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Grischa Lichtenberger

Works for Last Work
Raster (2023)

Grischa Lichtenberger’s works are defined not only by their experimental foundation but also by relentless energy. Be it through glitch and EBM components, or jazz injections, there always is a volatile core. This is now changing with Works for Last Work. While the abstract mindset still defines Grischa as an artist, this time around it is applied over a minimal … Read more

The Stargazer's Assistant

Fire Worshipper
House of Mythology (2023)

Making their first appearance in 2007 with The Other Side of the Island, it felt like The Stargazer’s Assistant would just be a one-off. Luckily, David Smith, David Knight, and Michael J. York found something worth revisiting through the drone and ambient layers of their early release. Returning with their third record since 2016 in Fire Worshipper, The Stargazer’s Assistant … Read more

Spanish Love Songs

No Joy
Pure Noise (2023)

I saw Spanish Love Songs before I ever dove into their catalog. And it was immediately clear they’re the type of band where fans really connect, singing along to every word, not just the choruses. In truth, the band doesn’t really use choruses much, but that’s not really the point here. Their sound is rooted in melodic and emotional midtempo … Read more

Public Speaking

An Apple Lodged In My Back
Whited Sepulchre (2023)

It is always difficult to balance between creativity and immediacy. For Jason Anthony Harris, and his project Public Speaking, this is a much-welcomed challenge. Indeed, Harris’ new work An Apple Lodged In My Back does not shy away from its pop sensibilities. As “Swollen Feet” comes in, the soulful and intimate approach usually produced by mainstream artists comes through. It … Read more

Bankrupt

Illiberal Holiday
Independent (2023)

There can be many reasons to pick an album to review. Sometimes it is the description, sometimes it is a connection with another band and sometimes it is the artwork. Upon seeing this for the first time I thought: “This better be good, ‘cause artwork like this deserves something good!”. This thought got stronger and stronger after I discovered every … Read more

Les Lullies

Mauvaise Foi
Slovenly (2023)

I’m not going to pretend I know any French, but I can tell you that the rhythm of the language is perfect for Les Lullies. Mauvaise Foi (“Bad Faith,” according to google), begins with the title track, a barn burning guitar rocker with big licks and a repetitive chorus in 4/4 time. It’s immediately familiar in that garage rock way, … Read more

Be Your Own Pet

Mommy
Third Man (2023)

Retrospective genre creation by both grizzled music critics and TikTokers has had many victims, from the constituents of Twee to Yatch Rock; however, the rebranding of 2005 garage rock and punk to indie sleaze has to be one of the more egregious. Half aesthetic movement and half musical umbrella for any 2000s band with smudged eyeliner (that hadn’t already been … Read more

Redshift

Worst Timeline Possible
Boss Tuneage Records (2022)

Wax the boards, Everybody Lets Go Surfing, Surfing US-DECAY. On the crest of a sea of plastics, discarded textiles. Built to replace and ready to feed the ever-reaching loving chubby sweaty dirty fingernailed hands of many a landfill. Discard, Destroy and Forget and repurchase. Articles of Waste Forget Faith! Bondi spits shards of coloured sea glass upon canvas recreating, rebirthing, … Read more

Worriers

Trust Your Gut
Ernest Jenning (2023)

Worriers, fronted by Lauren Denitzio, is an ongoing evolution. It’s earnest, personal and explorative, and the newest album Trust Your Gut continues that journey as Denitzio puts everything out there for their audience. The music is consistently emotional and relatable while being clearly rooted in personal experience. The magic of the entire Worriers catalog is how Denitzio manages to be … Read more

Perennial

The Leaves Of Autumn Symmetry
Independent (2023)

Earlier this year I reviewed In The Midnight Hour, the second album of Perennial, and I liked it. In fact, I liked it enough to check out their debut album The Symmetry Of Autumn Leaves. A debut that was nice, but pales in comparison with their sophomore record. If you ask me it missed focus in the song-writing and lacked … Read more

Hot Mulligan

Why Would I Watch
Wax Bodega (2023)

There are many things the Midwest is known for, and Hot Mulligan is making damn sure emo music stays at the top of that list. Their new album, Why Would I Watch, can be categorized as Midwest emo, post-emo, pop-punk, or all the above—one thing that’s certain is it’s emotionally charged. If you’re skeptical of a band with a silly … Read more

Spells

Loose Change, Vol. 2
Big Neck Records, Keep It a Secret Records, Motorcycle Potluck Records, Shield Recordings, Snappy Little Numbers (2023)

If you haven’t seen SPELLS live you’re missing out. It’s a high energy, one-of-a-kind experience -- probably even if you don’t dig the music. Fortunately, I’m into their hook-driven sound that I’ll loosely call pop-structured punk. It gets in your head quickly, but it exactly ain’t crisp and pretty. Sure, the lyrics are often a little light-hearted, but with deeper … Read more

Girls Like Us

Bitter 'Til The Bitter End
Independent (2023)

There’s the references with friends, right? The inside jokes. The glib comments only your inner circle knows to find funny. A real rocks and dirt moment- sorry, that’s one of mine. There’s another level too. The inside jokes you have with yourself. Sometimes you’re the only one who sees the strange roadside billboard or hears the radio DJ mispronounce a … Read more

The Telescopes

Of Tomorrow
Tapete Records (2023)

Tintinnabulation resounds through the astral planes pulsating waves of pleasure that wash over the mind's crevices. Electrical jolts of sensory disturbances alter perception guiding you through dark passageways toward doors with rays of light pouring through cracks and crevices for those brave enough to explore. Lawrie the high lord of shoe pondering kinship amongst psychedelic warlords has reinvented and suspired … Read more

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