In 2010, it was Wavves. In 2012, it was Japandroids. Now, the vaginal Syracuse outfit Perfect Pussy is Pitchfork.com's newest punk band crush. Yes, this is the same popular indie music site whose 2013 Reader’s Poll allowed Kanye West’s Yeezus to be the Most Underrated and Most Overrated Album Of The Year, and yes, these are also the writers who … Read more
I don't have a good history with Periphery. Their debut album, though it had a few good moments, left a very sour taste in my mouth. Given that a lot of the issues I had with it could be chalked up to growing pains of a new band, however, I decided it was only fair to give their second album, … Read more
One of the best indicators of rating how good a band is is if you can feel your heart pounding as you listen to them. Your adrenaline is pumping, you're shouting alongside the music trying to keep up, and all you really want to do is grab onto something and hold on because, for all you know, you're on a … Read more
I remember discovering Persefone, and their, then, newest album, Spiritual Migration. It was an insanely hot summer day in the shitty college dorms I was staying in. I was digging for progressive metal around on Metal Archives and YouTube. Out of nowhere this video for Spiritual Migration pops in the recommendations. It all seemed alluring so I went for it. … Read more
I like to find new bands. One of the challenges as I get older is exactly that. I listen to a lot of music, but a lot of it follows a certain artistic lineage. I want to keep up with what old favorites are doing, but with new groups too. There are always a few labels I can count on … Read more
Perth Express is likely a band that you're unfamiliar with, but that's okay. Prior to being contacted by the label in regards to this discography release, I was totally oblivious to the band's existence. The world is a big place and you just can't be expected to know about every single band. Hailing from Germany, this discography encompasses the band's … Read more
If Daft Punk were commissioned to score a cyberpunk horror film of the likes of Hardware, the resulting work may sound something like what Paris musician James “Perturbator” Kent has come up with on 2014’s Dangerous Days, the latest of his four albums. Utilizing vintage synthesizer sound straight out of the Miami Vice era, Perturbator lets loose with aggressive arpeggios … Read more
James Kent, known as Perturbator, has been meticulously constructing whole worlds with his dark synthwave music, one album at a time. His love of cyberpunk concepts has been the driving force for all his releases, and coupled with a strong '80s aesthetic, he has been able to breathe life into these feverish visions of futuristic domains. The Uncanny Valley is … Read more
Stephen Brodsky is a shape-shifter. Throughout his musical career, the oftentimes-enigmatic frontman has been the main songwriting force behind numerous projects of all realms of music. He's tackled everything from metal and hardcore to acoustic and indie with Cave In, Kid Kilowatt, New Idea Society, The Octave Museum, and even his own solo recordings. Pet Genius is the latest project … Read more
Aptly-titled, Monumental brings together a legendary producer and two of the underground’s most revered MCs: Pete Rock—half of the duo (along with CL Smooth) responsible for early ‘90s classic Mecca and the Soul Brother—has been the monster behind the boards of your favorite rapper’s favorite rapper for a long-ass time; and Boot Camp Click members Tek and Steele— known collectively … Read more
You’ve heard of no depression music? I’m coining a new term here: depression punk.Opening song “Loud and Ugly” might be a good description of vocalist Jesse Thorson’s approach in general. His songwriting has always been outspoken and focused on personal flaws, pointing to the uglier elements in life. I always referred to the Pretty Boy Thorson bands as essentially country … Read more
Pharaoh’s debut full-length, Negative Everything, is an absolutely crushing release. The New Jersey three-piece play a blend of doom, sludge, hardcore, and crust that is generally slow, sometimes fast, never predictable, and always heavy. The record’s opening track, “Recease,” starts with a slow, chugging, unaccompanied guitar and effectively sets the pace for the record. Pharaoh has no need for frills, … Read more
Sweet jesus did this record ever hit my stereo at just the right time because Lunar Jetman is making its third consecutive journey on my turntable as we speak (after listening to it a few times without noticing just how good the album is, maybe due to some preoccupation with something else), and to be perfectly honest, Pharaoh Overlord lays … Read more
Phamarkon is a deep black pit inviting you to fall in. If you do, you will never want to climb out again. The girl behind the name Pharmakon is Margaret Chardiet, a not so typical 22-year-old from New York, active in the city’s underground diy scene, who embodies the sound of said darkness. According to an interview of hers (http://janepain.wordpress.com/2012/04/0 … Read more
Just last year Pharmakon was putting out Abandon, tearing our brains apart. Margaret Chardiet (the artist behind Pharmakon) was collecting aspects of industrial, noise and power electronics, filtering all that through her mind and producing one of the most intense listens of (at least) 2013. Now how can you top something like that? Inspiration usually comes from personal experience and … Read more
Back in 2014, Margaret Chardier came face to face with a life-threatening situation, which inspired her new record at the time, Bestial Burden. As was the case with her third record, her previous works were dealing with the human experience, the disconnect between mind and body, and the notion of one's mind being trapped inside their body. A young veteran, … Read more
Pharmakon's body of work is a visceral etude on the human condition. Since 2013 with the release of Abandon, Margaret Chardier has explored the darkest sides of the human mind, psyche, and body through the fierce nature of power electronics. This path resulted in the absolute highlight with 2019's Devour, with Chardier perfecting her style. Noise storms raging, abstracted rhythmic … Read more
Phillip Roebuck will never be explained in writing. Writing does no justice to what Phillip Roebuck does. He plays a banjo at breakneck speed. He is a one-man band that bashes away at a bass drum and tambourine on his back. See, it just doesn't sound right, does it? It conjures images of Groundskeeper Willy yelling, "I'm a maniac, MANIAC!" … Read more
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