Review
Kevin Hufnagel
Transparencies

Nightfloat (2011) Sarah

Kevin Hufnagel – Transparencies cover artwork
Kevin Hufnagel – Transparencies — Nightfloat, 2011

For those of you that don't recognize the name, Kevin Hufnagel is actually a fairly prolific musician, playing in technical and progressive metal bands like Dysrythmia and Gorguts. And, funnily enough, that's exactly what his 2011 solo album Transparencies is not. Instead, Hufnagel delves into ambient music, with great success.

His ambient creations on this album have that powerful cathartic effect of post-rock without any of the large instrumentation to it, though the requisite thickness is still achieved by guitar alone. The pieces are all very emotionally moving; no joke, just listening to this album can bring me to tears at times. The sheer beauty of his work here is admirable, especially for someone who has primarily written metal until this point.

The opening track “Sunshower” is one of the strongest pieces on the album, even though it's also one of the shortest. There's just something about the brightness of it in comparison to the somewhat more melancholy rest of the album that makes it so very satisfying. The cosmic “Passing On”, also one of the shortest tracks, creates this eerie sense of floating through space on your own, with only the gradual builds to bring some indication of what's going on outside your body. “Early Light” sounds like drifting through the middle of an ocean while the sun rises in the distance, waves gently lapping at your sides.

The pieces where Hufnagel turns down the distortion and lets the guitar play more clearly are also on the stronger end. The repetitive strumming of songs like “Static Aquarium” and “Slow Motion Return” is hypnotic, lulling you into a restful state of musical contemplation that sounds about as close to Nirvana as you can get on Earth.

Though they do have a bit more development and experimentation, some of the longer tracks like “Ever Rest” and “Arferno” can be a bit drawn out in comparison to the rest of the selections on the album, making them a bit tedious at times. Nonetheless, they still manage to be emotionally sweet pieces, and any weaknesses they may have are far outweighed by their strengths.

This is an absolutely fantastic ambient album, and heavily recommended to any fans of ambient music or anyone seeking an enjoyable, easy listen in general. I guarantee this album will appeal to anyone and everyone, so please do give it a listen.

9.0 / 10Sarah • July 16, 2012

Kevin Hufnagel – Transparencies cover artwork
Kevin Hufnagel – Transparencies — Nightfloat, 2011

Recently-posted album reviews

Miller Lowlifes

Pinch Hitters
ADD Records (2025)

The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more

Art Brut

Sorry, That It Doesn't Sound Like It's Planned! Battling Satan, 2009 - 2020
Edsel Records (2025)

I’ve never reviewed a box set before but Art Brut released my favourite sprechgesang anti-art-punk album of the early aughts so I figured I’d give it a go. 2005’s Bang Bang Rock & Roll placed Art Brut among the “Art Wave” scene but was more post-punk revival than “Indie Sleaze”. Argos has cited Jonathan Richman and Axl Rose as his … Read more

The Slow Death

No Light To See
Don’t Sing Records (2025)

Few bands have as fitting a name as The Slow Death. They play forlorn, self-deprecating punk that’s heavily influenced by lonesome country. The music itself is more driving and punchy, but many of the lyrics would fit just well in a somber old-timey country ballad. It’s forceful music that punches inward instead of at The Man. The first song is … Read more