Review
Nekrasov
The Ever-Present

Crucial Blast (2011) Jon E.

Nekrasov – The Ever-Present cover artwork
Nekrasov – The Ever-Present — Crucial Blast, 2011

Nekrasov as an artist has made a name for himself over the past few years. Working in a rather limited, hard to define genre (Black Noise) and managing to inadvertently become one of the flagship artists in the current crop of artists in this genre. Black Noise itself is best defined by the over arching characteristics of it. That being the taking the lo fi aesthetics of early black metal and some of the initial creepiness as well and generally mixing it with the distorted sounds of the harsh noise genre. Strangely these things seem to work well together.
In Nekrasovs' case the prior releases seemed to work on a more linear basis, at times leaning towards more rhythmic patterns or even some kind of drum machine torture of some sort. This worked to give the releases a defined sound and even some structure in a sense. For the first Nekrasov release on Crucial Blast the artist refuses to settle. While the record is still firmly rooted in the given genre a more noticeable choice has been made. In this case that choice involves embracing Drone. This is to say rather than having a sense of rhythm this release takes that piece out of the equation almost entirely. The good news is that it is unnecessary in the context of these tracks.
What the listener receives are 3 massive tracks that focus on droning out to complete mental disruption. The undulating distortion bring the listener to a point of calm only to push a little further and make that calm disruptive in itself. If this all sounds confusing it's only fair Nekrasov records have rarely been something meant for the enjoyment of normal listeners. One must listen intently and be prepared for something of this style in general.
This release may not be the best starting point to get into Nekrasov but, the record would not hurt any listener that loves something abstract and near painful (this is meant in the best way). The production is gritty without being lo fi instead it revels in it's own darkness and is all the better for it.
Both Nekrasov and Crucial Blast have done some things to make this more than just a musical piece. While the record itself has been reviewed the 2 disc set also comes with an art magazine. The beautifully distressed and dark pieces do a much better job of explaining the feeling of listening to this recording than words really can. The black and white pieces depict things of evil that cause fear and unrest. All of these feeling are normal from looking at the artwork to listening to the record. There is nothing easy about this record but once you make the effort it can pay off.

8.7 / 10Jon E. • October 31, 2011

Nekrasov – The Ever-Present cover artwork
Nekrasov – The Ever-Present — Crucial Blast, 2011

Advertisement

DCxPC 2025

Recently-posted album reviews

The Cure

Songs of a Lost World
Capitol, Fiction, Lost Music, Polydor/Universal (2024)

It's been sixteen years since The Cure released their last album. I don't know if anyone really knew what to expect, but it's one of the most influential bands in history so expectations were high. The Verdict? Those expectations were met. It'd be silly to say Songs of a Lost World is a "return to form" as the band and … Read more

City Mouse

So Far Out
Brassneck Records, It's Alive (2024)

There are few bands that hit with the mix of raw emotion and musical talent as a live City Mouse show. There are even fewer bands that can capture that live feeling on a record. It’s been a long 7 years since Get Right, but So Far Out keeps it moving as if no time has passed. Of course, the … Read more

Machine Girl

MG Ultra
Future Classic (2024)

Ideally, I would be a bit more interested in art. In visual art- paintings, sketches, MS Paint monstrosities- whatever. I wish I knew more about the meaning of a brush stroke or even had the desire to know more about the meaning of a brush stroke. I spend a lot of time listening to music and, subsequently, I see a … Read more