For Dimmu Borgir, who haven’t released a full length album in over seven years, Eonian marks a shift for a band that have kind of been the butt of many black metal jokes for the best part of a decade. Dimmu Borgir make no apologies for their bombastic sound and on Eonian they fully embrace their theatrical side. Still, the … Read more
There’s no denying that Dimmu Borgir come from a solid black metal background but what these Norwegian’s have done in the (nearly) twenty five years that they’ve been active is turn their version of black metal into a massive spectacle, one that involves orchestras and a full scale choir. Not many black metal acts could get away with such grand … Read more
Dinosaur Eyelids may have an bizarre moniker (where did they come up with it?) but their music is far from mysterious. Garage rock may have had its heyday long ago but the influences are still keenly felt through many projects kicking around today, Dinosaur Eyelids being one of them. Stating their main inspirations as Kyuss, Soundgarden, Fu Manchu and a … Read more
This may be going out on a limb here, but Dinosaur Jr.'s reunion album in 2007, Beyond was one of the best albums of said year, if not one of the best reunion albums ever. Bands reuniting is always seen as a lame cash-in attempt by artists going bankrupt, but with Beyond it felt more like Dinosaur Jr. were making … Read more
In 1988 Dinosaur Jr. released their third record Bug. Despite it being lead singer/guitarists and band leader J.Mascis’ least favorite outing, it was their most successful album up to that point. While touring in support of it, tension between Mascis and bassist Lou Barlow, who had known each other since high school and played together in hardcore band Deep Wound … Read more
Celebrity Mansions, the fourth album by the UK’s Dinosaur Pile-Up, has been like finding a needle in a haystack for me. I’m not good at looking for new music and I feel that it gets harder as I find more grey in my beard, especially finding music that is actually good and/or listenable. Maybe my standards are getting too high? … Read more
With roots in Orlando, Florida but now touching down in Philadelphia, members of hardcore outfit Direct Effect have presumably fallen victim to the general awfulness that is otherwise known as traveling up and down I-95 for extended periods of time. A slow crawl on a good day, traffic on this expanse of east coast highway has been actually known to … Read more
Direct Hit! get filed in the Midwest pop-punk scene and, while they deviate throughout the course of Brainless God, that’s definitely a fair starting point. While there are some harder influences at play, the band’s core is in that school of Dear Landlord and The Dopamines. It’s melodic, catchy, and peppy. There’s some Screeching Weasel in there, but it’s more … Read more
Dirge, the self-described 'neurotic post-core' band from France, may have gotten just a bit big for their britches. Ever since Blight and Vision Below a Faded Sun was released in 2000, Dirge have been pushing the limits of how much space they can cram into their music and get away with it. 2004's And the Sky Shall Descend saw this … Read more
Raw, grimy in your face rock from these Bostonians. The guitar is mixed high, which is a good thing for these tunes. Most of these songs are under the four minute mark. Except for "The Demons & the Damned" which clocks in at a whopping nine plus minutes. I can definitely relate to "Medicate (Today)." But song number seven is … Read more
Dirty Money is one of the latest upstarts to emerge from the U.K. scene and take hardcore by storm. Dirty Money set forth a furious attack of fast-paced hardcore that draws great influence from the New York scene. No Escaping This features four new songs, all of which blend together the classic NYHC sound with flairs of metal and crossover … Read more
The things I like about this album start with the art itself; guitarist Mick Turner's beautiful artwork perfectly captures his music's mood and sound. In fact, it's the best visual summary I can give of Dirty Three's newest album, Toward the Low Sun.Primarily, the album seeks to obtain this extremely casual, laid-back atmosphere, as if just a collection of rough … Read more
Disappearer is the latest creative outlet for the majority of the short lived band, There Were Wires (which also includes a member of Doomriders). Whereas their previous outfits were and are more metal oriented, Disappearer is a post-rock group more akin to bands like Pelican and Red Sparowes (both of which they share a definite similarity) that also eschew the … Read more
Massachusetts-based Disappearer returns with their long-awaited second release. The Clearing marks the band's first full-length effort, which follows up the band's 2006's self-titled EP release (which is actually the group's 2004 demo reworked). So it has been, in a way, five years since we've gotten fresh material from Disappearer. For the super-fans, I am aware of last year's Steven Brodsky … Read more
Fifth album for the rock band from Chicago, and they are still at it, blending the elements of shoe gaze and kraut rock in their alternative rock base. Irreal is an album that finds Disappears pushing their sonic identity to extremes, with the dark quality of the album remaining always present as does their search of finding the most intriguing … Read more
As the crushing, bottom heavy sonic force of "Enochian Prayer" plays, the only thought running through my mind is: "YES! Disembodied rules where would I be without their destroying my ear drums right at this moment?" If you have ever given a spin or two or more to any Disembodied record, than you kind of have an idea of what … Read more
After what is quickly becoming a normative hiatus for this Swedish five-piece band, Disfear delivers their latest blast of d-beat influenced mayhem onto the masses. Live the Storm is their second full length with Tomas Lindberg, vocalist of At the Gates and an innumerable number of other heavy bands, and the first with former Entombed guitarist Uffe Cederlund, as well … Read more
Disillusion sounds like an even more radio friendly version of Slipknot. Actually, I don't know Slipknot well enough to call them that. Let's just call it radio friendly shit, the shit that kids in bondage pants will worship. The beginning of the second track, "Gloria," sounds like the singer of System of a Down trying to talk over a choppy, … Read more
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