Review
Wreath
Wreath EP

New Grenada (2020) Campbell

Wreath – Wreath EP cover artwork
Wreath – Wreath EP — New Grenada, 2020

One era that continues to be emulated is the ambiguous brand of post-hardcore often dubbed Revolution Summer. Wreath burst onto the scene last year out of the hotbed of whiskey-soaked punk music that is central Florida, the latest to give their own interpretation of the style. Their newly released debut self-titled EP quickly shows off its colors as rooted in the early Dischord days, sporting minimal guitar distortion and fuzzy bass lines. The lead vocals lean towards straightforward melodic hardcore, reminiscent of Stay Gold or Reach the Sky, interspersed with that gruff yelling that reminds me more of that Gainesville aesthetic. “Blind and Poisoned” goes a little off-script, diving into a rowdy youth crew revival style. The bolder dissonance found on “Ears Ringing” is welcome, and closer to the sound that I expected from this type of project. This isn’t is your run of the mill Embrace cover band, they sound more like a seasoned hardcore band who just wants to explore other styles.

Without more context, I can’t accurately speak to Wreath’s presence in the Florida scene, although I noticed that they have members of the forceful crust-hardcore outfit The Holy Mountain, which is the only name I recognized from their hefty resume. They feel a bit like the band that frequently gets booked on local hardcore bills, but too often doesn’t receive a warm reaction or find a dedicated following. Wreath may be a little too in between styles to find their footing, even if the grizzled scene vets love their references and continue booking them, which is something that I’ve seen happen too many times. I’m a little confused at what chord they’re really trying to strike, but five songs don’t give you much to fully assess them. There are opportunities for them to grow into something more well-defined, but that’s never what bands like this are about. Their debut didn’t thrill me, but I appreciate who Wreath is and what they stand for, which I interpret to be along the lines of continuing to start side project bands in sweaty garages, spending a lot of time in the van between shows, and embodying the attitude that no basement is too small to play. There are a few other bands that go by Wreath out there, so hopefully it won’t be too difficult to keep track of this iteration.

5.8 / 10Campbell • June 2, 2020

Wreath – Wreath EP cover artwork
Wreath – Wreath EP — New Grenada, 2020

Related news

Springtime Wreath

Posted in Records on April 4, 2020

Recently-posted album reviews

Kreiviskai

Motinai
Infinite Fog Productions (2025)

Kreiviskai's origins are deeply rooted in the neofolk sound and ethos. Their debut record, Zemmis : supnãi, focuses on the musical lineage of Tver, embracing the traditional instrumentation to produce a somber and moving piece. Their follow-up record, Nonregnum expands outward, focusing on various historical events and introducing further influences. The pull of neo-classical is palpable, while the abrasive industrial … Read more

Miller Lowlifes

Pinch Hitters
ADD Records (2025)

The debut album from Florida punk band Miller Lowlifes features a vintage baseball theme, best enjoyed with a can of cheap domestic beer in hand. The metaphor fits, as Pinch Hitters focuses on the American dream -- and where it stands in 2025. The vintage educational TV audio clips add to this past-meets-present theme. It's an album that's equally about … Read more

Art Brut

Sorry, That It Doesn't Sound Like It's Planned! Battling Satan, 2009 - 2020
Edsel Records (2025)

I’ve never reviewed a box set before but Art Brut released my favourite sprechgesang anti-art-punk album of the early aughts so I figured I’d give it a go. 2005’s Bang Bang Rock & Roll placed Art Brut among the “Art Wave” scene but was more post-punk revival than “Indie Sleaze”. Argos has cited Jonathan Richman and Axl Rose as his … Read more