699 total search results — Page 25 of 35
Smut – First Kiss
Review — April 21, 2020
Punk rock, man. Sometimes a band just does it right. Iron Lung released First Kiss on February 28 and it’s a doozy. There are only 8 songs here, and they fly by in probably 10 minutes. It’s fast and furious, with a whole lotta swagger and vitriol. The record sounds …
Guerilla Poubelle – L’Ennui
Review — April 28, 2020
One of the big appeals of punk is its community. So it’s nice to listen to a record where you don’t know what the hell they’re saying sometimes. It’s a good way to make sure it’s really the music that’s putting that bounce in your step instead of political or …
Talk Me Off – Cursed
Review — May 5, 2020
There’s a lot to like on Cursed, the debut full-length by Richmond, VA’s Talk Me Off. But as much as I enjoy the structures, the vocal tradeoff, and the political urgency, I just can’t get over the vocals on this record. They just feel flat and robotic at key …
Ditches – Ditches
Review — May 5, 2020
Am I going to be able to review this record without comparing Ditches to Marked Men? Clearly not, but I made it 14 words. This debut album from Stockholm’s Ditches bears a lot of similarity to that band. Given how good that band was, I’m not sure that’s a …
Drakulas – Terminal Amusements
Review — May 19, 2020
Pre-album press releases for the latest Drakulas album pushed the “art-punk” label. Based on Drakulas’ earlier work, I got it – but I also thought it was a little bit off. They’ve always had elements of some deeper conceptual stuff going on, but it always felt too straight-forward and rollicking …
Worriers – You or Someone You Know
Review — May 19, 2020
If it weren’t for playing in a certain scene, Worriers would likely be branded as a pop band instead of punk. The band is DIY all the way, with a growing discography, plus a back catalogue of previous bands dating into the early 2000s. As the project has grown since …
Spells – Stimulants & Sedatives
Review — May 25, 2020
Spells are party punk, pure and simple. And I’m not talking songs about beer and friendship, a la early Pkew Pkew Pkew or Andrew WK. Spells are the life of the party, not just songs about what goes down when the lights dim low.Stimulants & Sedatives is sort of …
Spanish Love Songs – Brave Faces Everyone
Review — June 2, 2020
I’ve known of Spanish Love Songs for a few years and I’ve liked what I heard in passing without diving in. When I saw them at Fest 18 last year and saw the crowd response, it confirmed it was time to pay closer attention. The band is familiar in style, …
Western Addiction – Frail Bray
Review — June 8, 2020
There are bands who you rush to get the new record to see what direction they’ve gone. There are others you return to time-after-time because they have a style and they’ve nailed it. File Western Addition in the latter category. Frail Bray continues their West Coast melodic hardcore tradition without …
The Suicide Machines – Revolution Spring
Review — June 15, 2020
Me: The Suicide Machines got really angry.[Looks at news coming out of Michigan.]Me: Oh, yeah. They should be.Flint’s waters crisis, militias, the widespread issues of race, violence and inequality across the US…Sure, this is 1990s-styled ska-punk. But it’s not your dance party, silly costume ska-punk. Much …
Fake Names – Fake Names
Review — June 29, 2020
Fake Names formed when two long-time friends decided to play music together at home, with no plans for it to grow into an actual group. But after Brian Baker (Minor Threat, Dag Nasty, Bad Religion) and Michael Hampton (S.O.A., Embrace, One Last Wish …
Broadway Calls – Meet Me On The Moon
Review — July 7, 2020
Meet Me On The Moon is a teaser single for the new LP, Sad In The City, which also happens to be Broadway Calls’ first new full-length in almost a decade (which will release close to the time this review publishes). While I knew of the band, I’d never …
Sam Russo – Back To The Party
Review — July 14, 2020
Anytime it’s just one person on the stage, the music being created is going to be intimate and personal. Sometimes it’s so personal that it doesn’t bridge the gap from the stage to the floor. Fortunately, Sam Russo isn’t one of those artists. When he sings, you know it’s about …
Raging Nathans – Oppositional Defiance
Review — July 20, 2020
Boy do The Raging Nathans know how to start a record on a down note. The band plays melodic DIY pop-punk that’s of the verse-chorus-verse variety with driving rhythm to give it that extra oomph. While I tend to think of this kind of music as a little more light-hearted, …
Inject the Light – The Apocalypse Is Boring
Review — July 28, 2020
Inject the Light is a time capsule, a one-person project from Chris Mason that’s about living in the moment of the COVID-19 lockdowns. Mason, who has also plays with Low Culture and Macho Boys, among others, takes a new approach here. This five-song digital release is a little on …
Chain Whip – 14 Lashes
Review — August 3, 2020
This is the kind of hardcore that makes my throat hurt just listening. It’s also the kind of hardcore where I can’t sit still while listening, even when tethered to headphones at work. It’s high energy, relentless and, somehow, it just never lets up. To keep coining silly phrases, this …
The Lawrence Arms – Skeleton Coast
Review — August 10, 2020
When a band is releasing its third new record since 2006, you’d expect some inconsistency. The Lawrence Arms seem to be timeless though. With Skeleton Coast they pick right up where they left off Metropole (2014). Take the opening stanza of “Dead Man’s Coat” as an example. Beginning with Chris …
Era Bleak – Era Bleak
Review — August 10, 2020
It’s really tough for me to review this full-length. Why? Because I loved the band’s demo tape and it’s really hard to separate the two releases. The self-titled official debut here has several of the same songs and, probably due to familiarity, they jump out as favorites from the get-go. …
Broadway Calls – Sad in the City
Review — August 17, 2020
Sad in the City doesn’t mince words. Opening with the lines of “If my country collapses/ can I crash on your couch…” in “Never Take Us Alive.” The band play super melodic pop-punk that focuses more on singalong harmonies than kick, punch and bite, but the lyrics give a little …
