Though Young Prayer is intended to act as a eulogy for Animal Collective member Panda Bear's (a.k.a. Noah Lennox) recently deceased father, it feels more like a bittersweet celebration of his life than a sorrow-filled reflection. Drawing upon modern classical music (Track 3), tribal African chants (Track 5), traditional Jewish hymns (Track 9), as well as the stylistic imprint of … Read more
Gloriously unpolished and perhaps one of the outright loudest and gnarliest records I've heard all year, 2015's I Saw My Soul Leaving is a sort of greatest hits album released to commemorate the first US tour by Italian garage rocker Panda Kid (a.k.a. Alberto Manfrin). This album combines two new tracks with eight from the artist's back catalog in a … Read more
Pandemix are new to me, and they’re difficult to sum up in just a few words. That’s a complement. It’s punk by genre, but a few subgenre adjectives aren’t going to capture the band. In Condemnation isn’t exactly complex (we’re talking punk rock here), but it’s diverse in subtle ways that keep the energy level high and fresh as it … Read more
In hardcore's early '80s halcyon days, the EP became the coin of the realm: a handful of songs, often over before you had a chance to sit down. Many great bands never even recorded full-lengths - a phenomenon that's a lot less common today though by no means extinct. Maybe if Panic hadn't broken up in 2002, they would have … Read more
At first listen, Panic seems like your stereotypical Bridge Nine band. In a way they are, and in a way they aren't. But I'll get to that in a second. Strength in Solitude is a comprehensive look at everything the band produced in its first two years as a band (2000-2002). This includes the out-of-print Dying For It EP (2001) … Read more
Many people (I was going to say all but did not want to over generalize) seem to have certain touchstones with regards to certain styles of music, and in one short year, Panopticon has become one of those “bands” (in quotes because this is really a one man project) for me; …On The Subject Of Mortality… is the record that … Read more
Panopticon has been around since 2007, releasing great albums, from their self-titled full-length to the 2012 Kentucky. And it was with Kentucky that the band really made many heads turn. Their folk infused black metal was a breath of fresh air for the scene, with A.Lunn making things more interesting, using unconventional tactics. The only worrying part of all this … Read more
Did you ever just get constantly impressed with the evolution that an artist or group of artists make through the progression of their work and craft? Panopticon certainly is making that type of impression on me at this particular juncture as the one man political black metal project drops one of the more politically acerbic records that I have heard … Read more
The press blurb that accompanies Texas-based indie folk duo Papermoons' sophomore album No Love claims that "the idea that you can say a whole lot more without screaming or shouting" is solidified in this LP. No Love is 10 tracks of smouldering, cleverly composed melodies with occasional gushes of shimmering electric guitars. Written during the five years after Papermoons' debut … Read more
With the daring first notes of a church organ, Paradise Lost primes its listeners for a quasi-sermon on the mount in Medusa. A part description of suffering, part omen for eventual destruction, part heroic call to arms in the face of meaninglessness, Medusa glorifies godless bravery and turns those who cower from responsibility to stone. The album is predicated on … Read more
It makes sense that this is Paramore’s self-titled album, even though it’s their fourth full-length. Everything you know or have heard about Paramore, put all of those pre-conceived notions in your time capsule for 2009, because that’s not them anymore. This is the two remaining original members’ (Taylor York joined the band after the Farro departure) time to show everyone … Read more
Metalcore may be the most loaded term in modern underground music. For most it means you sound like Hatebreed or for the slightly more adventurous Heaven Shall Burn. Either way, you're running the risk of monotony and probably jokes at your expense from those too cool. While I say this, there was a time in the 90's that metalcore was … Read more
Though I'm sure none of you indie elite need to be reminded, but allow me to assert that Paris Hilton is a piece of shit. It's an obvious statement, sure, but one that is central to wrapping your head around this omnipresent, miasmic phenomenon in our media and celebrity-centric culture. Too often, the question we thinking people - anyone with … Read more
I'm not sure what exactly I expected going into an album titled Family Witchcraft Attack, but I wound up being pleasantly surprised by the type of sound exhibited by Miami-based Pariuh on their 2018 Moniker Records release. Almost immediately upon pressing play, I found myself transported out of 2018's frustrating reality to a sugar-coated fantasy world reminiscent of the type … Read more
I like poppy punk: melodies, singalongs, all that predictable stuff. But I also like it rough around the edges, not the super clean production style of Ramonescore or whatever that garbage from the early 2000s that’s on the nostalgia train right now is. So I choose my words carefully because it seems pop-punk means different things to different people. And … Read more
As it stands, in the grand scheme of things I didn't discover Parkway Drive until quite late on in their career. Considering the Aussie metalcore quintet formed in 2003, I did not understand the hype or get in on the action til I first heard 2015's Ire. It absolutely blew my mind, so much so I had to play catch … Read more
Four years on in a career that’s seen them work on perfecting the brand of quirky 1990s alt rock of bands like the acclaimed Pavement and not-so-fondly-remembered Harvey Danger, Brooklyn’s Parquet Courts return with 2014’s Sunbathing Animal, an album that may be most surprising for the fact that it’s very nearly the equal of the band’s well-received debut, 2012’s Light … Read more
Open chord guitar and warm synth start the single in a typical indie manner. The poetry that fills the space is earnest and serious, beaconing the listener to keep up. When the small drum machine picks up you feel a sense of relief. References to travel, reflections and an illusive love are all present again, but don’t feel too overused. … Read more
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