SpokAnarchy! is a feature-length documentary about the punk rock and new wave movement that took place in Spokane, WA during the ‘80s. Even if you're unfamiliar with the bands or have never even heard of Spokane for that matter, it’s an engaging story told by a seemingly unending source of the scene’s survivors. Many of the characters in the movie are still connected in some way to making art or music, or staying punk at heart at the very least. There’s not much in the way of punks-gone-square, which lends a lot of legitimacy to the story being told.The film does a good job of chronicling the penetration of punk and new wave into the Spokane community; going back as far as 1978, when the word of new and exciting music began spreading across the country, influencing young people in small towns and rural areas all across America. For Spokane it was perhaps a quicker infiltration than other locations, as it was the only stop for touring bands between Minneapolis and Seattle. By the time the early ‘80s had come around, Spokane had budding scene. Young punkers melded with the older art crowd at venues like The Armory, Moe’s, and … Read more
It’s no secret to long-time site readers that I’m a fan of The Blind Shake. The Minneapolis trio has released … Read more
Where Were You While We Were Getting High?, the latest release from the seven-member Connecticut indie-emo band One Hundred Year … Read more
If the droning sounds were not an indication, then certainly the overall sonic motif is definitely all Aidan Baker, at … Read more
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I'm a huge Less Than Jake fan. Hello Rockview is one of my favorite albums ever recorded, so when I heard that the band would be working with Howard Benson (who produced that stellar record) to record In With the Out Crowd, I was pretty excited. The band commented on the record saying that the material would be leaning more towards the rock aspects of 2000's Borders & Boundaries and their last proper album, 2003's Anthem with a only about half the album containing ska songs. I enjoyed Anthem, though it wasn't the strongest album, it was a great major label debut. One year later, B is for B-Sides, a record containing all the songs that didn't make the cut for their previous full-length, was released. The record showed Less … Read more
If you were to walk past any major chain shop these days, there is an overwhelming high probability that you will spot multiple 'retro' items placed in the window display; frankly society's current infatuation with the 80's and 90's is starting to get to a rather worrying level. And if you are as a savvy as The 1975 appear to … Read more
I could make a career out of doing reviews of Isis reissues. But what makes reviewing Celestial so difficult is that it is already a legendary album, to the point where everything to be said about it from a critical standpoint has been said before. So instead of trying to sell you on the album itself (because really, it's just … Read more
Look on the interweb and you'll find love for Avenged Sevenfold and you'll find hate. A lot of hate. I understand the love, but I don't quite understand the hate. The hate brigade's consensus would maintain that they're poseurs. Wannabes. Clowns in the metal circus. This is dismissive. I've always viewed them as a group of kids who don't quite … Read more
The only reason Metallica is supposedly used as a torture tactic in Guantanamo is because the C.I.A. doesn't know about Nails. I mean that to sound neither glib nor uncomplimentary - there's a cruel relentlessness to Nails that I and other fans of extreme music will most certainly appreciate, but, and I'll avoid the arrogant use of the term understanding … Read more
Run the Jewels could easily have been a victory parade after the momentous 2012 that Killer Mike and El-P had. Before declaring themselves an actual duo, the two artists were both lauded for albums that were released a week apart of one another. Killer Mike's R.a.p. Music, produced almost entirely by El-P, combined Producto's electronic palette with the slow draw … Read more
Chicagoan quartet Ormen Lange (probably named after the mightiest Viking longship, not the natural gas field on the Norwegian continental shelf) are far from a unique band--how many lightly progressive sorta instrumental artists can you name off the top of your head? Probably enough to feel as disillusioned as I. But despite my admitted jadedness with the genre, I still … Read more
I came to know Sigur Rós through their early material, all very long, dreamy recordings with just a hint of pop rock bliss to ground them. Ágætis byrjun and ( ) are the albums that made the band a household name, and it's difficult not to look back on them and feel like, in some capacity, that's what the band … Read more
Princess Music's members all hail from various chamber orchestras, which would lead you to believe that their debut would be a collection of classical recordings. The album cover, however, seems to suggest something else entirely--it looks like it'd be more at home on the cover of a kitschy indie rock album than that of a classical quintet. But that's exactly … Read more
For Eddie Spaghetti’s third solo LP, he’s taken a moment to quiet it down and get introspective while seeking answers to life’s big questions: meaty topics such as “If Anyone’s Got the Balls” and just who is “Fuckin’ with My Head.” Or, in other words, his solo work may be a separate project from Supersuckers, but the content doesn’t stray … Read more
There is one readily surprising thing about Arizonan post-metallers Temple: despite the loud ensemble sound projected in their music, the entire album is the result of the work of just two musicians. Unfortunately, that's just about the only surprise to be found on their otherwise unremarkable 2012 debut, On the Steps of the Temple.The issue is that, for all of … Read more
Before delving into the intricacies of Bell X1's latest release Chop Chop, it is important to note that they have written what is arguably one of the best songs to come out of the Irish indie music scene in recent years. "In Every Sunflower", from 2007's Music in Mouth, is the kind of song that if you're not on the … Read more
S/V\R is the project of S. de la Moth of Menace Ruine and audio explorer/percussionist Chanoine V. The band’s earlier release entitled Celebration Noire, released through Handmade Birds, was excellent and now, after some time spent on meditation and soul searching the noise/industrial duo strikes back with their latest offering, Sur Les Femmes I & II. Split into two parts, … Read more
Ef are an unusual band, and not just for their inexplicable fear of breaking their precious consonant-to-vowel ratio. Their take on the inexorably-expanding post-rock scene is a highly unique one, especially at a time when more and more bands are starting to sound suspiciously homogenous. And as if any more proof of their immense creativity was called for, we have … Read more
All bands have an expiry date; some bands are just more aware of that fact than others. And when an act has been around as long as Marillion has, it's not uncommon for their age to begin to show. Whether or not that is a bad thing is uncertain--some classic rock acts have put out some of their best material … Read more
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