Review / 200 Words Or Less
Courteeners
Mapping the Rendezvous

Ignition Records (2016) Aideen

Courteeners – Mapping the Rendezvous cover artwork
Courteeners – Mapping the Rendezvous — Ignition Records, 2016

Written in Paris while the city was still reeling in the aftermath of the November 2015 attacks, Mapping the Rendezvous is an album that brims with escapism and the irrepressible desire to live for the moment. Part of the the band's previous album, 2014's Concrete Love, was also written in the French capital but this time it was different: frontman Liam Fray got under the city's skin, and the band created an album that exudes the freedom and intensity of being young in an intoxicating city. Produced by long-time collaborator and recently recruited bass player Joe Cross, this album is the band's most buoyant effort yet. Early in the Courteeners' career they sounded like a small-scale band pretending to be stadium fillers, but Mapping the Rendezvous is a glossier, more commanding effort that befits the band's arena-filling status. The thoughtful paean of "Most Important" sits comfortably alongside the commanding strut of "The 17th", while "No One Will Ever Replace Us" forms a glittering high point on the intensely forward-looking album. It's impossible not to be swept away by the unshakeable positivity and live-for-the-moment ethos that engulfs this album.

7.5 / 10Aideen • October 24, 2016

Courteeners – Mapping the Rendezvous cover artwork
Courteeners – Mapping the Rendezvous — Ignition Records, 2016

Related features

Courteeners

Interviews • October 31, 2016

Recently-posted album reviews

Miller Lowlifes

Pinch Hitters
ADD Records (2025)

The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more

Art Brut

Sorry, That It Doesn't Sound Like It's Planned! Battling Satan, 2009 - 2020
Edsel Records (2025)

I’ve never reviewed a box set before but Art Brut released my favourite sprechgesang anti-art-punk album of the early aughts so I figured I’d give it a go. 2005’s Bang Bang Rock & Roll placed Art Brut among the “Art Wave” scene but was more post-punk revival than “Indie Sleaze”. Argos has cited Jonathan Richman and Axl Rose as his … Read more

The Slow Death

No Light To See
Don’t Sing Records (2025)

Few bands have as fitting a name as The Slow Death. They play forlorn, self-deprecating punk that’s heavily influenced by lonesome country. The music itself is more driving and punchy, but many of the lyrics would fit just well in a somber old-timey country ballad. It’s forceful music that punches inward instead of at The Man. The first song is … Read more