culture and Macho Boys, among others, takes a new approach here. This five-song digital release is a little on the lo-fi side, with elements of New Wave, No Wave, synth … Read more

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