Recent reviews

Our latest album reviews, featuring the records we've most enjoyed (or not) over the past few weeks.

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Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)

Jason Isbell

The Nashville Sound
Southeastern Records (2017)

Had Jason Isbell stopped making music after his run with the Drive-By Truckers, his output would have already been legendary enough. “Outfit,” and “Goddamn Lonely Love,” alone are inches away from being modern standards. After a few promising records in the midst of a drugs-and-booze phase, Isbell got clean and released Southeastern in 2013, a stunning record of recovery and personal and professional redemption, followed soon after by 2015’s Something More Than Free. Despite releasing these albums under his own name, his backing band The 400 Unit performed with him on those records. Now on his latest, The Nashville Sound, their top billing returns, as they take more of a central role on Isbell’s songs. What’s immediate from the album is a sense of looseness in Isbell’s songwriting and the band’s playing that hasn’t really felt a part of their sound since 2011’s Here We Rest. Whereas songs on Southeastern and it’s follow up sounded great, they had a sort of insularity absent on their earlier albums. Album opener “Last of My Kind” fades in, as if you’re getting a glimpse of a group of people playing together in a room, as Isbell sings about being left behind by the … Read more

The War on Peace

Automated People EP
Independent (2017)

Imagine if the last few minutes of your life on a doomed Earth were spent dancing in a nightclub, as … Read more

Jessica Moss

Pools of Light
Constellation (2017)

Jessica Moss is a prominent member of the Canadian experimental scene, most known for her participation in the Thee Silver … Read more

Arcadea

Arcadea
Relapse (2017)

Remember that movie from the 80's where that little rocker kid got sucked into the video game and found himself … Read more

Rammstein

Paris – the special edition
Universal (2017)

Ah, Rammstein. Härte. Neue deutsche. Grinding metal guitars, brute masculinity, pyromania, double entendres, operatic sub-sonic vocals, wordplays galore and taboo … Read more

Do Make Say Think

Stubborn Persistent Illusions
Constellation (2017)

Do Make Say Think have left their stamp on the post-rock scene, starting from their debut, self-titled album, released in … Read more

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One from the archives

Faith No More

Sol Invictus
Reclamation Recordings/Ipecac (2015)

June, 1997.Hanson's Mmmbop was at the top of the charts. Hype was building for James Cameron's soon-to-be-released new film Titanic. Layne Staley and Princess Diana had yet to shuffle off this mortal coil. And Faith No More's Album of the Year hit the shelves - what was to be the last album the band released before calling it quits the following year.Now, some bands call it a day and the more savvy listener or fan immediately knows whether or not it is indeed the end or the ever popular hiatus, whose timeline seems to have shrunk to within a day, tweeting the breakup in the morning and announcing a reunion tour by the time you're heading out to dinner.So when Faith No More called it a day in 1998, as … Read more

More album reviews

Biosphere

The Petrified Forest
Biophon (2017)

How do you keep the creative juices flowing that allow for composition or creation of any kind of artistic work, and where do you find the drive to continue to push your own voice out amongst the screaming throngs? For some that drive comes from within and others from without, but when you are staring down the barrel of a … Read more

IIVII

Invasion
Consouling Sounds (2017)

Josh Graham has become something of a Renaissance man here in the past 10 years or so. As founder of Red Sparowes, and A Storm of Light, Graham has taken rock music and gave it an ambient / drone twist. His solo project IIVII, and new record Invasion, has taken Graham’s love of ambient music that much further with haunting … Read more

Thalassa

Bonds of Prosperity
Sige (2017)

Formless and endless. When dealing with drone music, these are two elements you need to take into consideration. With a deep understanding and experience of the genre and experimental music, Aaron Turner, of SUMAC and a myriad other projects, and William Fowler Collins collaborate in the avant-drone project Thalassa. Taking influence from the Greek mythology, and the primordial personification of … Read more

Naïve Sense

Self Titled EP (2017)
Independent (2017)

