The first time I ran into Mire was about two years ago. I was looking for stuff that was at least somewhat adjacent to Gojira and a friend recommended Mire. At the time the band had an EP titled Shed which was released in 2018. For whatever reason, it seems that (mostly) all traces of it were scraped and there … Read more
Well. Colourized Audio Transmission from Mirrors and Wires is the most random album that I've received to review thus far this year. Released on Headcount Records - a mostly hardcore/punk label - we get anything but that sort. This 7" EP is a mixture of surf-punk and rock and roll. I really know little of the genre other than Dick … Read more
Photographs From the Shoebox is a split between two Philadelphia artists that mean a lot to punk music. Mischief Brew are technically a band, but it seems safe to say all elements of their music are merely an extension of guitarist and songwriter Erik Petersen. Petersen also runs Fistolo Records, so this is a self-release in a way. Joe Jack … Read more
Former Scar Symmetry vocalist Christian Älvestam has left said band to focus more on his other project, Miseration. Miseration is also a melodic death metal band, like Scar Symmetry, only they take a more straightforward approach rather than a technical/progressive one. The band's debut album Your Demons ~ Their Angels may satisfy fans of melo-death but their overall sound is … Read more
Unanimity and the Cessation of Hostility is six tracks of blistering death metal that lasts a mere fourteen minutes. And while this EP is extremely short, any longer and the band would have be charged for assault and battery. Las Vegas quintet Misericordiam unleashes a full-on attack of technically amazing riffs and drumming teamed with some of the deepest growls … Read more
If Nic Cage from Leaving Las Vegas had cut an album, it might sound something like Mishka Shubaly’s Coward’s Path. Dealing with such upbeat subjects as alcoholism, death, alcohol, loneliness, drugs, failure, and alcohol, these tunes were originally written in 2008 during a particularly out-of-control patch in the author’s life, and it doesn’t take a listener long to realize just … Read more
In the early eighties when the Boston post-punk band Mission of Burma announced their decision to stop playing and recording due to guitarist Roger Millers tinnitus issues it seemed like the end of an era. The band enjoyed notoriety, not on the charts, but among music lovers/fans in general who were in love with the pure ferocity, quirky melodies, and … Read more
Excellent debut solo record from the former Let's Active mastermind. Of course, the sound quality is killer, considering it was recorded in his own studio. Power pop with cool guitar licks throughout makes this a consistently rewarding listen. "Time Warping," "Dusky Lair," and "Why is it so Hard?" are my favorites here. But this record is bursting at the seams … Read more
Pop comes in many forms. Sometimes you find it on the radio as the nation’s favorite dance hit. Occasionally you’ll hear it pulsating from the walls of your favorite nightclubs. Then, sometimes, it pours out of the anxious head of an artist just looking to create something. Mitski’s fifth studio album, Be the Cowboy, explores different avenues of the genre. … Read more
Optimists is the debut LP from Washington D.C. emo/indie-rock outfit Mittenfields. The band’s influences are immediately recognizable: Singer Dave Mann obviously listens to Modest Mouse and Arcade Fire, while the band’s three guitarists draw heavily from 1990s indie and emo classics like Mineral, Built To Spill, and Pavement. If you like those bands and want to hear the same sound … Read more
Even on the Worst Nights beams with positivity. Sure, a closer listen will reveal a lot of sarcasm in the sugar-pop sound, but the first impression is one of balloons and puppy dogs, not shaking one’s fists in anger or letting loose a crippling, agonizing scream. The Cincinnati, OH band is clean and crisp, with singalongs, brevity, and self-awareness as … Read more
It’s still a bit hard to grasp what grabs me about Even on the Worst Nights. It finally clicked, though, as I drove through rural Minnesota prairie towns, stopping at the varied towns’ lone stoplights and taking in the familiar quiet downtowns and the fading paintjobs. Thematically the record reminisces on the longing of a small town youth trying to … Read more
Mock Orange took me completely by surprise. They only just came to my attention despite having been a band for nearly 2 decades. Although, they didn’t begin to gain some exposure until their third album, Nines and Sixes, in 1998. It’s 2011 now, and they still seem to be Indie’s little secret after the Spring release of Disguised As Ghosts.The … Read more
There are a select few records in my collection that I can always count on to produce an unbridled sense of nostalgia. A classic to turn to when in need of some youthful energy, that little rush of euphoria when singing along with a favorite group-chorus, or that story to remind us of when life was much simpler. Emo and … Read more
If I were to label the music of Modern Baseball, genre would not be the most adequate descriptor. It fits with some difficulty into the category of pop punk or emo, but even that requires a bit of beating them into a mold. As pretentious as it sounds, a better characterization of the four man band from Philadelphia would probably … Read more
After a long hiatus, the band is back with a stunning new release. Skillfully produced again by Hugh Jones (Echo & The Bunnymen, Dumptruck), this record is the perfect mix of both sides of the band's sound. By this I mean that fans of the more brooding early 4AD material will be pleased, as well as fans looking for new … Read more
Modern Life is War are flirting with a backlash. Plenty of people hated Witness despite the fact that it upped the ante on My Love. My Way. like a gambler splashing the pot, with songs that stood taller, lingered in your head longer, and cut like a Bowie knife (i.e. through human flesh). But still we hear the same old … Read more
The problem with the hardcore scene is that its music has become so immersed in repetition, unoriginality, and generality, that people are beginning to lower their expectations to the pits of Hell. As a result of this dilemma, large amounts of hype start to swell for bands that really do not deserve it. Case in point: Modern Life is War. … Read more
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