Review
Sleepingdog
Polar Life

Gizeh (2008) Matt T.

Sleepingdog – Polar Life cover artwork
Sleepingdog – Polar Life — Gizeh, 2008

It's a rare delight when music completely unknown to you pops out of thin air to become one of your favorite releases of the year. Not that I intend to give away the ending of this review or anything.

Like most music of genuine quality, the sound of Polar Life is a tricky one to define easily. The lead is taken by either piano and acoustic guitar (although sometimes both are used), while a minimalist approach to backing of sparse electronics and strings serves to complement the sound without ever crowding the mix away from a familiar closeness.

Sleepingdog work a delicate tracery of gently revolving notes, an almost Broadrick-esque centrifugal pull of repetition that focuses on tight melodic songs that rarely outstay their welcome. The vocals float on top of the mix, never quite becoming an ethereal shoegaze echo but drifting over the piano and guitar like fine mist.

To these ears, the songs that focus on the use of the piano as a main instrument are the superior tunes on the record. This is particularly true at the beginning of the album, where the likes of "Prophets," "Your Eyes," and "The Sun Sinks In The Sea" lull you into a soft bliss. However, a distinct sense of ubiquity is ever-present and gives the listener the impression that all the songs could quite easily have been written on either instrument. All the material on Polar Life comes across as simple I don't mean that in any derogatory sense, or to imply that there isn't a strongly developed sense of songcrafting on here. What I mean is that there is an element of purity to the material, an inherent gentleness that permeates each track..

At times it feels that more may have been made of the backing instrumentation (in particular I'd love to hear what could be done with incorporating more electronic elements), and there is something of a classic mid-album slump bookended by the finer material. There is no particular punch or vigor to the music, but in all honesty that's something Sleepingdog is better off without anyway. If you're after something beautiful to lay across your ear canal on a pleasant Spring morning, you could do a hell of a lot worse than this.

8.5 / 10Matt T. • April 2, 2009

See also

Glissando, 27, Jose Gonzalez

Sleepingdog – Polar Life cover artwork
Sleepingdog – Polar Life — Gizeh, 2008

Recently-posted album reviews

Miller Lowlifes

Pinch Hitters
ADD Records (2025)

The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more

Art Brut

Sorry, That It Doesn't Sound Like It's Planned! Battling Satan, 2009 - 2020
Edsel Records (2025)

I’ve never reviewed a box set before but Art Brut released my favourite sprechgesang anti-art-punk album of the early aughts so I figured I’d give it a go. 2005’s Bang Bang Rock & Roll placed Art Brut among the “Art Wave” scene but was more post-punk revival than “Indie Sleaze”. Argos has cited Jonathan Richman and Axl Rose as his … Read more

The Slow Death

No Light To See
Don’t Sing Records (2025)

Few bands have as fitting a name as The Slow Death. They play forlorn, self-deprecating punk that’s heavily influenced by lonesome country. The music itself is more driving and punchy, but many of the lyrics would fit just well in a somber old-timey country ballad. It’s forceful music that punches inward instead of at The Man. The first song is … Read more