What do you get when you toss members of Jesu, Isis, Godflesh, House of Low Culture, The Lotus Eaters, Mamiffer nevermind ask the same question but change it to Aaron Turner and Justin Broadrick and his compatriots from Jesu (Dave Cochrane and Diarmud Dalton). In case you have yet to hear, GREYMACHINE (yes, all in caps) is the name of … Read more
After being slowly consumed by the subtle graces of In Fades (the debut cassette from this project), the longing for another recording from Greys similarly began as a slow ache until thinking about it became a weird tic (ask certain people that I will not name and they can corroborate my incessant pestering over the next Greys project); and then … Read more
My money is on the simple fact that it will take you longer to read this than it will to actually listen to Orphan, the latest album from the estimable grind group Gridlink (their pedigree alone is enough to warrant paying attention to the music this outfit is creating now) and that is not a knock on the album at … Read more
Grischa Lichtenberger’s works are defined not only by their experimental foundation but also by relentless energy. Be it through glitch and EBM components, or jazz injections, there always is a volatile core. This is now changing with Works for Last Work. While the abstract mindset still defines Grischa as an artist, this time around it is applied over a minimal … Read more
These past few weeks have been very busy weeks for me. My girlfriend moved in. Happy news for me and her of course. Moving her stuff, renovating my home, vivid discussions on what to keep and what to get rid off all took their time. Most of the work is done now and all the effort we put in it … Read more
Do you ever play games where you imagine what would have happened if an artist or a band would have had other influences than they had now? For example: what if Girlschool would have listened to punk instead of New Wave of British Heavy Metal? What would their albums have sounded like? My best guess is it would have sounded … Read more
Having heard Grizzly Bear's Horn of Plenty when it was first released and liking it quite a lot, I was taken back a bit when I heard Yellow House for the first time and to tell you the truth, I didn't really like it. That was until I saw the entity that is Grizzly Bear live during their tour with … Read more
Ground Unicorn Horn's self-titled release, which is packaged on a 3" mini-CD, is four minutes long, so I'm going to spend four minutes reviewing it. Three One G Records is a silly lot of folks with some pretty forward thinking ideas. I have plenty of seven inches that are only four minutes long, and I'm fine with that. But when … Read more
Oh the dreamy sounds of Grouper, how is it that you so mellifluously consume my both my conscious and subconscious mind while your records turn on my turntable, and why can I not control my hand each time that it flips your vinyl platters in a near incessant buffeting of my weary mind? AIA: Alien Observer is the sister album … Read more
Where have you been all my life, and why in the name of hell have I missed out on you for these last several years? These two questions have been dominating my mind for the last four hours while exclusively listening to the latest two albums from Liz Harris, or more commonly known as Grouper; seriously, four hours of hazy … Read more
Though I’ve been familiar with the name Grouper for some time, perhaps it’s not entirely coincidental that the solo project from Portland, Oregon-based artist and musician Liz Harris has never quite made an impression on me. While many of today’s groups strive to work their way into a listeners head, Grouper almost seems to be trying to achieve the opposite, … Read more
The Man Who Died in His Boat (released February 2013) is a collection of songs by Grouper, a.k.a. Liz Harris, one-woman ambient/noise/folk/dream-pop impresario of Portland, Oregon. Harris has been active since 2005, the year of her first full-length release, and projects since then have included numerous collaborations, EPs, splits, etc. on multiple labels. Her latest work (from Kranky Records) is, … Read more
This is music for a cloudy day. Titled Ephemeral, Groupie’s debut full-length is moody and fleeting and, to me, delivers a dream-like quality at its best moments.The songs are driven by a rhythmic staccato approach that has a hushed, sing-song quality and occasionally mixes it up with a call-and-response tandem approach. The guitars establish the tone with clean, pristine vibes … Read more
Every person with a Smart phone has been in this situation. You’re in a traffic jam and you hear a song you don’t know on the radio. “Might as well shazaam it,” you think. If you’ve heard one of Los Angeles natives Grouplove’s songs and are surprised after finding out the song you didn’t know, “Colours,” was by the same … Read more
Grumpster are a relatively young band from Oakland. They released a debut on Asian Man and jumped to Pure Noise for its follow-up, Fever Dream. While 2019’s Underwhelmed caught attention, they’ve taken the leap on their second LP. The band play DIY punk with a wide range of melodic influences. It’s singalong punk, but the 10 songs on this record … Read more
Grumpster is just one of those bands. The first record caught my attention, the second was a “whoa” moment, and now it’s already album number three, five years later. It’s been a relatively quick progression and there’s a big jump in sound between the first and last albums, but it’s also linear and it makes sense. The band come from … Read more
Neurot Recordings has lately been putting out releases from some great and surprisingly diverse bands such as U.S. Christmas, A Storm of Light, and Grey Daturas. Prepare to chalk up another name on that list: Guapo. Guapo occupies an interesting place on the Neurot roster as the band has a spacey yet focused sound based in progressive rock, avant-garde jazz, … Read more
One of the big appeals of punk is its community. So it’s nice to listen to a record where you don’t know what the hell they’re saying sometimes. It’s a good way to make sure it’s really the music that’s putting that bounce in your step instead of political or social solidarity. And I’m greatly enjoying L’Ennui by Paris’ Guerilla … Read more
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