64 total search results — Page 3 of 4
Fireworks – All I Have to Offer is My Own Confusion
Review — April 17, 2009
Ah, the full-length record that so many of us have been waiting for. After the disappointing lack of new material found on last year's Adventure, Nostalgia, and Robbery, fans were certainly ready for this record to come to light. Now on the more widely distributed Triple Crown label, Detroit's …
Charged – Summer 2008
Review — May 27, 2009
Charged is a hardcore band from southern California, playing a pretty straightforward style. The vocals are probably the strongest part of this band, reminding me a little bit of Verse or even Cut the Shit. The music ranges from fast-paced punk beats to slower breakdowns, and brings in a decent …
Pink Razors – Leave Alive
Review — May 31, 2009
Bands can sometimes get falsely categorized by those who don't know any better. And it really only takes a few misapplications of a genre to a band before you get frustrated, or simply declare the said genre dead to you. Anyways, we approach the new Pink Razors record Leave Alive …
Junior Battles – Hotel Bibles
Review — July 7, 2009
Ah, summer in full swing. For those of you attempting to battle high temperatures, I empathize as I sit in my apartment with my blinds closed and fight off the forecast 105-degree heat. But I try not to be bitter despite my preference for cold weather, and keep in mind …
Iron and Wine – Around the Well
Review — July 14, 2009
As a long-time Iron and Wine fan, I was intrigued by the announcement of this double-disc release that spans the spectrum of Sam Beam's musical career. What most call a rarities and b-sides album, I see more of an insight into the progression of Beam's collaborative sound, compiling many of …
Everyone Everywhere – A Lot of Weird People Standing Around
Review — July 23, 2009
Everyone Everywhere is a relatively new group from Philadelphia that loves to wear their influences plainly on their sleeve. Sounding somewhere between Nothing Feels Good-era Promise Ring and the bouncy guitars of Braid, they bring us four tracks of this 90's style that I don't hear very often anymore. …
Mother of Mercy – III
Review — September 14, 2009
How did I sleep on this band? I remember hearing about Mother of Mercy when their No Eden 7" was released, but I never took the time to follow up. Hailing from the greater Philadelphia area, this band took me by surprise with their debut full-length III. Mother of …
Owen – New Leaves
Review — October 4, 2009
Most people who listen to Owen are all-too-aware of what I like to call the Kinsella continuum. Chicago-based brothers Mike and Tim are responsible for some of the more infamous 90's Midwest bands, being the minds behind Cap'n Jazz, American Football, Owls, and the ever-revolving doors of Joan of Arc. …
Driving on City Sidewalks – Where Angels Crowd to Listen
Review — October 6, 2009
Driving on City Sidewalks is a Canadian duo who play a heartbroken strain of indie post-rock, with a few heavy nods to folk. This five-song EP begins with "To Finish the Race," which has instrumentals heavily ripping off The Appleseed Cast. This band uses simple and slow vocal patterns, drawing …
Goes Cube – Another Day Has Passed
Review — October 20, 2009
Is it necessary to combine musical styles rather than perfect a specific sound? It seems to me that so many groups want to be that next big crossover band, combining metal or hardcore with other genres to bridge gaps and appeal to a broader demographic. But this is rather difficult …
Annabel – Each and Everyone
Review — December 15, 2009
It's been a while since my last review and I'm still shaking off the writing cobwebs. After multiple tests and papers discussing the typical critiques of Western academia over the past few weeks, that module of my brain is somewhat worn out. So I am approaching the end of the …
Kings of Convenience – Declaration of Dependence
Review — February 1, 2010
After almost five years since their last outing, the Norwegian duo Kings of Convenience have returned with their third full-length, Declaration of Dependence. Erlend Øye and Eirik Glambek Bøe are best known for weaving simple acoustic melodies into lush pop songs akin to a modern day Simon and Garfunkel. …
The Swell Season – Strict Joy
Review — April 11, 2010
A few years ago, a low-budget film called Once made quite the impression on international critics for its minimal and poignant love story, fleshed out by a heartfelt soundtrack and the charm of its non-professional actors. After humbly accepting an Oscar for Best Original Song, the stars and songwriters Glen …
Conway the Machine & The Alchemist – LULU
Review — April 7, 2020
A few short months ago, I was sitting in a dark bar with some friends on a late Friday afternoon, and we started chatting up another group of equally-inebriated compatriots. We went through the standard cycle of introductory conversation topics and one guy mentioned that he was from Buffalo. I …
Rotting Out – Ronin
Review — May 5, 2020
Back in March, I attended a stop on the American Nightmare "reunion" tour, celebrating twenty years since they self-booked their first show at a church in Maine. While I still remain loyal to my wheelhouse of early- to mid-2000s hardcore, I hadn’t been to a show in nearly a decade. …
Hoi-Poi Farplane Wind – Sain’t Adorable
Review — May 11, 2020
Hoi-Poi Farplane Wind hails from Thessaloníki, Greece, and apparently splits their time between there and Copenhagen, which is an arrangement that sounds like a travel blogger’s wet dream. They play an evolving brand of post-hardcore that often has a Hot Water Music influence standing front and center. Their early sound …
Wreath – Wreath EP
Review — June 2, 2020
One era that continues to be emulated is the ambiguous brand of post-hardcore often dubbed Revolution Summer. Wreath burst onto the scene last year out of the hotbed of whiskey-soaked punk music that is central Florida, the latest to give their own interpretation of the style. Their newly released debut …
Drain – California Cursed
Review — June 15, 2020
Santa Cruz is a convoluted place. It feels like the rest of the country erroneously thinks Santa Cruz is just like Santa Monica. It’s much more of a town than a city, and in a lot of ways it’s a microcosm of everything in California: conflicted and nuanced, beauty found …
Big Chungus – Big Chungus
Review — August 25, 2020
You have to appreciate a concept that’s primarily focused on making you uncomfortable; where’s the fun without a healthy dose of shock and awe? Young Philadelphia-based label Wet Cassettes is built on those foundations, describing themselves as torchbearers of “weird dirty music for weird dirty people,” a concept that deserves …
