Review
Mork
Det Svarte Juv

Peaceville (2019) Cheryl

Mork – Det Svarte Juv cover artwork
Mork – Det Svarte Juv — Peaceville, 2019

Mork encapsulate the sound of True Norwegian Black Metal from the opening strains of “Mørkeleggelse” to the closing punches of “Det Svarte Juv” and this one-person band from the homeland of cold, harsh black metal is paying homage with their music yet dragging it screaming into the modern era of blackened music. The raw elements are swirling chaos, raw vocals, climbing guitars and desolate darkness and for Mork the abyss beyond the soul is one that needs to be explored and conquered, rather than drowned within. 

Mork’s founder and sole recording member, Thomas Eriksen, has seen the darkness and with Det Svarte Juv he is trying to find his way out of that cavernous hole by seeking the light and harnessing his anger. “Da himmelen falt” is a raucous ode to falling while “På tvers av tidene” showcases a distinctly different side to the band with baritone clean vocals bringing a bittersweet melody to the song and a sense of foreboding to the fore. It’s a stunning break from the forceful nature of the black metal on offer here and it sits proudly forward, giving us a narrative despite the lyrics being in Norwegian and so trickier to decipher if it is not a language you understand. Your understanding comes from tone and speed, the cadence of the words spat out in most songs and the rough textures of the drums hammering the pace forwards. 

“I flammens favn” plays with those clean textures again and the clash between the deep voice and the extremely present drums is one that elevates the song beyond the classic and quintessential style of following track “Skarpretterens øks” which is as early 90s second wave as you can get without actually being a band from that era. There are definitely nods to Darkthrone here but it’s not tackily done by any means, Mork is clearly in debt to those forefathers and so Det Svarte Juv can revel in those olden days while also bringing something new to the table. 

The exceptionally beautiful “Siste reis” swirls with emotion; the guitars build layers of sorrowful sound around a cycling beat while Eriksen’s voice pulls from the depths of darkness to recount the final steps towards the unknown. Det Svarte Juv is a personal journey and one that Eriksen seems to have come through, more or less, intact. Music can be cathartic for listeners but it is also the case for its creators. 

8.5 / 10Cheryl • May 27, 2019

Mork – Det Svarte Juv cover artwork
Mork – Det Svarte Juv — Peaceville, 2019

Recently-posted album reviews

Miller Lowlifes

Pinch Hitters
ADD Records (2025)

The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more

Art Brut

Sorry, That It Doesn't Sound Like It's Planned! Battling Satan, 2009 - 2020
Edsel Records (2025)

I’ve never reviewed a box set before but Art Brut released my favourite sprechgesang anti-art-punk album of the early aughts so I figured I’d give it a go. 2005’s Bang Bang Rock & Roll placed Art Brut among the “Art Wave” scene but was more post-punk revival than “Indie Sleaze”. Argos has cited Jonathan Richman and Axl Rose as his … Read more

The Slow Death

No Light To See
Don’t Sing Records (2025)

Few bands have as fitting a name as The Slow Death. They play forlorn, self-deprecating punk that’s heavily influenced by lonesome country. The music itself is more driving and punchy, but many of the lyrics would fit just well in a somber old-timey country ballad. It’s forceful music that punches inward instead of at The Man. The first song is … Read more