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Reviews by Loren

699 total search results — Page 11 of 35

Restorations – LP2

Review — April 9, 2013

Is classic rock punk now a genre? I don’t have a whole lot of background with Restorations, other than catching half a set at Fest 11 last year. The energy in the room was powerful and vocalist Jon Loudon had a distinct and memorable voice, of the raspy variety. What …

Thee Oh Sees – Floating Coffin

Review — April 15, 2013

As a critic there are certain things I’m supposed to keep up with. Fact of the matter is that’s not always possible and, once you get behind, just where do you catch up? Thee Oh Sees are a band I’ve heard peripherally for the past couple of years but never …

The Spits – V

Review — April 22, 2013

Dirty, spacey punk rawk—in a nutshell, that’s what The Spits are bringing. We could talk costumes, we could talks subgenres, and we could talk recording quality (and we will), but The Spits are a concept best described in those few words. Sound-wise, it’s largely Ramonescore run through a fuzzy …

The Tossers – The Emerald City

Review — April 30, 2013

The Tossers top out my list of Celtic punk bands. Dropkick Murphys turned into cartoons long ago and I’ve just never been that big a fan of Dave King’s (Flogging Molly) voice. The Tossers, who call Chicago home, bring a mix of emphatic punk energy a la …

They Might Be Giants – Nanobots

Review — May 6, 2013

When I first heard these guys in the late ‘80s or early ‘90s, there wasn’t really a name for this. Now, I guess it would be called indie pop. The band, led by songwriters John Linnell and John Flansburgh, has long been on the quirky side with a touch of …

Worthwhile Way – Love Is All

Review — May 14, 2013

Worthwhile Way play positive punk. No bones about it, the title Love Is All isn’t some ironic statement, the band brings an upbeat, happy sound that’s typically devoid from almost any subgenre of music. Mayu’s lead vocals convey a pep that meets the bouncy rhythms of Chege with some powerful …

Off With Their Heads – Home

Review — May 20, 2013

Maybe it’s because I caught Off With Their Heads live recently and maybe it’s because on Home, their third official full-length, the theme is something that songwriter Ryan Young has been hinting at all along. Either way, the songs here are familiar and powerful and they continue to deliver …

Big Eyes – Almost Famous

Review — May 20, 2013

Seattle is made out to be such a dreary place. Big Eyes released a largely positive-sounding debut in Hard Life and the reviews basically talked about the band’s relocation from Brooklyn to Seattle. Now, with the release of sophomore full-length Almost Famous, the press sheet says things like “a …

LVMRKS – Pale Fairytale

Review — May 27, 2013

For a band whose onesheet opens with the pointed “[includes former] member of …And You Will Know Us by the Trail of Dead during that band’s peak,” one would expect a band with some fire at their core. Instead, LVMRKS are an exercise in banality. The nine songs here trudge …

Street Eaters – Self Titled

Review — May 28, 2013

There are a few formats I almost go out of my way to avoid, namely cassettes and digital EPs. However, I’ll make an exception for certain bands and Street Eaters are one of those. Street Eaters released their debut full-length Rusty Eyes and Hydrocarbons in 2011 and it still grips …

Gateway District – Old Wild Hearts

Review — June 4, 2013

“We’re going to break you down this Saturday night,” sings The Gateway District in “Break You Down,” off their new LP, Old Wild Hearts. It’s as fitting a place to start as any. The band has a working for the weekend vibe to them, celebrating the good times and …

Spokenest – We Move

Review — June 11, 2013

Two piece bands seem to be gaining in popularity again, and it’s easy to see why from a musician’s perspective. The fewer people involved, the easier to organize, practice, and tour. There are duos done well (see Street Eaters) and lesser cases who aren’t getting the namedrop here. Spokenest …

The Replacements – Color Me Obsessed

Review — June 17, 2013

There are really only a couple of formulas that music documentaries take: the overdone Behind the Music drama style and the self-serving rehashing-our-glory-days/let’s-sell-some-soundtracks docs. Director/producer Gorman Bechard has added a third style: that of the fanboy. Axing convention, Bechard has put together a two-hour film about the Replacements that doesn’t …

Shell Shag – Forever

Review — June 24, 2013

Shell Shag put it all on the line in opener “Face to Face.” It’s an autobiographical song, about the two-piece band, their y-shaped microphone, and their art and their travels. When the record continues into the second track “Sweet Hoodie,” there’s a feeling that recalls 1980s pop, but the honesty …

Plow United – Marching Band

Review — June 24, 2013

After a run from 1992-1998, Plow United reformed in 2011 and they return with new material in the form of Marching Band (Jump Start Records). Plow United hasn’t just re-formed, they’ve written the best 1990s record of the 2010s. Brian McKee’s voice has matured with the years and the …

Various Artists – Toys That Kill/Future Virgins - split

Review — July 1, 2013

Pairing Toys That Kill and Future Virgins in a single record, this Drunker Sailor 7” teams up bands that have released some of my favorite records of 2011 (Western Problems) and 2012 (Fambly 42). That’s a lot of quality, an intriguing pair-up and, honestly, a lot …

Elway – Leavetaking

Review — July 15, 2013

Listening to Elway’s debut Delusions there was a lot of promise. It’s a solid record, nice songwriting, big hooks and memorable choruses. It’s modern Midwestern punk but with a greater ear toward emotion and even a bit of drama, more Lawrence Arms in tone than, say, Banner Pilot …

Night Birds – Maimed for the Masses

Review — July 15, 2013

For how active a band Night Birds is, they still only have one studio full-length to their name. Instead of releasing the long-players, the band has focused on short-form EPs and Maimed for the Masses, on Fat Wreck Chords, is yet another to add to the band’s discography. This …

Night Birds – Born To Die In Suburbia

Review — July 22, 2013

Releasing the 7” teaser Maimed for the Masses certainly helped introduce the increasingly prominent surf guitar in Night Birds. Still, the opener “Escape from New York” is a holy shit moment as it perfectly blends surf lines with punk aggression. After their debut, The Other Side of …

Epic Problem – All Broken

Review — July 23, 2013

I wasn’t expecting this one to hit like it does. It’s raw, forceful, and honest; personal but socially conscious, and it blends street punk energy and repetition with so-called “beard punk sensibility.” In many ways, it reminds of American Steel’s self-titled debut, putting a rough persona atop more emotionally-driven …