Hey wow, great, albeit, generic 2000-era straightedge hardcore in the vein of Floorpunch, In My Eyes and Fastbreak before they wanted girlfriends. This EP is all about the stage dives; dive-bomb intros, and playing as fast as humanly possible without losing a sense of melody. If the last song, "No End in Site," weren't your typical Modern Life is War/Comeback Kid type of emotional outpouring where everyone needs to sing along then I'd be all over this. Still, not bad at all.
Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more
The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more
I’ve never reviewed a box set before but Art Brut released my favourite sprechgesang anti-art-punk album of the early aughts so I figured I’d give it a go. 2005’s Bang Bang Rock & Roll placed Art Brut among the “Art Wave” scene but was more post-punk revival than “Indie Sleaze”. Argos has cited Jonathan Richman and Axl Rose as his … Read more
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