Complacency is one of the greatest threats to hardcore's continued vitality. Many bands fail to grasp the importance of taking risks to produce a fresh sound. Even more frustrating are lyricists who allow hardcore to become insular. On their Tramps Like Us demo, Ramparts make certain they are committed to fighting stagnation. What struck me first about Ramparts was how … Read more
For years I was the biggest Rancid fan. The first record I didn’t buy on its release date was B-Sides & C-Sides, and that’s because I already had the songs. I was an unapologetic completest. As the post-2000 records have been coming, I became an apologetic completest. I bought the double album version of Let the Dominoes Fall and spun … Read more
Other write-ups I see of Tomorrow Never Comes are basically calling this Rancid V, Part 2. The cover art looks a bit like the back of that album, actually. And while there is some merit to the comparison, I think that description is misleading. This record absolutely shares that style of short, repetitive, and angry punk songs but it has … Read more
It’s strange to me to realize that Rancid just released their ninth album. It’s a mark of age, not to mention that they haven’t been the most productive band on the block since the 3-year spree of LPs 1-3 from 1993-1995. Mostly it just makes me feel old, which is also how their last album, (the disappointing) Honor Is All … Read more
I really wish I could describe Argentinian three-piece Random's sound to you. Their Facebook page lists their genre as 'extreme prog metal,' but that label could cover any band from Meshuggah to early Anacrusis. I could describe them as 'avant-garde' metal, but that label gets used to describe every band from Ved Buens Ende to maudlin of the Well to … Read more
After a few years of anticipatory mixtapes, the debut album by Radom Axe has finally seen the light of day. A multiregional supergroup of sorts, Random Axe is comprised of three men who have cut their teeth in the hip-hop underground: Detroit’s Black Milk and Guilty Simpson and NYC’s Sean Price. Individually, these three carry lavish resumes, but as a … Read more
Laypeople who don’t listen to heavy music often lump it all together, even while those of us who dedicate our time to the cause can pick up the difference between death metal, thrash and hardcore in seconds. RASHŌMON are one of those bands that would have people in fits right away, likely calling it metal even though there are few … Read more
Raspberry Bulbs are an act that is seemingly allergic to bullshit. Since their inception, they have bounced between different scenes and sounds, but one thing that remained constant was their adherence to their punk roots. No matter if these were infused with a primal black metal spirit in Nature Tries Again, or adorned by deathrock variations with Before The Age … Read more
Even if you haven't heard of Ratatat, you've heard them. They boast an impressive list of their songs featured in endless commercials and movies. Ratatat is everywhere. Beginning in 2004 as simply a guitar and synth, they recorded their entire debut album on a laptop. With their fortunate connections they released Ratatat in the U.S. and the U.K., and quickly … Read more
The hype machine works in interesting ways. It can make or break a band even if the wind changes direction. Music critics go from band to band and suck every little ounce of creativity and humanity they had left inside of them like the leeches they are, then they move on to the next wave of hyped bands. Bear in … Read more
It’s been a long time since the last Rational Anthem record, Emotionally Unavailable in 2014. The band is still similar but what jumps out the most to me with It’s Only Permanent is the clean, big pop hooks. The band has always been peppy and focused on those singalong moments, but this record is downright anthemic from start to finish. … Read more
Released on 86’d Records, I came to Rations with a blank slate. Thirty seconds of research tells me the band is a four-piece from Long Island and includes, among others, 86’d Records’ own Wells as a member. Trivia aside, most folks don’t buy a piece of vinyl based on any of that info above. They buy it because it’s good … Read more
Lets paint a picture. After weeks of midterms and presentations in combination with 'seasonal' weather, I couldn't decide if I was more exhausted or cold. I was half asleep riding shotgun back to my parents house when I first slid Ravens and Chimes into the CD deck of my best friend's over sized SUV. About a week previously both of … Read more
Blackened thrash metal has been getting a lot more popular recently with bands like Skeletonwitch and Toxic Holocaust getting more recognition as of late. Like most sub-genres, there are bands who are worthy contributors to the scene and then there are those who are simply followers and the United Kingdom's Razor of Occam, are without a doubt, more than worthy … Read more
In a recent poll conducted by NME magazine and the book of British Hit Singles and Albums, Oasis's Definitely Maybe was voted the greatest album of all time, fending off such paltry efforts as Sgt. Pepper's Lonely Hearts Club Band and Revolver. According to Q magazine, the imaginatively titled Razorlight is the best guitar album since Definitely Maybe. Following this … Read more
Razzle Dazzle, better known as RZL DZL on this side of the computer screen, is Detroit's latest hardcore export, and yet another Lockin Out exclusive. The appropriately titled Both features their 5" release, 555, as well as their Demo Revisited 7", offering a more accessible way to listen to RZL DZL than hunting down two out-of-print records. RZL DZL plays … Read more
Detroit, Michigan's Razzle Dazzle (or Rzl Dzl for the vowely impaired) is two dudes named Will and Haroun who basically just want you and everyone to rage. They aren't asking for Molotov cocktail type carnage as you try and smash the "man" in an anarchist state of complete disobedience. Nope, I think Razzle Dazzle's drink of choice is probably whatever … Read more
What the world needs is more Dropkick Murphys, or perhaps something just different enough to spawn a new sub-subgenre. Unlike Dropkick Murphys, The Real McKenzies hail from Vancouver and parlay their Scottish heritage into a Celtic-fused melodic punk. Off the Leash is their fourth full-length release and second on Fat Wreck. If you can make it past the terrible cover … Read more
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