699 total search results — Page 6 of 35
Trent Fox & The Tenants – Mess Around
Review — March 21, 2011
There’s a garage-pop movement afoot in Wisconsin and Trent Fox & the Tenants are just one of the torchbearers. Their five song debut EP, Mess Around, is a quick burst: part ass-shaking party music, part beer-pounding sleaze. The band plays a familiar style with enough attitude to pull it …
Lucinda Williams – Blessed
Review — April 18, 2011
Over twenty-two years and ten studio albums Lucinda Williams has made a name for herself. She has a number of career achievements, but this isn’t Wikipedia, it’s the review section. Hell, I’m going to come right out and say it: I’m not that familiar with Lucinda Williams’ discography. Don’t expect …
Underground Railroad To Candyland – Knows Your Sins
Review — April 25, 2011
Considering that Underground Railroad to Candyland was formed, in large part, to be a party band, and combining that with the So. Cal. sun that’s been beating down on Todd Congelliere for all these years, it somehow makes sense that URTC has a number of surf elements bubbling through the …
Swingin' Utters – Here, Under Protest
Review — May 16, 2011
You can’t accuse Swingin’ Utters of phoning it in. Here, Under Protest is the band’s first studio record in eight years and, unlike some of their contemporaries who release at a similar rate, the record shows notable growth and attention to songwriting nuance. While the San Fran band started out …
Ninja Gun – Roman Nose
Review — May 23, 2011
Ninja Gun draws from a lot of sources, playing in the Suburban Home-style market of alt country derived from obtuse punk influences. They tend to eschew chord progressions in favor of soft music and easy articulation built from the steady, honest delivery of their frontman Johnathan Coody. Roman Nose is …
The Hussy – Cement Tomb Mind Control
Review — May 30, 2011
The Hussy have been banging away in clubs, bars, and basements since 2008. In that time, they’ve pumped out 3 vinyl singles and a split cassette. Still, with their Slow Fizz debut, the question remains about how their hyped-up, dirty garage rock will come across on a longer format. Cement …
High Tension Wires – Welcome New Machine
Review — June 6, 2011
Namedropping in reviews is an easy thing to do, and I’m not averse to it myself. The obvious ones for High Tension Wires come via the members’ pedigree (Riverboat Gamblers, Marked Men, The Reds, Bad Sports). I usually try to limit it to that—the other …
Dan Padilla – As The Ox Plows
Review — June 6, 2011
It’s been almost a year since As the Ox Plows popped up on the interwebs. Back then it boasted itself as a free digital version of the soon-to-be-released LP. Well, that time has finally come, with Razorcake Records, It’s Alive, and Dirt Cult stepping up to deliver the San Diegans’ …
The Dwarves – Born Again
Review — June 13, 2011
Back in the pre-internet era I came across a blurb in some metal magazine I read in my adolescent years—I’m guessing it was Rip. In that blurb it mentioned a “real punk” band called the Dwarves, who had just been kicked off the trendy Sub Pop for feigning the death …
Gateway District – Perfect's Gonna Fail
Review — December 26, 2011
The Gateway District’s debut, Some Days You Get the Thunder hooked me immediately yet, to this day, I can’t single out a standout track or identify just what about it grabs me. I just like the record. The whole thing, not an iTunes cut here and there, as is wont …
Amateur Party – Truncheons in the Manor
Review — July 4, 2011
There are a lot of names that could be dropped when talking about Amateur Party—in fact, I did so when I reviewed their EP back in 2009. However, the band really stands as a completely different kind of monster than the members’ other work. As such, I’ll delay the …
Elway – Delusions
Review — July 11, 2011
Pop structures with gruff vocals? Check.Group singalongs at the chorus?Check.A lyrical focus on being lost in the world while simultaneously abusing alcohol semi-therapeutically?Check.There’s definitely a format at play for Elway, the Colorado band who just issued their debut on Red Scare Industries. Say what you …
Various Artists – Spraynard & Sundials - Split
Review — July 17, 2011
Spraynard hail from Pennsylvania and they play a style of punk that blends the varied melodic subgenres of punk rock (East Bay, beard punk, pop punk) to create their own identity—there’s a familiarity from their influences, but it doesn’t squarely pigeonhole them under a specific label. The band utilizes up-front …
Something Fierce – Don't Be So Cruel
Review — July 25, 2011
Chalk up another one for the misleading band name file—Something Fierce makes me think violent and brutal, which definitely isn’t what this Houston group is after. The walking bassline and jangly guitars of the opening track on Don’t Be So Cruel establish a mood of calculated cool that relies on …
Bandname – Breakfast
Review — August 8, 2011
Flippant is a word that popped up on the of Bandname's press sheet. Take their moniker into account and add the heavy slackerism that permeates everything they touch on their debut full-length, Breakfast, and that seems an appropriate description. The Philadelphia three-piece play pop punk that's run through an organ …
Emily's Army – Don't Be A Dick
Review — August 15, 2011
It would be hard for Emily’s Army to disassociate from their bloodlines: Don’t Be a Dick is produced by Billie Joe Armstrong, shares a similarity in layout, art, and font to Green Day and the record itself is on Adeline. Yes, this is the debut from the California band featuring …
Coathangers – Larceny & Old Lace
Review — August 22, 2011
For a city its size, I know next to nothing about the Atlanta, GA scene. For some reason I think of Nashville Pussy-styled sleaze rock, Athens indie, and dirty South hiphop—none of which remotely apply to the Coathangers. Instead, the Coathangers take a post-punk, No Wave sound and run …
Witches – Forever
Review — August 29, 2011
Witches are a tough band to break down. The vocals from Cara Beth Satalino are far and away the driving force on their debut, Forever. Yet, the band is anything but a singer-songwriter project. The guitars and a rhythm section are subtly driving, with an anxious energy ready to …
William Elliott Whitmore – Field Songs
Review — September 5, 2011
William Elliott Whitmore’s Anti debut, Animals in the Dark, was something of an outlier in his discography—the bigger label release introduced more instrumentation and a more global lyrical scope than much of his earlier work. While an excellent album, it isn’t fully indicative of Whitmore’s strengths, and with Field …
