To get a label's attention in this age is hard. Especially trying to do so through the traditional email approach. But for Demen, that method worked, and the folks over at Kranky were taken aback by the solo project of Irna Orm. Not much is known about Orm, other than she is behind the solo project Demen, and that she hails from Sweden. All this background adds to this mystique surrounding the project and the release of its debut album, Nektyr.From the very start of the record, there is one name that will magically appear in your mind: This Mortal Coil. The dark characteristic sound of the 4AD collective has inspired the essence of Demen's sound. The ambient settings, the minimal instrumentations, the glacial pacing and amidst all a brilliant vocal performance are all found within the world of Nektyr. Sorrowful and elegant, Demen sees to carry down the legacy of this ethereal wave of dream pop glory. But, in order to continue a tradition, one needs to adapt it first. There is no point in rehashing elements, and Orm's capabilities do not allow her to remain static. Despite the existence of a rockier, post-punk side, coupled with a dream … Read more
Art Sex Music is more than a memoir. It is Cosey’s way of setting the record straight and clear up … Read more
Harvestman is Steve Von Till's musical bridge. Through his main band, Neurosis, he explores the experimental side of heavy music, … Read more
Ever since The Jesus and Mary Chain came on the scene in the Mid-80’s with their tapestry of sound Psychocandy, … Read more
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If one were to define post-punk as the departure from the musical rawness and simplicity of punk rock and the adoption of dancey rock elements, Brooklyn-based The Black Black would fit the bill quite well. Their third long-player spans eight tracks, which sonically traverse bass-centric territory between 1980s sentiments left in the wake of Joy Division and the groovy end of what the advent of the independent rock at the dawn of the new millennium had to offer – think a dirtier version of The Faint. Gloomy and atmospheric in their approach, The Black Black have certainly found their lane and deliver competently their brand of energetic, fuzzy dance punk. While the records sounds like from one cast in terms of coherence and production, over the distance of a full-length … Read more
One of the reasons I gravitate toward the pop-end of the punk spectrum is because it lacks pretention. The structures are straightforward and honest, often predictable to such a fault that it’s become cliché. That’s why an album like Developing A Theory of Integrity is so refreshing. The overall sound is gruff pop-punk with a verse-chorus-verse foundation and a lot … Read more
There is always this feeling of being amid a quiet storm when one experiences an album by The Necks. The experimental jazz band from Australia has proven record after record how their long form compositions can invoke serenity and chaos at the same time. This free flowing quality by which the trio can unravel its music, highlights an eccentric craftsmanship, … Read more
A master of dark ambient, Christopher Walton became first known through his time as one-half of Endvra. The duo released a series of excellent albums, with The Great God Pan standing out, infusing neo-classical perspectives and tribal rhythms into their dark ambient core. Since the end of Endvra, Walton has focused on his solo project TenHornedBeast, which takes a dystopian … Read more
It’s been a while since Ohio’s The Dopamines released a new record –2012 by the looks of things, and I honestly missed that one, so my most recent reference is 2010’s Expect the Worst. I know they’ve become parents or grown up or something along those lines, leading to more time between records. Does that also bleed into their music … Read more
The Sword produce a very special kind of metal. It’s the kind of metal that hits hard as fuck, but with tremendous songwriting that brings with it the sludge from the underbelly of a Texas oil field. The Sword seem to toe that sweet spot between mindnumbing, scraping, smack with an open palm, head shot guitar and sweet 70s rock … Read more
Is the world filled with melancholy and sadness that gives way to brief moments of euphoric happiness or joy that carries people from peak to peak, or is that just those of us not blessed with “cheer-y” dispositions nor the ability to feign an air of contentedness or ease? Some people drown themselves in mood altering substances in the hopes … Read more
STNNNG have slowed down their output but it doesn’t seem that age is catching up to them. If anything, their anger seems more pronounced than ever. Pronounced “The Stunning,” the band plays aggressive and confrontational rock that punches, kicks and occasionally claws at the listener, with guitar barbs, drum-fronted jabs and bass-driven tumbling. It’s chaotically and meandering, yet artfully crafted … Read more
Another excellent release coming through the House of Mythology label, Teleplasmite is the brainchild of an unholy alliance between Mark O. Pillington, musician known from his work in Urthona and author publishing interesting countercultural and cryptic literature through Strange Attractor, and Michael J. York, expert in wind instruments and member/collaborator of the Guapo, Cyclobe, The Stargazer's Assistant and of course, … Read more
It would be easy for the uninitiated to dismiss Frenzal Rhomb and throw them into the bucket of playful pop-punk epigones from Australia. While their sound does incorporate the key ingredients of what makes the likes of The Offspring, Bad Religion, NOFX and Blink 182 appealing and palatable, all of which they have toured with, it is the mélange of … Read more
There’s no denying that Dimmu Borgir come from a solid black metal background but what these Norwegian’s have done in the (nearly) twenty five years that they’ve been active is turn their version of black metal into a massive spectacle, one that involves orchestras and a full scale choir. Not many black metal acts could get away with such grand … Read more
This was a tough nut to crack. Wow! Why, you ask? Well, this is way out of my comfort zone. It’s as simple as that. Every now and then I enjoy that. It made me discover some great music. Writing about it is a bit more difficult as my frame of reference is a bit limited. So, let’s see what … Read more
Why do bands or musical partners decide to reconvene to see if the magic can still be conjured? There a slew of bands that have reunited for various reasons (cash grabs, nostalgia trips, etc) over the last five to ten years that range from exciting to shaking one’s head as to why reunions take place, and then, every once in … Read more
Calling their fourth record Posi is an interesting statement about Great Cynic’s vibe across the 11-song, half-hour record. From lyrics about being the clouds and listening to the birds to others that proclaim “what makes you special,” this is posi-punk, music that’s uplifting in an overtly cynical music scene. Hell, see the band’s name for reference.It’s not to say it’s … Read more
The classically trained Ian William Craig released in 2016 one of the best experimental works of the year in Centres. Applying ample processing to his vocals, in effect enhancing the performance, he created an adventurous record without tempering with the underlying emotion. Today he returns with Slow Vessels, a long EP, which extends the concepts of Centres in a very … Read more
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