Nobody can doubt Tim Barry’s heart. He’s worn it on his sleeve since he began his solo career with a 2005 demo. Depending how you count live records and demos, High on 95 is his eight record since then. Besides being prolific, his songs are largely first-person accounts of a drifter watching the world around him in wonder. The sound is traditional: mostly Barry and his acoustic guitar, and sometimes joined by additional backing musicians. The theme this time around continues to focus on developing technology and how it disconnects people from the world instead of bringing them together. There’s a pointed aggression in his imagery, emphasizing the ugliness of concrete, cars and LED screens. “Chelsea” is a good example of this, contrasting the bustle of city life versus the calmer environment outside of the city, among the trees instead of the concrete. Sometimes it wavers into preachy territory—“Porter Street” leading that direction—and, at its best, it falls somewhere in the middle, noting the beauty of simple things, such as in “Riverbank.”In broad strokes, it’s Barry’s voice and backing acoustic with some nice hooks that make his songs work. His narrative leads the way in a tone that’s easily relatable. … Read more
Keith Morris is one of the remaining original punk rock figures that is still going and has never really ceased … Read more
Oh man, haven’t heard Long Knife’s name called in a long time. You can choose to split pubic hairs over … Read more
Hard Girls are a complex band – or maybe they’re not. They sing about hard life choices, serious moments, and … Read more
After pilfering the band’s vehicle in 1983, the man in charge of the 4-strings, a reprobate by the name of … Read more
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Pujol seemed like an odd pairing with Saddle Creek when I first heard of the signing last year. In 2011, the band released X File on Main Street a surprise find that got me interested not only in the band, but in the Nashville scene as a whole, playing lo-fi garage rock with a rough, dirty edge. Well, United States of Being marks the Saddle Creek debut and, while its got the same notable style, the sound is cleaned up, poppier, and with a higher quality of recording. It’s not so much in song structure or writing where the difference lies, but in the backing vocals that surface in songs like “Providence” and “Dark Knight in Shining Armor.” That, and some of the entendre lyricism is toned down on this … Read more
Formed by Khanate's vocalist after the demise of the legendary drone band, Gnaw doubled down on the extreme sound of Khanate, filling the drone/sludge hybrid sound with noise injections and industrial pacing. This post-apocalyptic vision was first introduced through This Face, a wretched work of heavy, experimental music, containing all the extreme weight, glacial pace and misanthropic philosophy the band … Read more
I harbour a weak spot for No Use for a Name, a band that eventually became a melodic pop-punk band that landed on Fat Wreck records.What not too many contemporary and younger fans devotees would be aware of, is the fact that No Use for a Name evolved from having started as a much rawer hardcore outfit in the late … Read more
Oh Jesus Christ fuck yeah! It’s been a minute since I checked in on Scandi-core, a genre that at one time ruled my turntable. These days it has to be top shelf to grab my attention, and, well, when the lead singer of Totalitär teams up with the guitar player from Herätys you’ve got my attention. Drop the needle on … Read more
Why do I do this? I just reviewed the vinyl release of Myteri’s debut album and now, a couple of weeks later I’m already listening to their second album. How am I going to say something new and inspiring about it? I guess the answer is twofold. First of all I really liked what I heard on that first album. … Read more
I have successfully broken my brain trying to find something new to say about David Bowie. I believe it to be absolutely impossible to speak in new terms on what the musician, actor, artist, and fashion icon meant to the the worlds he showed up in. Countless of us who mourned his death have done so with some type of … Read more
Wes Orshoski, who is not unknown among documentary aficionados as he directed Lemmy, which sheds light on the times of trials and times of Mr Kilmister, is also the narrator telling the story of The Damned. The Damned were one of the UK’s punk pioneers as they were one of the first outfits to not only have their emissions pressed … Read more
Even though 21-year-old Brooke Bentham is firmly entrenched in the burgeoning South London music scene, her music sounds as though it has been dusted with sand from a Californian desert. With a sound that recalls Angel Olsen and First Aid Kit, her music soars and dips though the ravages of a shattered relationship with arresting lyrics and fluid guitars.These affairs … Read more
Would you have told me 20 years ago I would enjoy music like Trachimbrod I would have stared at you in amazement only to laugh at you. Hell, that would have been my reaction until about ten years back. But I’ve learned to broaden my scope and thus have learned to appreciate a lot of different types of music. A … Read more
Setting out with a retro vision of death metal glory alongside a punk sensitivity, Acephalix erupted into the scene with their debut album Aporia. Primitive and relentless, the band appeared to have instantly captured the essence of the genre with their debut record, something that was apparent even more on their sophomore album, Deathless Master. Punk influences begun to subside … Read more
This is a sweet and short three track 7’’ released by two befriended bands. This EP had me interested when I saw ESC Life was on it. I was looking forward to hearing more from these friendly Croatians after their excellent album Access All Areas from 2015. It was about time I got to hear something new from them! And … Read more
Ah, Sid Vicious.The sung hero of my formative years and fashion sense of the time (including pad lock necklace and safety pin piercing, inspiration for much mischief and muse for many often amazingly bizarre lyrical explorations of punk bands, e.g. the German’s OHL formal and very polite plea “Hey Sid Vicious, wir benötigen Sie!” and The Exploited’s plaidoyer that could … Read more
Sciatic Nerve is a band that doesn’t care what you think. They don’t have “band sound,” or so the press release claims. To get all meta on them, their stated brand-less concept is a concept itself. But I digress. The important thing is that it’s a group of long-time friends who came together to have fun and play music. That’s … Read more
Even with a name like Capitalist Kids, the Austin band has always been more about love songs in the vein of Mr. T Experience and Lookout Records before hitting the political sauce. Well, the Drumpf era has hit us all in undeniable ways. Brand Damage is the band’s fourth full-length and here, relationships fall apart and the rivers of political … Read more
The other week a friend and I went to a jazz club - the Lilypad in Cambridge, MA. We didn’t know who was playing there that night - we were mostly looking for a way to kill time after stuffing ourselves with Indian food - but it turned out to be pianist Burton Greene. I hadn’t heard of Greene - … Read more
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