“If I am unable to transform you into a Naïve Sense fan, then I have not done my job.”So begins “Win a Trip to Vegas: Heavy Metal Bikini Contest/Men’s Support Group,” in a sound clip before the EP’s second to last track. It’s a bold proclamation for a bold EP that recalls the best elements of Refused but with a … Read more

Gold

Optimist
Van Records (2017)

GOLD is the brainchild of Thomas Sciarone, known from his work with occult doom act The Devil's Blood. Having released two very good albums so far, in Interbellum and No Image, they are now carrying down on the same dark path with Optimist. GOLD is a notoriously difficult band to pinpoint sonically. Sure, they exist within a rock setting, but … Read more

Demen

Nektyr
Kranky (2017)

To get a label's attention in this age is hard. Especially trying to do so through the traditional email approach. But for Demen, that method worked, and the folks over at Kranky were taken aback by the solo project of Irna Orm. Not much is known about Orm, other than she is behind the solo project Demen, and that she … Read more

Blessed

II (LP)
Coin Toss Records (2017)

It’s only been four months since I was struggling to determine what Blessed was doing on their first EP. I have come back to that record often. After four months it intrigues me as much as it did when I first heard it. Truth be told: I don’t have many records that can keep my attention that long. You can … Read more

Cosey Fanni Tutti

Art Sex Music
Faber & Faber (2017)

Art Sex Music is more than a memoir. It is Cosey’s way of setting the record straight and clear up misconceptions about her and her roles in the creative projects she was a protagonist and often sidelined in. Cosey’s story is one of individuality, challenges, breaking down self-imposed and outer barriers, social norms and creating your own life, while dealing … Read more

Caves

Always Why
Specialist Subject Records / Dead Broke (2017)

Generally speaking, I’ve spent a lot of time the past half-decade (or maybe decade) listening to two subsets of DIY punk: gruff melodic three-chord arrangements, and pop-punk with soaring melodic layers. I won’t say I limit myself to that by a long shot, but it’s sort of what I gravitate toward. Caves are a UK band that fall somewhere on … Read more

Harvestman

Music For Megaliths
Neurot Recordings (2017)

Harvestman is Steve Von Till's musical bridge. Through his main band, Neurosis, he explores the experimental side of heavy music, while with his solo project, under his own name, he regresses back to the folk origin. Harvestman connects the two, firmly standing on folk ground, but also with an adventurous mindset, wondering into more diverse areas. Historically, Harvestman presented a … Read more

The Jesus And Mary Chain

Damage and Joy
ADA Records (2017)

Ever since The Jesus and Mary Chain came on the scene in the Mid-80’s with their tapestry of sound Psychocandy, and onto their 90’s fame recording with Hope Sandoval, the band has always reminded me of a couple of stoned uncles. You know, the ones your mom doesn’t think to highly of, but they are the coolest thing around because … Read more

MakeWar

Developing A Theory of Integrity
Red Scare Industries (2016)

One of the reasons I gravitate toward the pop-end of the punk spectrum is because it lacks pretention. The structures are straightforward and honest, often predictable to such a fault that it’s become cliché. That’s why an album like Developing A Theory of Integrity is so refreshing. The overall sound is gruff pop-punk with a verse-chorus-verse foundation and a lot … Read more

The Necks

Unfold
Ideologic Organ (2017)

There is always this feeling of being amid a quiet storm when one experiences an album by The Necks. The experimental jazz band from Australia has proven record after record how their long form compositions can invoke serenity and chaos at the same time. This free flowing quality by which the trio can unravel its music, highlights an eccentric craftsmanship, … Read more

TenHornedBeast

Death Has No Companion
Cold Spring (2017)

A master of dark ambient, Christopher Walton became first known through his time as one-half of Endvra. The duo released a series of excellent albums, with The Great God Pan standing out, infusing neo-classical perspectives and tribal rhythms into their dark ambient core. Since the end of Endvra, Walton has focused on his solo project TenHornedBeast, which takes a dystopian … Read more

Reviews by score
Browse our album reviews according to score: Highest (9.5/10 or more) or Lowest (2/10 or less)