Review
Red Collar
Welcome Home

Tiny Engines (2012) Nick M.

Red Collar – Welcome Home cover artwork
Red Collar – Welcome Home — Tiny Engines, 2012

From the get-go, Welcome Home establishes Red Collar’s infectious brand of up-tempo rock and roll with tenacity and a working-class spirit. Known for their energetic live show that blurs the line between performer and audience, the Durham, North Carolina based band does well to translate that intensity onto a recorded format. Formed by the duo of Jason and Beth Kutchma, Red Collar is the product of passion, determination and similar ideals blending into a hard-hitting package of solid rock with a southern tinge that conjures images of heat, sweat, and all-around good times.

Welcome Home starts off incredibly strong, with the gruff vocals of Kutchma leading the band into the opener “Orphanage” while drummer Jonathon Truesdale keeps everything in time. From there they keep the pace going with tight musicianship and urgent delivery, bouncing from track to track without hesitation. Things slow down a bit with the crooner “This House” before jumping straight back into the previous pace with “Dodge K,” a frantic song with a strong bass line that you’d be hard pressed not to dance to. The latter half of the album continues on much the same, not straying from the formula of the first few songs. “Losing My Accent” is easily the most forgettable track on the album before closing out with the title track, a theatrical and dramatic conclusion which ties everything together nicely.

Red Collar build on an already well-traveled foundation of rock and roll with their own style that brings to mind classic predecessors such as Springsteen and Seger, as well as contemporary bands like Fake Problems and Titus Andronicus. Uttering lines such as “no, I don’t know what becomes of life – I don’t know anything at all” with conviction and honesty, Kutchma proves himself to be a strong vocalist who’s more than capable of leading the band to new heights. With an air of sincerity that allows them to tread into the working-class brand of southern rock, amongst a certain punk edge and unhindered melodic capabilities, Red Collar do well in carving their own spot into an ever expanding musical landscape. Despite the lack of anything particularly fresh, Welcome Home is a solid album and a great means of escape from the summer heat.

7.0 / 10Nick M. • July 9, 2012

Red Collar – Welcome Home cover artwork
Red Collar – Welcome Home — Tiny Engines, 2012

Recently-posted album reviews

Miller Lowlifes

Pinch Hitters
ADD Records (2025)

The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more

Art Brut

Sorry, That It Doesn't Sound Like It's Planned! Battling Satan, 2009 - 2020
Edsel Records (2025)

I’ve never reviewed a box set before but Art Brut released my favourite sprechgesang anti-art-punk album of the early aughts so I figured I’d give it a go. 2005’s Bang Bang Rock & Roll placed Art Brut among the “Art Wave” scene but was more post-punk revival than “Indie Sleaze”. Argos has cited Jonathan Richman and Axl Rose as his … Read more

The Slow Death

No Light To See
Don’t Sing Records (2025)

Few bands have as fitting a name as The Slow Death. They play forlorn, self-deprecating punk that’s heavily influenced by lonesome country. The music itself is more driving and punchy, but many of the lyrics would fit just well in a somber old-timey country ballad. It’s forceful music that punches inward instead of at The Man. The first song is … Read more