The term “Irish punk” sprung up in the late ‘90s around the time Flogging Molly jumped into the spotlight and in the waning days of ska-punk. A new hyphen was needed for those into punk aggression and hybrid genres.I’ve always had a soft spot for violins, mandolins and other instrumentation common in the style. While time and more and more bands under the umbrella have turned it into something of a cartoon, there’s a time and place for it. Plus, the originators of the style almost always do it best.But enough with the genre talk. The Tossers are one of the early adopters of the style and they’ve had subtle growth and changes over their history without changing their sound drastically. One of the striking things about new material, such as 2017’s Smash the Windows is that it’s tempered, more soothing and classically focused instead of forcing that punk aggression of the early days. Sure, the record is named Smash the Windows but it’s more about enjoying a relaxing pint with friends than it’s about rioting in the streets. Without getting scientific, the album is probably over 50 percent traditional or instrumental with the more up-tempo moments selectively placed within.While … Read more
There is a familiarity that builds when musicians collaborate. Experimental alchemists, Dag Rosenqvist and Matthew Collings have met in the … Read more
This book brings together quite a few things:For a start, it is being published by Feral House, which is owned … Read more
Dayton, Ohio’s Mouth of the Architect was a post-metal lover’s wet dream when they came on the seen. The Midwest … Read more
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Christopher Mevel, one of the founding members of the Dale Cooper Quartet & The Dictaphones, set up his solo project, Pan & Me, in order to step outside of the jazz based sound of the main band and to explore other sonic domains. Ambient music and drone are the key aspects of Pan & Me and their main focus of Melvel. Following the release of his first album, Paal, Melvel’s takes on an ever more expanding voyage in his sophomore full-length,Ocean Noise, giving more depth and detail to his sound.Since this is ambient music, the aspect where Ocean Noise really succeeds is in creating huge atmospheric music. From the very start of the album, it hits you straight away. The grand vibe of “Yotsuya Station” swoops in and hooks you … Read more
You’d think that a band that titled their album The World’s Best American Band may be getting ahead of themselves. But not every band is White Reaper. They might have just done it.The second album from the Louisville, Kentucky natives somehow takes elements of ear-pleasing 70’s hard rock a-la Van Halen and a very coked-up Aerosmith, but imbues a punk … Read more
This is the first collaboration between Monolog, master of Drum n Bass and IDM music, and Subheim, explorer of abstract electronica and admirer of ambiance. The two artists have a steady presence in the experimental scene, with Monolog starting off in the early '00s while Subheim appeared in the scene during the last few years of that decade.What is captivating … Read more
This is some killer punk out of Madrid, Spain on that throwback tip. If you had told me this was some recently excavated ‘80s gem getting the reissue treatment I’d have no reason not to believe you. Even the band photo used on the cover—which itself looks like it was clipped from an old photocopied zine kicking around your dad’s … Read more
As an entity Zu always strive to move forward, aiming towards the very essence of experimental music: innovation. Through the years they have changed multiple forms, and collaborated with a diverse array of artists, including free jazz guru Mats Gustafsson, experimental hip-hop project Dalek and singer of experimental rock outlet Oxbow, Eugene Robinson. Morphing from one sound to the next, … Read more
Trumpeter Justin Walter is mostly known through his works in experimental jazz/fusion collective NOMO, his collaboration with Brian Case (of Disappears) in Bambi Kino Duo, and his contribution to works of His Name Is Alive and Colin Stetson. What is constant in all these instances, is the depth of his exploratory playing, something that whets the appetite in seeing him … Read more
I’m a fan of a select little niche of pop punk. The cleaner the voices, the more I tend to dislike it or just not connect. However, Red Scare Industries has been capturing a nice little segment that hits right in the middle between my proffered gruff stuff with the more up-front and happier sounding ilk (on the surface, anyway). … Read more
Mystery Date fit that classic mod-power pop sound, with an ear for well-tuned guitars, a hint of fuzz, and more focus on melody than “lead” anything, be it lead vocals, lead guitar, whatever. Love Collector is their first (recorded) album, first issued digitally in 2014 and now out on LP via Collision Course (late 2016). They released New Noir previously … Read more
English record label Drunken Sailor Records released this sweet and short EP. For some reason that made me believe Liquids are an English band. And that’s not only because this EP is released on an English label. The band sounds like they could be from that funny little island. I was wrong though. Dead wrong. Liquids hails from Indiana. And … Read more
Laura Marling was routinely described as being precocious when she first started making her own music as a teenager. She emerged as part of London's early '00s nu-folk scene, alongside the likes of Mumford & Sons and Noah and the Whale, but her music still seemed distinctly different from her peers'. Marling dealt with a preoccupation with death when she … Read more
The word quintessence derives from the Latin “quintus” and the english “essence,” translated roughly to the fifth essence. The reason for the number appearing in this instance comes from medieval philosophy, where quintessence was considered to be the fifth addition to the four classical elements (earth, wind, fire and water,) one that exists in the heavenly bodies, and is inherent, … Read more
Neo-classical music and minimalistic explorations always had a point of convergence. Minimal electronic applications found their way into classical orchestrations, expanding the sound of the orchestra, as well as the emotional scope of the composer. Max Richter is a proud example of this tradition, a composer who has learned as much from Philip Glass and Steve Reich, as he has … Read more
The Obsessed belongs in the category of the legendary American doom acts. Formed during the '70s as Warhorse, they truly kicked things off in the early '90s, with their self-titled debut full-length. Led by Scott “Wino” Weinrich, an iconic figure of the scene, The Obsessed was a powerful vehicle of heavy rock visions and bleak doom worlds. And as a … Read more
Greg Graffin has always been a big influence on the way I approach things. I love punk rock, but there was always a stigma attached to those that partook in the genre. It’s true I was part of a generation that pushed the vision of the '90s slacker kid, but I would like to think it was much more than … Read more
The influence of H.P. Lovecraft in popular culture is undeniable, and its presence in the metal genre is highlighted from classic Metallica tracks, to off-kilter acts like Blind Idiot God. The Great Old Ones, a French post-black metal outfit, proudly embrace this tradition, as their suggests, exploring the themes of cosmicism through the years, starting with their debut album, Al … Read more
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