The experimental black metal outfit from San Francisco has been able to create a veil of mystery around their existence. The origin of Mamaleek is traced back in 2008, and since then, these guys have been quite active. Their first couple of albums, the self-titled debut and Fever Dream, were released on a very limited amount of copies through (I … Read more
Hirror Ennifer is the debut album from Mamiffer the new project from Faith Coloccia and a revolving cast of co-conspirators including Aaron Turner (Isis, Old Man Gloom, Grey Machine, etc), Chris Common (These Arms Are Snakes), Brian Cook (These Arms Are Snakes, Botch, Russian Circles), Ryan Fredrickson (These Arms Are Snakes, Narrows), and Anne Hozoji Matheson-Margullis (Helms Alee). Just that … Read more
Every once in a while, after listening to literally hundreds of records, that one record will come along where, when you put it on the stereo, everything seems to melt around you and all that there is that is important at that moment is that record; I can count on one hand just how many times this has happened to … Read more
Even though Mamiffer started off as a studio project of Faith Coloccia, throughout the years it has blossomed into something much more. The atmospheric experimental band of the former mastermind behind Everlovely Lightningheart, and Aaron Turner (also of Old Man Gloom and previously of ISIS) released a couple of full-lengths and a number of splits and collaborations with other amazing … Read more
Mamiffer was born in a field of darkness, a trajectory between the areas of dark ambient, downtempo and minimal music. The first days of Faith Coloccia and Aaron Turner reveled in a drone aesthetic, vividly apparent in their self-titled debut and Mare Decendrii. But then something changed for Mamiffer. Following a series of fantastic collaborations with the likes of Circle, … Read more
Mammoth Grinder have made a name for themselves by playing a mix of old school death metal , d-beat and hardcore. While that combination of influences isn't singular to them they have played it with a considerable amount of consistency and rage. This got the attention of more than a few people including 20 Buck Spin. While not their first … Read more
Man Man is the most original band out right now. There, I said it, and I stand by it. No other band today plays the brand of music Man Man plays. I mulled the question around in my head a lot about the possible genre Man Man might fall under, and I was forced to level it down to gypsy … Read more
Man Overboard is the latest bubble-gum pop-punk band to come around, joining the existing one hundred thousand others. This four-piece hails from New Jersey, and like so many others they take influence from groups like Blink 182. I'm not blaming Man Overboard by any means, but I'm starting to get sick of these kinds of bands By the way, if … Read more
I slept on Manatees' promotional disc for a very long time and I'm extremely sorry I did so. Their untitled release, or the lengthy The Forever Ending Jitter Quest of Slow Hand Chuckie: An Introduction to the Manatee is an ethereal and simultaneously heavy release. Their press sheet sums up the band's sound quite well: "The band name was chosen … Read more
What if The Libertines were basically decent guys? What about the early Rolling Stones, or Guns N' Roses, or any of the bands who just want to play some rock and fucking roll? I mean like if they didn't ruin their girlfriend's lives and if they didn't smoke crack and if they maybe mowed the lawn for their moms once … Read more
Linkin Park, by and large, are looked upon as a joke. With few exceptions, they are loved solely by young fans who really don't know any better and are unable to find any other kind of "heavy" music at their local Wal-Mart in Smalltown, U.S.A. What does Linkin Park have to do with Norway's Manes, you ask? Well, they kind … Read more
Across the board Maniac reminds me of several bands. The vocal timbre of lead vocalist Zache Davis recalls Mark Ryan (Marked Men) and so does the rhythm section, though it’s not nearly as hyper. Justin Maurer, who also picks up the mic at times, has a darker tinge to his songs. The tempo is fast, I guess you’d say in … Read more
I don't know much about music along the US-Mexico border, and the name Maniqui Lazer and the cartoonish sketches on the cover only intrigue me so much. Mostly, it gives the impression of a weird band with a lot of keyboards. Lo and behold, I got that part right. I just missed the crazy energy held within the cardboard package. … Read more
It’s kind of remarkable how vaguely similar the debut album by Philadelphia’s Mannequin Pussy is to that of another of 2014’s breakout artists, Perfect Pussy. Both these similarly-named, female-fronted bands utilize rough sound production to create a listening experience that’s raw, ragged, and jarring, but while Perfect Pussy’s churning Say Yes to Love almost borders on being unlistenable (at least … Read more
One of the rare instances of a band getting more raucous with time (and success), Mannequin Pussy’s third studio album I Got Heaven sets the mood with heavy drums and cutting vocals. While the sound doesn’t swing in as hard, or as messy, as previous albums, the band hits their stride with lyrics equal parts scalding and snotty. Album opener … Read more
Led by multi-instrumentalist Erik Wunder (also of Cobalt,) Man’s Gin are releasing the follow up to their debut album (Smiling Dogs,) entitled Rebellion Hymns. If you believe that the band is similar sounding to Cobalt, you are gravely mistaken. Accompanied by an arrange of great musicians such as Bruce Lamont (Yakuza,) Jarboe, John Lamacchia (Candiria) and Phil McSorley (Cobalt), Man’s … Read more
Chicago natives Maps & Atlases first new release in six years shows them down a member and finding that their tightly constructed guitar and rhythm pieces turning up to something a little brighter and buoyant with synths taking more of a larger role in their sound. First single “Fall Apart” sounds just as slick and rubbery as singer/guitarist Dave Davison’s … Read more
It's refreshing to hear bands showing their influences without becoming a fiftieth-wave hybrid, a la The ePoxies. Maps of Norway obviously love 1980's new-wave. However, they don't set out to make a copy of that, they fuse the sound into their own artistic development, and Guilt Ridden Pop's release Die Off Songbird is the end result. The record starts off … Read more
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