I remember distinctly the first time I was introduced to Horseback. It was by their 2012 album Half Blood, and I'm told that my experiences were pretty standard. For the uninitiated, your first few seconds of listening to Horseback will inevitably go something like this:"Hm. This is some pretty interesting post-rocky stuff. Oh, hold on, something's messed up with this audio. I keep hearing this static thing, like someone is using sandpaper to scourge the inside of my speakers and--wait, those are the vocals? "Let's just say Horseback's most noticeable feature is that they take what folks might normally consider acceptable limits for black metal vocals's, er, blackness and then proceed to go so far beyond them that they're actually recorded with a two hour delay to account for the difference in time zones. They're approach background noise instead of driving lead, creating an atmosphere that is decidedly unique and haunting.Of course, that's not all there is to them. Though Horseback definitely take cues from black metal, their music is as far from it as you can get, sounding much closer to something I'm just going describe as post-black folkadelic. Repetitious melodies plod on and on, creating a near-hypnotic sensation, … Read more
It's not hard to figure that Vision Of Disorder were one of two Long Island Hardcore bands (along with Glassjaw) … Read more
Planet Destroyer, the debut EP from Toronto-based post-rock band Inspire Influence, is unhinged in execution, rising and falling like an … Read more
You may never suspect it, but listening to the catalogue of Canadian musician Devin Townsend will cause you to run … Read more
Mr. Ellis has already accomplished a great deal in his musical “career” (I say it this way because somehow I … Read more
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Mastodon is on a major label. Does anyone else think this is weird? Good for them, I just think it is strange. So what do they have to show for themselves with their first record for Warner Brothers? Blood Mountain might be the perfect major label debut, well, at least it is for this band. While it is not one of the greatest metal albums of all time, it is an accessible record that mainstream metal fans will be able to get into and enjoy. Blood Mountain has a couple of noticeable changes. First of all, Brent Hinds is singing more than he did on their previous albums. In addition, some of the songs seem much shorter in length when compared to their back catalog. Which leads me to the … Read more
Hub City Hardcore may not be on par with Greek mythology in terms of their incestuous relations, but with the debut of Plastic Cross, the New Brunswick, NJ brings yet another band of familiar faces playing a wholly new sound. The band is comprised of familiar Hub City Hardcore faces, with ex-members of The Scarlet Letter, Doc Hopper, Down in … Read more
Half of The Keystone Kids is half of Slingshot Dakota, while the other half is Ryan O'Donnell of Yo Man Go, and that was enough to hook and reel me in. While both share Carly Comando's soothing vocals and keys, each one is on the opposite side of the indie spectrum. The Keystone Kids verges more on the electro-pop side … Read more
Russian rocker Senmuth is known for his very overt fetish for all things Near Eastern. All you have to do is look at his website, and you'll see it's filled to the brim with pictures of him in Egypt, as well as the vast quantities of music and artwork that interest has inspired. But then, amongst all of that, there … Read more
Jonathan Bates, aka Big Black Delta, made me entirely rethink what pop music could be last year with the release of his incredible debut, BBDLP1. He took the standard pop music formula and twisted it so far on its head that I'm pretty sure it exited from its own ass, and I mean that as a true compliment. It was … Read more
Rehashed out of Saskatoon are working at carrying the crossover torch into the next decade. While there are a few bands doing this a smaller few truly make it work in the recorded format. Rehashed have everything it takes to be up on top it's only up to the Power It Up Records debut to prove to the world that … Read more
2012 sees Two Gallants coming back from a 5-year hiatus with their new release The Bloom and the Blight. How have the ensuing years treated the San Francisco blues-folk duo? Well, the press sheet calls it a record of catharsis, so one can only assume there were some personal events that transpired since 2007’s self-titled release. The major item that … Read more
Ohio's Homewrecker have only been a band for a relatively short time, but in that time they have bridged the gap between clevo-style hardcore, powerviolence, and straight-up grind. Within their brief recorded history the band has managed to do this pretty well. Their A389 debut proves to be a different challenge as, now, many more are familiar with their general … Read more
Whether it is rap music, hardcore or pop punk, it seems the ‘90s are forcing their way back into our unsuspecting eardrums thanks to a handful of well-versed history-appreciating up ‘n’ comers. And with that sentiment arrives Sundowning, the second album by Vancouver, BC’s Nü Sensae, a band leading the small charge of current alt-core revivalists. Now a three piece—with … Read more
Sweden’s Katatonia have been a constant presence in the realm of blackened doom/death metal since the bands inception way back in the very early 90s, and whilst a modicum of that era is still present in the group’s sound of today, Katatonia are now a fully fledged depressive rock entity. Whilst this depressive tendency ebbs and flows throughout much of … Read more
Depending on your perspective, The Gaslight Anthem are either a Bruce Springsteen cover band or one of the more exciting mainstream bands still producing music. On their fourth album, the New Jersey punks have found themselves in a curious position: whilst they have continued to grow in popularity, the critical acclaim that moved them into the public’s general awareness, has … Read more
T.O.M.B. or Total Occultic Mechanical Blasphemy has managed to up the stakes of what can qualify as black noise for over 10 years. The group sounds like distorted occultist activities that are taking place within a tomb. So now that we know how truly appropriate their name is one may question how well this record carries said reputation. The record … Read more
Young Guv, aka Ben Cook, has been keeping himself busy. Besides his full-time gig with the mammoth hardcore band Fucked Up, he’s released 11 singles and 2 previous EPs as Young Guv. Along comes EP#2 in the form of Young Guv & The Scuzz’s A Love Too Strong. This time along, he’s entered a proper studio and gathered a backing … Read more
The Riverboat Gamblers are an established band. So much so that it surprised me to see that The Wolf You Feed is just their fifth full-length, following last year’s Smash/Grab EP. With that history, they’ve jumped styles and labels, going unfettered rock to slick anthems, and successfully straddling the lines between punk, hard rock, and garage. The Wolf You Feed … Read more
TesseracT made quite a splash in the djent scene with their debut last year, the aptly titled One. Though the album itself wasn't particularly impressive, it still struck a chord with a lot of listeners and garnered the band quite a following. It's no surprise they've rushed to produce something to follow it up, and that follow up is 2012's … Read more
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