Boston-based shoe-gazing space-rockers Constants return with their second full-length and follow-up to 2006's The Murder of Tom Fitzgerril EP. With The Foundation, The Machine, The Ascension Constants continues to make waves in the rock world as they showcase their talent towards writing intricate, dynamic, and ominous rock music. The Foundation, The Machine, The Ascension is ultimately broken up into three … Read more
As they approach twenty years as a band, taking a look back at what Converge has accomplished throughout their career span would be a fairly daunting task. In an effort to spare both you and I a lot of time, let's just leave it at this: Converge is one of the most important hardcore bands of their time, and should … Read more
There's something very important one has to keep in mind when reviewing a Coreline album, or indeed merely when listening to it. And that is this: The brain that gave birth to this is one fully capable of rickrolling an entire festival audience, in amongst a performance that also delivers a theater troupe performing in cardboard robot costumes. Tongue in … Read more
I have an unhealthy obsession with melodic hardcore bands and it's sad that when the term comes up in conversation I am bombarded with bands named Modern Life is War, The Carrier, and Killing the Dream. Although these bands are melodic and yes, they are hardcore, however this isn't exactly what I'm thinking about when it comes to melodic hardcore. … Read more
I honestly did not think that Jeremy Chatelain was still active as Cub Country seeing as how it has been some time since his last record, Stay Poor, Stay Happy back in 2004. But here we have Stretch That Skull Cover and Smile as proof that Cub Country is still alive and kicking. Cub Country is the alt-country project of … Read more
Before I begin, let me get this off my chest: I wasn't a big fan of Cult Ritual's EPs. I don't mean to offend. It's very possible that the glowing reviews from punk blogs across the web had me convinced that I was about to experience some sort of musical enlightenment. Listening to Cult Ritual would somehow turn my life … Read more
I first got the chance to interview Tim Kasher directly after the release of Cursive's Happy Hollow. A friend and I drove two and a half hours to Buffalo, NY and caught up with the band in the lobby of a Best Western Express not far from the venue. Their tour manager told us that they needed to soundcheck soon, … Read more
Describing Dälek is always pretty tough. Despite the fact that MC Dälek himself has stated that they should be considered purely hip-hop since the origins of the genre lie in experimentation and breaking down barriers, I would conjecture that whacking Gutter Tactics onto your stereo and playing it to your average chart-loving hip-hop aficionado would result in blank stares and … Read more
About this time last year I received a 7" from a band named All Through a Life. That 7" contained a welcome surprise of D.C. inspired hardcore. Well apparently they are no longer a band, but a couple of the members have reconvened in Damages. Scars essentially picks up where the members left off with their previous band. Damages still … Read more
Dark Days is a new band from the Bay Area of California and this is their five-song demo recording. It was printed on both cassette tapes (limited to 50 copies each with a different cover) and CD-R. Musically, I'd compare them to Trash Talk. They make use of short fast blasts of chaos and then let things hang with slower … Read more
My Lover, My Stranger is the first solo record from David Moore, formerly of Chamberlain and Split Lip. It is difficult to imagine Moore extricating himself completely from a self-imposed anonymity in order to refashion himself as some indie country troubadour, but from the sounds of this, at times, intimate album, he is attempting just such a feat. Considering the … Read more
To create a preface for the reader I'm going to backtrack a bit. I grew up during an amazing time for metalcore - before Victory Records became giant media whores. So noted I have a very obvious soft spot that style of hardcore. This may be helpful information for you since Dead City compares their sound to that of Crowbar, … Read more
Dead Swans is the U.K. hardcore circuit's latest export to reach American soil, currently being championed by the folks over at Bridge Nine Records. Sleepwalkers marks the group's debut full-length and continues down a similar path of gnarling metallic hardcore that the band churned out on their previous offerings, the Southern Blue EP and split 7" with Architects. The five-piece … Read more
Too much hype is something that can kill a band in the end of things because there's a good chance that said band never lives up to it and ends up being tagged a disappointment for the rest of their careers. Thankfully, this is not the case at all with Illinois quartet Dear Landlord's debut album, Dream Homes,, which has … Read more
Boston natives Death Before Dishonor really broke through with their 2007 full-length Count Me In. Like it's predecessors, it featured a punishing assault of metallic hardcore that captivated hardcore fans around the globe. In addition, the band infused their standard sound with some of their hometown punk upbringings, which - for me - brought up mixed reactions. Two years later … Read more
Before I start this review, let's have a little history lesson. Death By Stereo began their careers by releasing two very solid hardcore albums (If Looks Could Kill, I'd Watch You Die and Day of the Death) and winning a lot of fans over with their energetic live shows. In 2003, they released Into the Valley of Death, which showed … Read more
In spite of its low profile, the Pittsburgh hardcore scene is one of the better currently running, consistently churning out outstanding and original bands. Because of its circumnavigating of hype, the bands that do emerge from the Pittsburgh area carry with them a sincerity not found in most bands. They never seem to succumb to trend-hitching, instead perform music that … Read more
Deep Sleep sound like 1980's LA hardcore. A good example is the dual vocals of "Alone with You," but with twenty-one songs in twenty-five minutes, all the songs are pretty interchangeable. It's fast, sloppy, and underdeveloped. After my first listen, I learned that Three Things at Once is a compilation of the band's three EPs thus far, which makes sense … Read more
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