Liam Gallagher
As You Were
Warner Bros. (2017)
Beady Eye was not a bad band. Au contraire. If you harbour a weak spot for Oasis, aim at an objective viewpoint and take a break from you loyalty to the Chief Noel, it proves to be difficult to not like their two albums, however, a lot of Oasis aficionados managed exactly that.As You Were is Liam Gallagher’s new album. … Read more
Liquids
More Thana Friend EP
Drunken Sailor (2017)
English record label Drunken Sailor Records released this sweet and short EP. For some reason that made me believe Liquids are an English band. And that’s not only because this EP is released on an English label. The band sounds like they could be from that funny little island. I was wrong though. Dead wrong. Liquids hails from Indiana. And … Read more
Living Colour
Shade
Megaforce (2017)
When Living Colour toured earlier this year performing their debut album Vivid for the almost 30 year anniversary, a lot of folks were ecstatic, thinking one of their favorite bands were back together again. Problem is, they hadn’t broken up. I mean they did for a few years in the '90s, but they’ve been touring and making music together since … Read more
Long Knife
Sewers of Babylon 7”
Beach Impediment (2017)
Oh man, haven’t heard Long Knife’s name called in a long time. You can choose to split pubic hairs over whether they’re back or still here, but what’s not up for debate is that Portland’s second favorite antiheroes have dropped a damn fine slab o’ new wax upon the jean vest-wearing masses. It comes via the mostly-reliable Beach Impediment label, … Read more
Lorn
Arrayed Claws
I, Voidhanger (2017)
I still remember when Lorn released their debut full-length, Towards the Abyss of Disease, where their raw and unapologetic black metal blew me away. Their sound was well structured, and even though it was not diverging from the core of the genre, they achieved in building a distinct sound, within the traditional boundaries. Unfortunately, releases have been quite sparse for … Read more
Lost Balloons
Hey Summer
Dirtnap (2017)
By now it feels like hitting repeat, but for the uninitiated, Lost Balloons has to be introduced through the Marked Men timeline. The beloved Texas garage-punk band went on hiatus sometime back, when member Jeff Burke relocated to Japan. He’s since returned to the US and plays sporadically with Marked Men, as well as Radioactivity and other projects. But, while … Read more
Lotus
The Road To Calvary
Shield Recordings/Assault Records (2017)
Deep inside Belgium lies Lotus, the Powerbar of Antwerp hardcore. In early December Lotus released their particular blend of pessimistic optimism, paradoxically digestible yet equally unsettling. Steering modern hardcore trends away from cheap nihilism, The Road to Calvary bites down a vicious chunk of hardcore spirit that raises my pulse, burning the excess fat that clogs my record shelf.Within Lotus’s … Read more
Loud Boyz
Party In The USA
Independent (2017)
You know, I’ve never knowingly listened to Miley Cyrus, but I’m pretty sure this record is named tongue-in-cheek and doesn’t include a cover. Full disclosure, I looked up her “Party in the USA” song a couple hours after my first draft of this review. I wish I hadn’t, though it was certainly a learning experience about different lifestyles.For some reason … Read more
Marilyn Manson
Heaven Upside Down
Loma Vista Recordings (2017)
It's a different world than when Manson made his debut over two decades ago and scared the shit out of everyone. He scared us because things felt relatively safe and calm. He was like a monster scaring a child out of the peaceful tranquility of their bed. Now that things are fucking bananas and chaos reigns and we know exactly … Read more
Mark Lanegan
I Am the Wolf
Da Capo Press (2017)
I came late to the party when it comes to Mark Lanegan and his career. It was him opening for Nick Cave and the Bad Seeds in 2013 and I was instantly overcome with the feeling that I have missed out on an intriguing man and his works. Delving into his oeuvre and myriad of collaborations, among which the ones … Read more
Mastodon
Emperor of Sand
Warner Bros. (2017)
There have been few bands as exciting to watch their ascension into music legend than Mastodon. What's that you say? No, the term 'legend' is not hyperbole. Mastodon is just that good. And if there's any justice in this cold, cruel world, that legendary status will be hermetically sealed with Emperor of Sand.Emperor of Sand is mastodon's seventh full-length release … Read more
Matt Cameron
Cavedweller
Dine Alone (2017)
Matt Cameron has long been the kind of drummer that most drummers wish they were. Seemingly able to play anything - to bounce from project-to-project with nary a blurred line. In short, Matt Cameron knows his shit. It would be fair to say that despite being the drummer for Pearl Jam since 1998, Cameron will forever be inexorably linked to … Read more
Matt Pond PA
Still Summer
131 Records (2017)
Matt Pond PA has delivered a flurry of music since their inception in 1998 around the enigmatic songwriter and namesake. His revolving cast of collaborators, creators, and guests have served him well throughout his career. Just as it goes, he is very underappreciated and underrated as a songwriter. They are that band, and he is that singer, that you just … Read more
Max Richter
Three Worlds: Music From Woolf Works
Deutsche Grammophon (2017)
Neo-classical music and minimalistic explorations always had a point of convergence. Minimal electronic applications found their way into classical orchestrations, expanding the sound of the orchestra, as well as the emotional scope of the composer. Max Richter is a proud example of this tradition, a composer who has learned as much from Philip Glass and Steve Reich, as he has … Read more
Mayhaw Hoons & the Outsiders
Lime Green
Good Cheer Records (2017)
When John Lennon went into the studio to record the vocals for "Twist and Shout" he had already taken multiple throat lozenges and even gargled some milk to combat the sore throat he was suffering from at the time. The recording, a throat-shredding, rough-edged track that sounded unlike any of the band's other songs, left Lennon's throat feeling like sandpaper … Read more
Mokumedori
Mokumedori
Dewfall Records (2017)
How do you tell a fairy tale using only sound? That's a question seemingly answered by Japanese artist Mokumedori's self-titled album. Utilizing an eclectic variety of instruments, many of the toy variety, this album appeals directly to the imagination of its listener, almost daring you to come up with a story to accompany the music. While some might be tempted … Read more
Monolog & Subheim
Conviction
Denovali (2017)
This is the first collaboration between Monolog, master of Drum n Bass and IDM music, and Subheim, explorer of abstract electronica and admirer of ambiance. The two artists have a steady presence in the experimental scene, with Monolog starting off in the early '00s while Subheim appeared in the scene during the last few years of that decade.What is captivating … Read more
Monolord
Rust
Riding Easy (2017)
Sweden’s Monolord worship at the altar of the riff and on third effort Rust that riff comes downtuned, weighty and driven by bass. Vocals are hazy at best, which only adds to the ceremonial vibrations that Monolord deliver on a record that delves into darkness on its way to the end. Predecessor Vænir from 2015 was found to be lacking … Read more
