Brett Gurewitz clearly smells money like band mate Greg Graffin smells fat teen pussy from Wisconsin, and it gets him just as hard. By his own admission Gurewitz has never "come across a new group with more potential to be huge" than Escape the Fate. The dollar signs must be spinning in his eyes as the Myspace friend requests grow … Read more
One of the many reasons historians will condemn the early 21st century is the rise of glametalcore. Purveyed by groups such as Steel Panther and Asking Alexandria, this sound blends the abrasive vocals and breakdowns of metalcore with the flamboyance and catchiness of glam metal. Escape The Fate have been torchbearers of the sub-genre ever since they ditched Ronnie Radke … Read more
A half a century ago, when America was a more wholesome place than its current manifestation, a man by the name of Kerouac wrote the great American novel of its time. In the novel, On the Road, Kerouac recounts the adventures had when crisscrossing the newly developed highway system. Kerouac himself often romanticized of an even earlier America still: a … Read more
With the recent surge of former and current punk rockers playing folk, roots rock, bluegrass, etc. of course there is going to be some interest in other related genres. However, I was quite shocked to receive a CD by a jug band for review. My exposure to jug band music is somewhat limited. I grew up with a mother who … Read more
"No one in our band is in it for their ego. It's all about the songs" The above is a quote from guitarist Stuart MacLeod and it summarizes Eskimo Joe in a nutshell. No pretension. No bullshit. No ridiculous grandiose prose-filled promo sheet. Just an album that that lets the music do the talking and speaks volumes in the process. … Read more
What if an album isn't an album? What if it falls into absurdity while no one is listening? Does it make a series of obnoxious sounds? I'm probably coming off like some Bacharach-rocking philistine, but I really really like songs. Failing that, riffs. Failing that, music. The album Way by Ecstatic Sunshine fills somewhere between zero and three of those … Read more
For a newcomer to the weird and wonderful world of Estradasphere, Palace of Mirrors is as good a starting point as any. Though the album lacks the vocals featured on the bands previous releases, due to the departure of vocalist and contributing songwriter John Whooley, it is by no means weak as a consequence. The album works well as an … Read more
Okay, so the more that I thought about this, the more ridiculous this concept feels to me, books on tape or CD or whatever. I am able to read so the existence of these types of paraphernalia are completely useless to me, and yes, I get that not everyone can read or not everyone has time to read (which is … Read more
Created using a combination of physical instruments and various synthesized elements, it wasn’t particularly surprising for me to learn that one of the major concepts behind Gainsville, Florida-based musician Euglossine’s Psaronius (a name which could refer to either a type of prehistoric tree fern or a kind of precious stone) was recreating familiar objects through the use sound. This album … Read more
When I hear the phrase “indie rock,” I think of about 4-5 things: Pavement, The Pixies, maybe Weezer, glasses, skinny guys, and bizarre instrumentation or time signatures. Some of that (queue the ‘90s references there) is due to my age, as the former part of that description is a bit more rock oriented than the latter. That former part of … Read more
It’s a dramatic understatement to say that music has changed since I first discovered DIY in the 1990s. But in many ways, one of the first things I discovered about real people making music, is that contacting a label you like usually leads to good things. While you can sample music online nowadays and there are ample bot-driven “recommended if … Read more
Everlovely Lightningheart was a band (even though championed by Hydra Head for some time) that exists in virtual obscurity. And considering what this collective offers people, aside from a bunch of limited releases (one of which includes an LP that is still only limited to 5 or so copies), the challenging soundscapes on their albums beg to be heard. Sein … Read more
Confession time: I was going to burn this record to the ground. I wasn’t writing a review yet, just listening to the album, but I had some really not nice things to say. And then everything changed. Why? Well, I decided to see if my problems with the album could be solved by playing it from another source. I thought … Read more
Even with the recent explosion of big opus, post-genre fluff, and also considering the success of groups like Radiohead, The Mars Volta, Tool, and to an extent, Dredg, experimental albums will forever maintain a cult following. Most typical trend-trotters "just don't get it," and even some of the more cerebral minds are quick to call the style a pompous exercise … Read more
Here's a band from Southern California that I'm not familiar with, and for the style they play I find that odd. There hasn't been any mention of them on messageboards or any bulletins on Myspace about them being "good dudes" who are "backed hard." It says on the one sheet that Every Second Counts tours but they have probably never … Read more
This French band may have one of the longer band names in recent memory. Let us gloss over this even though through the ever accurate Wikipedia it may refer to a Julian Schnabel record. This band focuses on a slight version of the general post rock template. While most bands tend to forgo vocals and play the line by making … Read more
So you know how a band will take something that they wrote that does really well with the fans and expand on it? The Offspring, for example, found out that by writing a "witty" punk rock song they could sell lots of albums. On Every Time I Die's last album Hot Damn!, that song was, "I've Been Gone a Long … Read more
There's always a lot of different opinions surrounding the band Every Time I Die. A lot prefer the more chaotic, unpredictable sound they had in the early days of Hot Damn! and Last Night in Town, while a lot seem to enjoy their more riff-heavy metalcore sound they've developed since Gutter Phenomenon. Their last album, The Big Dirty was arguably … Read more
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