A quick word on the Drunk Dial series. Basically, the label asks bands to get intoxicated, then record an original a-side and a cover b-side.On #8, we get The Dumpies, who deliver 4 songs at a total runtime of five minutes. It’s fast, catchy and harmonized rough-around-the-edges garage-punk goodness. Take some of your favorite garage bands and speed them up. … Read more
Peanut butter and chocolate; Hall and Oates; French fries and nacho cheese. Some things were meant to be together, but punk and stoner metal? That's kind of like touching two jumper cables together. Explosive! Tall Tales I serves as a nice introduction to what this New York City band is all about. Side A boasts the track "Save Our Souls," … Read more
Back in the pre-internet era I came across a blurb in some metal magazine I read in my adolescent years—I’m guessing it was Rip. In that blurb it mentioned a “real punk” band called the Dwarves, who had just been kicked off the trendy Sub Pop for feigning the death of one of their members. I was intrigued, and I … Read more
I know what you’re thinking? Why has it already been five months without a new Dwarves release? Never fear, the long-running goodtime smutlovers are back, this time with a 4-song EP on Fat Wreck Chords. Gentleman Blag pulls its title track from their latest, The Dwarves Invented Rock & Roll, as the band is prone to putting out already released … Read more
I won’t say anything as hyperbolic as that the Dwarves invented rock ‘n’ roll, but I’ll still give them another borderline statement that fits on a press sheet: the 2014 Dwarves are a supergroup—not a supergroup side project of glossy mag pin-ups, but a supergroup that is honestly comprised of, well, Dwarves. While always performing as a 3-5 piece band … Read more
Take Back The Night isn’t one of those experiment Dwarves records, like the industrio-tinge of Come Clean. On their latest offering, the long-running band alternates styles consistently between their unique and twisted take on bubblegum pop-punk and screaming, single-vocalist hardcore. For the most part, the hardcore songs are fronted by Rex Everything (Nick Oliveri), with occasional SPB guest contributor Blag … Read more
Age makes fools of us all. First it was In Utero releasing all of my hard-found rarities on a single disc, and now comes The Dwarves Are Younger & Even Better Looking a new double-gatefold LP package that combines the group’s 1997 record Young & Good Looking (record one) with Blag Dahlia’s solo EP, some b-sides from the era, and … Read more
The Ejector Seats is a bit of a mystery band to me; it’s pretty hard to find anything about them online. I've learned about two other bands with this name, and a lot about ejector seats in general, but not a lot about the band in question. Discogs tells me the band members have adopted names like Fluffy, Ty Lennol, … Read more
Admit it, you skipped Blake Sennett's songs on Rilo Kiley's The Execution of All Things! It's often distracting to hear different vocalists for different tracks. All the songs he chose to sing, with his breathy voice that blended in with the instrumentation, had some downbeat melody and melancholy lyrics. It was different from the lively pop songs touched with country … Read more
For anyone unfamiliar, The End is a Canadian band that have established themselves as a math metal powerhouse, similar to a more controlled and brooding The Dillinger Escape Plan. Within Dividia and the Transfer Trachea EP were intense, frantic and at times almost impenetrable. Someone should have gotten to them earlier, because with three and a half years between albums, … Read more
The End is assembled by stellar musicians of the Swedish and Norwegian avant-garde jazz scene, amongst them the likes of Mats Gustafsson and Sofia Jernberg. Their moment of origin with Svårmod Och Vemod Är Värdesinnen, found this collective relishing their all too familiar chaos. Crazed saxophone solos and frenetic rhythmic changes collapsed any notion of structure. At the center of … Read more
Whether you call it tech-metal or mathcore, it's a style of music that has captivated the head-bangers of the world. Gone are the days of the traditional and straightforward songwriting of Metallica and Slayer, they have handed over the reigns to the next generation led by the likes of The Dillinger Escape Plan and Mastodon. And following right on the … Read more
Italy's The End of Six Thousand Years return with their debut full-length following a split release with Embrace the End in 2006. Isolation picks up where the band previously left off, mixing chaotic hardcore and thrash metal, but also treating us to something new as well. Opener and title-track "Isolation" begins with a mixture of post-rock and metal that wouldn't … Read more
Still Life Records delivers another slab of aggressive metalcore as it teams up Italy's The End of Six Thousand Years and Sacramento, California's Embrace the End. Each band contributes three songs each of punishing metalcore that will no doubt please any fan of the genre, whether they feel the genre is played out or are just getting into the scene. … Read more
I don't know how much of it has to do with the fluctuation of my own tastes, but I have found A LOT of really good power violence records this year - either ones that have come out recently or that I missed the boat on slightly. And at the top of that pile is The Endless Blockade. From Toronto, … Read more
The Endless Blockade are d-beat political hardcore from Toronto, Canada. They have one gruff singer and one yelper. It's heavy but generic as all hell. Their fast parts make no sense at all and it comes off as a complete violent blur, which I'm sure is the point. This really isn't my thing but if you haven't showered in a … Read more
For fans of The English Beat this one was a long time coming. Coming in at a whopping 80 tracks of pure gold, this one has something for everyone. The English Beat’s place in music history is solid, topping the charts in the early eighties with hit after hit and mixing political lyrics with their brand of up tempo music. … Read more
The Enid aren't your average '70s-era progressive legacy act. Far from abandoning experimentation and growth in their age as so many of their peers are wont to do, these guys seem dedicated to upholding a standard of quality that would be the envy of most. And though it's not their best album, their latest release, 2013's Invicta, nonetheless comes as … Read more
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