The first thing that's going to strike you about The Paper Chase is that they're a quirky indie band. What you get in the first song is what you're going to get in the next nine: John Congleton's wavering voice and keyboard-driven epics. The band relies predominantly on synthesizer instead of big guitars to make their statement. When it comes … Read more
Remember when you were a little kid getting tucked into bed? Then someone would reach for a thin book with a shiny gold spine, and they would read you a bedtime story? Well, I don’t, but I certainly remember the books. It was my affinity for those books that drew me towards The Pause’s debut album, A Cautionary Tale, which … Read more
So you're in a rock band and you already look different than other bands with your crazy hair and fingernail polish, but you want to sound different. So you add a keyboard to your band. Fucktacular, bro! In addition to adding a new instrument to a band, another option that The Pax Cecilia takes with Nouveau is to synthesize previously … Read more
Many years ago I read an essay about how the difficult-to-decipher vocals of Joe Strummer was part of The Clash’s legacy -- how making the listener not key in just on the words, but the melody and movement instead makes it more effective and more open to interpretation in a good way. That concept stuck with me. A song is … Read more
Take equal parts The Gaslight Anthem, Menzingers and blue-collar arena rock like Tom Petty or Springsteen, with a dash of The Clash, Dave Hause, and American Steel, and you’ll have some idea of what to expect with The Penske File’s latest, Half Glow. The results are often mixed for me when punk bands lean toward classic rock and introspection. I’m … Read more
It may be an antiquated notion, but there are just some names that you can trust. Names that were built by years of fostering goodwill and established by years of putting out the very best. If it's groovy rock and roll that you seek then Hozac Records is one of those names. It's one of those things where even if … Read more
I first came across The Phantom Carriage whilst browsing bandcamp for new things to hear. I tag searched black metal, saw the cover and clicked download. I wasn't quite prepared for what happened next. This record does have some black metal elements, but there's also hardcore, some mathcore, some jazz. Yes, jazz. New Thing is one of the maddest albums … Read more
I spent a good part of the late ‘90s annoyed at the abundance of Ramonescore. I’ll stand by my word: many of the bands of that era were carbon copies that didn’t bring anything new to the format. But time has passed and what was overdone is now a refreshing change of pace. For whatever reason, when I hear a … Read more
This might be the first band I've reviewed that I've also loaded gear for. I worked a show a couple years back when The Pink Spiders were opening for Kill Hannah, and helped load their stuff in. So I have a strange complex with them. It's like I'm their servant, their underling. And I don't like it. What I have … Read more
Sometimes the best way to create something new and fresh is to look to the past and try to bring it back from the dead. It seems that almost all music is in some way looking 20 years earlier for it's style and sound. The Pipettes however are looking even further back for their inspiration; back to when Phil Spector … Read more
The Pirate Ship Quintet begun investigating the deep waters of post-rock during the genre’s peak in the ‘00s. Founded in 2007 the band prefers a sparse release output, which provides them the necessary time to properly prepare and mould each album they put out. Minimalist notions, longform narratives, moving soundscapes and a hint of neoclassical and jazz elements comprised the … Read more
Five years after their first EP was released, English band The Pirate Ship Quintet have finally released their debut album, 2012's Rope for No-Hopers. But how well does it hold up in comparison to the modern post-rock scene?Right from the get-go, it sounds like they're trying to re-create that symphonic-based minimalist sound of the Montréal post-rock scene, mixed with just … Read more
I don't really consider myself to be a professional journalist by any means. But in my position as an "in my spare time journalist" I frequently come across fairly unknown yet promising bands that are truly deserving of high praise. The most recent of those being Dayton, Ohio's The Pledge. Distress is the band's debut 7", or at least it … Read more
In 2003, San Diego's Plot to Blow up the Eiffel Tower unleashed Dissertation Honey upon an unsuspecting crowd of jerks with messy hair. The release mixed elements of jazz and post-hardcore seamlessly, making it one of the most exciting albums of the year. Love in the Fascist Brothel is the Plot's second full length, a record that, logically, should fully … Read more
The Plurals are a heavy indie rock band from Lansing, Michigan. Their latest album, Swish, was released on GTG Records, a record label the band created when they started putting out music in 2007. The trio’s passion for the Lansing rock scene and DIY aesthetic is compelling, and this piece in the Lansing City Pulse about the band and label’s … Read more
I've never really been a fan of "best of..." collections. Too much of the time, they are released mid-career without justification or necessity, or to fill an unusually long gap between albums. Even more often, they are used as cynical marketing ploys, or worse, in order to milk the cash cow of any given artist whom lacks longevity. At times, … Read more
Following on from an impressive mini-album, Poison Arrows have now put their talent to use in the full album format, something sought after when Casual Wave was making the spins. Now, with room to expand and with the time to let the songs build up over almost one hour's time and with a crisp recording from Albini's legendary Electrical Audio … Read more
Calling The Polyphonic Spree a Flaming Lips knockoff would be lazy and unfair to the Spree's aesthetic, but the similarities are so blatant. Not using The Lips as a point of reference seems just as criminal. So what roads to both these bands walk? To begin, Spree vocalist Tim DeLaughter sings in a manner much like Wayne Coyne. It's the … Read more
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