699 total search results — Page 31 of 35
Ditches – Drunk Dial #9
Review — July 11, 2022
The Drunk Dial series is a 7” concept where the label hooks up with a band, gets them inebriated, and records. Side A is an original, Side B is a cover. I guess the point is a spontaneous, live feel with a glimpse into influences. This time around we get …
Night Court – Nervous Birds! Too
Review — July 19, 2022
Night Court may have a silly name, but the band feels sincere and (mostly) serious. Rooted in garage-punk, the sounds are familiar in form but each track on this 12-song record gives a different energy. Generally speaking, it’s melodic and positive punk with a lo-fi DIY vibe. There are elements …
Hurry Up – Dismal Nitch
Review — July 25, 2022
“American Weirdos” sets the tone quickly on Dismal Nitch, the second album from Hurry Up, with a refrain of “American weirdos/ Don’t need no more heroes.” A three-piece from Portland, OR, the lineup features Kathy Foster (Thermals), Westin Glass (Thermals), and Maggie Vail (Bangs), …
Grumpster – Fever Dream
Review — August 2, 2022
Grumpster are a relatively young band from Oakland. They released a debut on Asian Man and jumped to Pure Noise for its follow-up, Fever Dream. While 2019’s Underwhelmed caught attention, they’ve taken the leap on their second LP. The band play DIY punk with a wide range of melodic …
BlackDots – EP2
Review — August 16, 2022
BlackDots are back with EP2, released digitally and on a flexi 7”. The peppy, punky band from Denver are energetic but they aren’t your typical punk band, even if they do check a lot of the boxes. With dual vocals and melodic guitars, the general sound is somewhat quirky …
The Mountain Goats – Bleed Out
Review — August 16, 2022
The Mountain Goats have made an action movie. Bleed Out is a concept album of sorts, made in a distinctly Mountain Goats way. Basically, ringleader John Darnielle wrote the record while watching movies: pausing and taking notes, so the lyrics aren’t just about familiar plotlines, but the full scope of …
Strategies – Strategies EP
Review — August 23, 2022
At only four songs, Strategies’ debut EP is a quick play. The project is led by Paul Lask (The Ghost, Tight Phantomz), who created and sent demos to his longtime contemporaries, Brian Moss (The Ghost, Hanalei, Great Apes), and Neil Hennessy (The Lawrence Arms …
Chained Bliss – Chained Bliss
Review — August 31, 2022
There are certain guitar tones that recall another era, and Chained Bliss are rooted in one of them. When I hear the angular riffs and repetitive structures on the band’s self-titled debut full-length, I’m immediately taken back in time to the glory days of Wire or Gang Of Four …
RASHŌMON – Nin-Gen EP
Review — September 6, 2022
Laypeople who don’t listen to heavy music often lump it all together, even while those of us who dedicate our time to the cause can pick up the difference between death metal, thrash and hardcore in seconds. RASHŌMON are one of those bands that would have people in fits …
DFMK – Dame Peligro EP
Review — September 13, 2022
This is how a 7” is supposed to work. Three quick songs and it leaves you wanting more. DFMK play punked up rock ‘n’ roll. Maybe think of Rocket From The Crypt but with denser, but somehow dancier, songs with a little more force behind them. It’s meant to …
Celebration Summer – Patience In Presence
Review — September 20, 2022
As the album begins, following a Twin Peaks sample, the guitars build in a familiar punk chord progression with some post-hardcore flair. At about the one-minute mark, you know the vocals are going to kick in, and you half expect a group “Hey!” That’s not quite how it goes, but …
Beach Rats – Rat Beat
Review — September 26, 2022
Should I review Beach Rats on its own merit, or should I pause to describe the concept? That’s always the question with these, but in this case a little background may go a long way. The band features several older punks, seeking to rekindle the old spark and play …
The Eradicator – Forever The Eradicator
Review — October 3, 2022
The life cycle is strange sometimes. Kids in the Hall is back, but The Eradicator is going away. One is an indirect result of the other, yet it seems they cannot coexist at the same time. And if that already confused the hell out of you, just wait until …
Meat Wave – Malign Hex
Review — October 11, 2022
I heard people raving about Meat Wave for a while before I finally saw the band a few years ago. But I still hadn’t really checked out their recorded material and I wasn’t sure how the band’s powerful set would translate to the at-home experience. Many bands with a raw …
Raging Nathans – Still Spitting Blood
Review — October 18, 2022
The Raging Nathans owe a lot of their sound to the ‘90s punk scene. One thing they don’t take after, though, is that need to put out an album of 15+ tracks. Still Spitting Blood comes just one year after Waste My Heart and it’s only 10-songs and 20-minutes in …
Night Jobs – Never Happener EP
Review — October 25, 2022
I was introduced to Night Jobs with The Shape of Bummers To Come tape. I liked it overall, but I did feel there was room from growth. I mean, there always is…but I digress. The band is back in 2022 with the new 7”, Never Happener, featuring four new …
More Kicks – Punch Drunk
Review — November 1, 2022
I was thrown the first time I listened to this. I came in blind, expecting “the Dirtnap sound.” But what matters isn’t the brand, it’s if the music is good, so it’s a silly bias to begin with. It also took me a few listens before I realized that the …
Drakulas – Drunk Dial #10
Review — November 1, 2022
My first thought on seeing that Drakulas cover The Jim Carroll Band on this was, “Huh, that’s a weird choice.” But about 10-seconds in, everything clicks. You see, Drakulas is a concept band, set in a dystopian, Warriors-esque world of broken streetlights, shenanigans, violence and smut. And, well, …
She/Her/Hers – She/Her/Hers
Review — November 29, 2022
I’ll start by saying I have a love/hate relationship with folk-punk. Done right, it’s one of the most authentic styles out there. But it has a lot of genre tropes that annoy me too. Fortunately, She/Her/Hers plays it right, because the genre is also a great fit for the theme …
